01 Dec 2001
Mozart: Don Giovanni (Zurich Opera House)
Live 2001 production from the Zurich Opera House of the classic Mozart/Da Ponte opera, with Nikolaus Harnoncourt conducting and directed for television and video by Brian Large.
Falstaff
The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective--the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time--so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.
Top Billed Cast
Bryn Terfel Falstaff
Roberto Frontali Ford
Kenneth Tarver Fenton
Gwynne Howell Pistol
Robin Leggate Dr Caius
Peter Hoare Pistol / Bardolph
Barbara Frittoli Alice Ford
Desirée Rancatore Nanetta
Bernadette Manca di Nissa Mistress Quickly
Diana Montague Meg Page
Orchestra of the Royal Opera House
Similar movies
Mozart: Don Giovanni (Zurich Opera House) Mozart: Don Giovanni (Zurich Opera House) A Connecticut Yankee in King Arthur's Court 
A Connecticut Yankee in King Arthur's Court 18 Apr 1949
A Connecticut Yankee in King Arthur's Court
A bump on the head sends Hank Martin, 1905 auto mechanic, to Arthurian England, 528 A.D., where he is befriended by Sir Sagramore le Desirous and gains power by judicious use of technology. He and Alisande, the King's niece, fall in love at first sight, which draws unwelcome attention from her fiancée Sir Lancelot; but worse trouble befalls when Hank meddles in the kingdom's politics.
Arabella 
Arabella 29 Nov 1967
Arabella
A young woman uses her womanly wiles to seduce older men in order to aid her debt-ridden grandmother.
Munster, Go Home! 
Munster, Go Home! 15 Jun 1966
Munster, Go Home!
Herman discovers he's the new lord of Munster Hall in England. The family sails to Britain, where they receive a tepid welcome from Lady Effigy and Freddie Munster, who throws tantrums because he wasn't named Lord Munster. An on-board romance had blossomed between Marilyn and Roger, but on land Marilyn discovers Roger's family holds a longstanding grudge against the Munsters.
Flirting Scholar 
Flirting Scholar 01 Jul 1993
Flirting Scholar
A scholar in search of true love. Disguising himself as a houseboy, he indentures himself to a rich family in order to pursue the ravishing servant girl who has stolen his heart.
A Night at the Opera 
A Night at the Opera 15 Nov 1935
A Night at the Opera
The Marx Brothers take on high society and the opera world to bring two lovers together. A sly business manager and two wacky friends of two opera singers help them achieve success while humiliating their stuffy and snobbish enemies.
The Rocky Horror Picture Show 
The Rocky Horror Picture Show 14 Aug 1975
The Rocky Horror Picture Show
After getting a flat tire, two sweethearts discover the eerie mansion of a flamboyant scientist and houseful of wild characters. Through elaborate dance and rock songs, the mad scientist unveils his latest creation: a perfect, muscular man.
Lucia di Lammermoor 
Lucia di Lammermoor 18 Oct 2016
Lucia di Lammermoor
Diana Damrau’s reputation as the world’s leading coloratura soprano has been built on her extraordinary technical virtuosity, her sensitive musicianship and her acute psychological insight. In this DVD of Katie Mitchell’s sometimes radical production of Lucia di Lammermoor from London’s Royal Opera House, she is, as the Financial Times wrote, “brilliantly convincing”. The British award winning director Katie Mitchell – took a revisionist approach to the drama, updating the action to the mid-19th century and applying a feminist slant as she added new and unexpected elements. The Financial Times wrote: “Mitchell shows us on stage personal traumas that a self-respecting woman in the early 19th century was meant to keep to herself. It is a messy, bloody list — nocturnal sex trysts, a knife murder, a miscarriage, a suicide in the bath … In all this Damrau is brilliantly convincing. Her rebellious Lucia is a woman of modern attitudes stuck in a still feudal Victorian world.”
Werther 
Werther 05 Nov 2005
Werther
Filmed at the Vienna State Opera in 2005, Andrei Serban's production of Massenet's opera with a late 18th century setting pushes the action forwards to the 1950's,with the visuals exemplifying that decade with precision.With as much delicacy on display as naked passion,his(Alverez)morbid poet is outstandingly realised both vocally and dramatically. Together with Erod's dour Albert and Ileana Tonca's Sophie-clearly in love with Werther herself-the drama is set out with unusual clarity and realism.Philippe Jordan ensures that Massenet's pent-up emotion explodes exactly on cue,its expressive power providing impossible to resist.
Rameau Hippolyte et Aricie 
Rameau Hippolyte et Aricie 26 Feb 2014
Rameau Hippolyte et Aricie
Emmanuelle Haïm has established herself as one of the world’s leading performers, conductors and interpreters of Baroque repertoire, not only with Le Concert d’Astrée, the ensemble she founded in 2000, but with several of the world’s greatest orchestras. Known for her fresh and expressive approach to Baroque music, she has garnered critical acclaim and several international awards with her own ensemble, including Victoires de la Musique Classique, ECHOs, Gramophone Awards, and Grammy nominations.
