Thomas Hart Benton
Thomas Hart Benton's paintings were energetic and uncompromising. Today his works are in museums, but Benton hung them in saloons for ordinary people to appreciate.
The extraordinary story of comedian Bob Monkhouse's life and career, told through the vast private archive of films, TV shows, letters and memorabilia that he left behind.
Thomas Hart Benton's paintings were energetic and uncompromising. Today his works are in museums, but Benton hung them in saloons for ordinary people to appreciate.
Not Taco Bell Material is Adam Carolla’s first ever stand up special based on his New York Times best-selling autobiography. The performance showcases Adam’s incredible improvisational comedy skills featuring tales from his youth, told through stand-up comedy and photos. It’s hilarious, poignant, and even inspiring.
A hapless talent manager named Danny Rose, by helping a client, gets dragged into a love triangle involving the mob. His story is told in flashback, an anecdote shared amongst a group of comedians over lunch at New York's Carnegie Deli. Rose's one-man talent agency represents countless incompetent entertainers, including a one-legged tap dancer, and one slightly talented one: washed-up lounge singer Lou Canova, whose career is on the rebound.
Through the Fondren Fellows program, the Rice Media Center Archive Project has spent the past few months sifting through material stored at the now-defunct Rice Media Center. The team has identified several films as especially notable and will be presenting them in conjunction with documentary footage the team shot of people involved with the films. From lectures featuring Roberto Rossellini and Werner Herzog to films from former Rice students and faculty, the film presentation will tell the narrative of the Rice Media Center through the films and filmmakers that passed through its corridors.
On April 13, 2011, Les Films 13 production company turned 50. How can one celebrate an anniversary of this sort ? By simply making "another" film that would sum up all the earlier ones. D'un film à l'autre is hence a kind of anthology of the films produced Les Films 13 since the 1960s (short and feature films written and directed for the main part by Claude Lelouch), a best-of of half a century of cinema, going from Le Propre de l'homme to What Love May Bring. A biography in images of a filmmaker as admired as he is criticized. In reality, D'un film à l'autre is more than a series of film excerpts, interviews, and making-of documents (some of which possess an undeniable historical value, like that from A Man and A Woman, or the final performances of Patrick Dewaere).
In his most revealing performance yet, the one-hour special features an exploration into Blaine’s trademark style of street magic as he once again stuns his audience.
“Archeology” and “Archive” share the same roots. Both words come from “Arkhé”, the Greek word for “origin”. In the ruins of buildings, lost forever by earthquakes, as in the depth of the archives, we dig. What happened the morning of the big earthquake? The morning of September 19th 1985 is fading away in our memories. These recordings have never been seen. Unedited images of the catastrophe dug out by the archaeological adventure of an archivist that suffered with them. He dug and suffered until he could no longer see.
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Actor/cult icon Bruce Campbell examines the world of fan conventions and what makes a fan into a fanatic.
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Documentary about “Os Mulheres Negras” , the world´s third smallest big band, discussing music, aesthetics and creation in Brazil from the 80´s till nowadays.
A documentary that portrays not only the poet and painter Mario Cesariny but as well his life, his journey and his individuality.
In How to Meet a Mermaid, the sea becomes a haven for mankind, locked in its struggle with its 'indifferent universe'. Lex, Rebecca, and Miguel each have their own reasons to lay their lives in the hands of the capricious waters. The question remains, however, whether they will find what they so anxiously seek underneath the surface of the waters.
The shockingly controversial, outrageous, and wickedly funny comedienne performing live in front of a celebrity audience.
Jerry Falk, an aspiring writer in New York, falls in love at first sight with a free-spirited young woman named Amanda. He has heard the phrase that life is like "anything else," but soon he finds that life with the unpredictable Amanda isn't like anything else at all.
On December 17th 2019, I, James Acaster, filmed my 2019 tour show Cold Lasagne Hate Myself 1999 at EartH in Hackney. It was a show about the best year of my life (1999) and the worst year of my life (2017), I wore a very nifty jacket for it and I looked extremely cool.
Appalachian Journey is one of five films made from footage that Alan Lomax shot between 1978 and 1985 for the PBS American Patchwork series (1991). It offers songs, dances, stories, and religious rituals of the Southern Appalachians. Preachers, singers, fiddlers, banjo pickers, moonshiners, cloggers, and square dancers recount the good times and the hard times of rural life there. Performers include Tommy Jarrell, Janette Carter, Ray and Stanley Hicks, Frank Proffitt Jr., Sheila Kay Adams, Nimrod Workman and Phyllis Boyens, Raymond Fairchild, and others, with a bonus of a few African-Americans from the North Carolina Piedmont.
A short film about Pete Seeger and the birth of banjo music throughout the Southern United States.
This short documentary tells the story of one of the world’s most difficult and bizarre sporting events: The Barkley Marathons. This 100-mile footrace and its 60-hour time limit force athletes to run, crawl and climb an elevation gain equivalent to two treks up Mt. Everest. In nearly thirty years, only fourteen runners, out of over one thousand participants, have finished The Barkley.
Sam Schmidt lived out his boyhood dream as an IndyCar racer, winning races and earning the title of IndyCar "Rookie of the Year" along the way. That dream came to an abrupt end when Sam crashed into a wall at 200 miles per hour, leaving him a quadriplegic. Reengineering SAM pulls the curtain back and shows up close the serious implications of a life of paralysis on Sam and everyone around him. Sam's accident rendered him physically helpless, never being able to brush his teeth, much less drive again, until a dedicated group of some of the brightest minds today stepped up to build him a car that he could drive, using only his head. Through groundbreaking adaptive technologies, Reengineering SAM chronicles Sam Schmidt's inspirational road back to the Indianapolis Motor Speedway and shows the promise of freedom and mobility for almost anyone confined to a wheelchair.