DefQon 1 Festival 2013
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The DefQon 1 Festival 2009 on Almere Strand.
In this MGM Miniature Musical, Harry Owens and his orchestra perform several song numbers.
The story of The Boomtown Rats, who fought a conservative Ireland, broke through the UK punk scene, scored global No 1 hits and revolutionised the world with Bob Geldof’s Live Aid.
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Gala (1961), a more polished version of Pourvu, set in a black cha-cha nightclub. Relying more upon looks, faces, and unease, rather than gags or dialogue, Pollet sets the cool elegance of the club's manager against the decidedly uncool Melki and his sartorial inadequacies. - Village Voice
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Dvorak's masterpiece. 1981 telecast conducted by Jan Štych.
Former Oasis frontman Liam Gallagher headlines the main stage at Seaclose Park.
A scenic material that gives answers to what it is like to be a man at the expense of a woman or a study of the masculine and feminine, the show discusses how the masculine and feminine roles are undergoing accelerated transformation.
When record store owner and compulsive list-compiler Rob Gordon gets dumped by his long-time girlfriend, Laura, because he hasn't changed since they met, he revisits his top five breakups of all time in order to figure out what went wrong. As he examines his failed attempts at romance and happiness, the process finds him being dragged, kicking and screaming, into adulthood.
In this documentary from director Justin Mitchell, the world of the U.S. indie-music scene of the 1980s and '90s is explored, specifically with regard to how it transcended clichés about where music was heading in that era. Taking its title from renowned independent cinema pioneer John Cassavetes, the black-and-white film takes a peek at several fringe bands of the period, including Sleater-Kinney, the Make-up, and the Hi-Fives, and their various attitudes toward the ever-changing business.
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Capturing John Lennon, Paul McCartney, George Harrison and Ringo Starr in their electrifying element, 'A Hard Day's Night' is a wildly irreverent journey through this pastiche of a day in the life of The Beatles during 1964. The band have to use all their guile and wit to avoid the pursuing fans and press to reach their scheduled television performance, in spite of Paul's troublemaking grandfather and Ringo's arrest.
A true Canadian iconoclast, acclaimed transgender country/electro-pop artist Rae Spoon revisits the stretches of rural Alberta that once constituted “home” and confronts memories of growing up queer in an abusive, evangelical household.
Loving cult film and idiosyncratic musical portrait of summer festivities in the Catalan village of Crespià, with early performances by the well-known faces from the work of Serra.
Jazz superstar Chick Corea and some of jazz's finest musicians team up to salute legendary jazzman Bud Powell in these two 1996 sets. Corea, Roy Haynes, Kenny Garrett, Christian McBride, Wallace Roney and young master saxophonist Joshua Redman play live in Japan and Germany, highlighted by some of Powell's finest music. Set list: Glass Enclosure, Tempus Fugit, Dusk In Sandi, Bud Powell, Oblivion, I'll Keep Loving You, Un Poco Loco.
After completing work on the British musical Invitation to the Waltz, Lillian Harvey returned to her adopted country of Germany to star in the comedy-with-music Glueckskinder (Children of Fortune). Harvey plays Ann Garden, an unemployed actress who ends up in night court on a loitering charge. Here she meets Gil Taylor (Willy Fritsch), a struggling songwriter temporarily employed as a court reporter. Hoping to keep her out of jail, Gil impulsively tells the judge that he's engaged to Ann -- whereupon the judge, equally impulsively, marries the couple on the spot! After this inauspicious start, Ann and Gil embark upon a rocky (but tuneful) whirlwind romance.
When Marvin Hamlisch passed away in August 2012 the worlds of music, theatre and cinema lost a talent the likes of which we may never see again. Seemingly destined for greatness, Hamlisch was accepted into New York’s Juilliard School as a 6-year-old musical prodigy and rapidly developed into a phenomenon. With instantly classic hits ‘The Way We Were’ and ‘Nobody Does It Better’ and scores for Hollywood films such as The Swimmer, The Sting and Sophie’s Choice and the Broadway juggernaut A Chorus Line; Hamlisch became the go-to composer for film and Broadway producers and a prominent presence on the international Concert Hall circuit. His streak was staggering, vast, unprecedented and glorious, by the age of 31 Hamlisch had won 4 Grammys, an Emmy, 3 Oscars, a Tony and a Pulitzer prize: success that burned so bright, it proved impossible to match.