Juwanna Mann 
Juwanna Mann 21 Jun 2002
Juwanna Mann
A basketball star is booted out of the NBA when his on-court antics go too far, so he poses as a woman and joins the WUBA.
Don Quichotte 
Don Quichotte 15 Jun 2010
Don Quichotte
This May 2010 production of Massenet's 1910 opera "Don Quichotte" marked the opera's centenary and also Jose Van Dam's operatic farewell at the Theatre de la Monnaie, Brussels. It is beautiful in every way--vocally, scenically, sonically, and visually--and a worthy record of Van Dam's farewell. Van Dam is just shy of 70 in this production, but you would never guess it from his singing or stage movements--a consummate artist. His is a noble portrayal and deeply moving. The Act V death scene is a model of beautiful singing and acting.
Verdi La Traviata 
Verdi La Traviata 14 Aug 1992
Verdi La Traviata
This set has Edita Gruberova singing in top form, all her scooping cast aside, which one finds in abundance in her Lucia under Richard Bonynge. Here, however, she makes ravishing use of those bits of tone that only she can produce: those instances of coloratura and dramatic legato with little asides and small florishes of style that suggest her intelligent approach and her high degree of musical involvement in this role. She does this in her I Puritani and her Anna Bolena, less so in Roberto Deveraux and Maria Stuarda(both sets). Listen to Addio del passato and the Sempre Libra...ravishing, yes, but there are again those nuances learned from Callas that she makes her own. A very singualr perform,ance, and extremely moving with its detail and cry for pity throughout..from the start even. Neil Schicoff is excellent, not an unworthy Alfredo at all! His is a great lyric tenor voice that should have been in the top line.
Mitridate Re Di Ponto 
Mitridate Re Di Ponto 01 Mar 2006
Mitridate Re Di Ponto
The definitive version of this rare opera by Wolfgang Amadeus Mozart. The costume and set design is truly visionary and other worldly and gives a convincing insight into what staged operas must have looked like during the Baroque and Rococo period. Singers are all excellent and well cast in their respective roles. One of the most thrilling things I have seen, just wish I could see this live.
Parsifal - Teatro Massimo 
Parsifal - Teatro Massimo 10 Apr 2020
Parsifal - Teatro Massimo
No overview found
I Vespri Siciliani 
I Vespri Siciliani 17 Jul 1986
I Vespri Siciliani
I Vespri Siciliani must me Verdi's most underrated masterpiece. Most people are put off by the fact that it has 5 acts, therefore they conclude that it must be incredibly long. It is long but not as long as some people may fear as most of the acts are under half an hour each. The total length of the DVD in question is 171 minutes, just under 3 hours, including titles at the beginning, applauses and curtain calls between the acts and at the end. The opera contains Verdi's most powerful overture and a number of very elegant arias, duets and ensembles for the principals.
Gianni Schicchi 
Gianni Schicchi 13 Oct 2015
Gianni Schicchi
Woody Allen's production of the Puccini comic opera at LA Opera in 2015
Lohengrin 
Lohengrin 05 Jul 2019
Lohengrin
After Tristan und Isolde (2016), Parsifal (2017) and Die Meistersinger von Nürnberg (2018) this is the fourth installment of the exclusive, multiyear partnership between Deutsche Grammophon and the Bayreuth Festival, in which the Yellow Label is the exclusive audiovisual partner of the mythical Wagner festival, releasing each edition's new production on Blu-ray. This year, we are proud to release on Blu-ray the celebrated production of Lohengrin which was premiered on 25 July 2018, featuring an illustrious cast including Piotr Beczala and Anja Harteros in their house debuts, as well as the acclaimed return of Waltraud Meier to the Bayreuth Festival. The New York Times praised Piotr Beczala’s Lohengrin as “outstanding”, Anja Harteros [making] her impressive Bayreuth debut” as Elsa, and Ortrud “played with dominant presence by the incomparable Waltraud Meier”.
Don Giovanni Don Giovanni 01 Jan 1991
Don Giovanni
Live performance from Cologne Opera. Conlon conducts a skittishly dynamic performance of Don Giovanni. He relies on Thomas Allen’s tough Don to give the work much of its dark menace and on Holle’s terrifying Commendatore to provide the moral outrage – his job is to keep things moving, and he does. The exteriors – blank city spaces reminiscent of the paintings of Giorgio De Chirico – and moodily claustrophobic interiors mirror effectively the anguish of the orphaned Anna and the abandoned Elvira; this is a performance in which the two women victims of the Don function effectively as correctives to his libertine charm. Andrea Rost as Zerlina brings real delicacy to her role, reminding us that “La ci darem la mano” is a duet about her flirtation with Don Giovanni and not just a famous stand-alone moment. This is an admirable presentation of a fine performance.
The Graduate 
The Graduate 21 Dec 1967
The Graduate
A disillusioned college graduate finds himself torn between his older lover and her daughter.