Danse de l'éventail
A variation on the popular Butterfly Dance, released in hand-colored and stenciled versions. The film has the catalogue number 2011 and was likely shot in 1897 but not screened in France until the 10th of December 1899.
Ballroom dancers Veloz and Yolanda perform the various dance fads of the first half of the twentieth century.
A variation on the popular Butterfly Dance, released in hand-colored and stenciled versions. The film has the catalogue number 2011 and was likely shot in 1897 but not screened in France until the 10th of December 1899.
American Indians dancing.
A profile on Moses Pendleton, the founder of the Pilobolus Dance Theater and MOMIX.
Shadow / Self is a film project that combines dance, fashion and music to explore the darker side of the feminine psyche. A story of human struggle told with movement, beauty and light.
A film crew is shooting a scene. Their gestures gradually slip into dancing, revealing the beauty lying in the choreography of film sets.
Almost 200 women file by a device on the wall from which they take their time checks. A man runs half-way across the screen at the end of the film.
A camera on an overhead crane travels down a large, long aisle where men are shown working on large machinery on either side. Carts carrying equipment are shown traveling on rails down the aisles. There are also men walking in the aisles. From Bitzer's Westinghouse Works series.
On the left of the screen, a small group of men lift the top off of what appears to be a turbine with a crane and continue to check the machine, tightening various parts with wrenches. On the right side, a few men appear to be testing the workings of what may be a turbine.
A fictionalized portrait of the British dancer and choreographer Michael Clark, depicting a day in his life as he and his company prepare for a performance.
“Draw or Die” is the divine imperative received by the painter, Hannah, who is being nurtured by her Grandmother, but controlled by her pragmatic mother. When her Granny spirit shouts this command to Hannah, she closes a celebration of personal visions in a dance piece that is close to visionary in itself.
A very graceful dance with voluminous draperies, by Annabelle Moore, well-known on the metropolitan stage.
In a sunny open air setting with a background of high, deep foliage trees, and a white-walled storeyed house, an acrobat with light shirt and trousers and white plimsolls is doing acrobats in a trapeze in the center of the area. Behind it, a pair of men in similar dress seem to be carrying barbells from one place to the other, rather then exercising with them.
Story about two boys, whose dreams of pursuing music careers are destroyed through substance abuse and drug trafficking.
Women getting onto a rickshaw.
Lumière's documents life in Palestine.
Different species of fish and frogs, inside an aquarium.
Marquesas in their sedan chairs.
Lyon, Men rescue rabbits from flood.
A crowd of spectators listen to President William McKinley's speech during his inauguration ceremony outside the U.S. Capitol in Washington, D.C.
19th century carnival ride.