21 Oct 1942
For Me and My Gal
Two vaudeville performers fall in love, but find their relationship tested by the arrival of WWI.
Love on Tap
In this musical short, a man tries to woo the manager of a dance troupe.
Top Billed Cast
Mary Howard Penny
Truman Bradley Tommy
Garwood Van Himself - Orchestra Leader
Patrick Cunning Man from Elevator (uncredited)
Charles McAvoy Cop Escort (uncredited)
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Honey Daniels dreams of making a name for herself as a hip-hop choreographer. When she's not busy hitting downtown clubs with her friends, she teaches dance classes at a nearby community center in Harlem, N.Y., as a way to keep kids off the streets. Honey thinks she's hit the jackpot when she meets a hotshot director casts her in one of his music videos. But, when he starts demanding sexual favors from her, Honey makes a decision that will change her life.
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They identify the Brazilian dance formation Cia Dita as a "search place": exploring and recreating in artistic production the interactions between different languages through dance, video, performance, photography and literature. Founded in 2003, the troop has traveled around the world and all continents with their projects. They call Corpornô (from "hardcore" and "porn") the Cia Dita atomic bomb, supersonic, crossing the sky with a ray of light in the deluded world of Puritans. Corpornô is a fine line between erotica and pornography. Heroes dive into the depths of the human being, incredibly representing what is animal, social, human, and inhumane in each of us. The show premiered in April 2013 and today is the most sought-after performance of the band.
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At Mr. Rad's Warehouse, the best hip-hop crews in Los Angeles compete for money and respect. But when a suburban crew crashes the party, stealing their dancers - and their moves - two warring friends have to pull together to represent the street. Starring hip-hop sensations Marques Houston, Omari Grandberry, Lil' Kim and comedian Steve Harvey.
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(A)lter (A)ction, 1968. Videotape, black-and-white, sound; 65 minutes (director's edit: 57 minute television version).
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Two talented song-and-dance men team up after the war to become one of the hottest acts in show business. In time they befriend and become romantically involved with the beautiful Haynes sisters who comprise a sister act.
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A young Irish boy named Keegan and Spanish girl named Moya journey into a magical world of the Megaloceros Giganteus who teach them to appreciate Riverdance as a celebration of life. Based on the stage show phenomenon of the same name and featuring Bill Whelan’s multi-platinum Grammy Award-winning music.
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Catita intercedes when a producer courts a chorus girl who is director's girlfriend.
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A shy Greenwich Village book clerk is discovered by a fashion photographer and whisked off to Paris where she becomes a reluctant model.
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In this short film by Norman McLaren, dancers enact the Greek tragedy of Narcissus, the beautiful youth whose excessive self-love condemned him to a trapped existence. Skilfully merging film, dance and music, the film is a compendium of the techniques McLaren acquired over a lifetime of experimentation.
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A former professional dancer volunteers to teach dance in the New York public school system and, while his background first clashes with his students' tastes, together they create a completely new style of dance. Based on the story of ballroom dancer, Pierre Dulane.
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As played out by a theatre troupe, the last days of Jesus Christ are depicted from the perspective of Judas Iscariot, his betrayer. As Jesus' following increases, Judas begins to worry that Jesus is falling for his own hype, forgetting the principles of his teachings and growing too close to the prostitute Mary Magdalene.
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Inspired by Goethe's early romantic play Clavigo, Roland Petit's ballet recounts the agonies of a weak-willed lover torn between the contradictory promptings of his heart and his evil spirit, which urges him to serve his own interests and forsake true love in favor of a life of debauchery. Recorded live at the Opera National de Paris, Palais Garnier, October 1999.
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This is one of the rare gems in early Chinese musical films that still exists today. Nancy Chan plays a naïve young woman who can sing and dance. Under the arrangement of her stepfather, she becomes a star and indulges in the glitz and glamour of the entertainment world before getting married to a wealthy heir in Nanyang. Yet her husband is cruel and unfaithful, leading her to divorce and return to her parents in Shanghai. She is set for a comeback to the stage. Her young daughter suffers from a serious illness. A remake of the Bu Wanchang’s silent film The Light of Maternal Instinct (1933), this film takes cues from Hollywood musicals, resulting in an elegant and lively fusion of camera movement and musical numbers. The film also reflects the harsh reality of China in the 1930s and the pathos of popular literature by combining morals, entertainment and social commentary to show that changes in the idea of femininity is a symbol of progress.
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