Action on the Beach
Behind the scenes look at the D-Day special effects created in filming The Americanization of Emily (1964).
London is burning. German bombs are decimating British homes and the dead lie in heaps. But this Blitz has nothing to do with World War II.
Engineer Dr Hugh Hunt revisits the little-known story of the First World War's Blitz, when the Zeppelin waged an 18-month terror campaign on the people of London.
Behind the scenes look at the D-Day special effects created in filming The Americanization of Emily (1964).
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James Holland moves beyond the D-Day beaches to reassess the brutal 77-day Battle for Normandy that followed the invasion. Challenging some of the many myths that have grown up around this vital campaign, Holland argues that we have become too comfortable in our understanding of events, developing shorthand to tell this famous story that does great injustice to those that saw action in France across the summer of 1944.
A movie based on real wartime diaries tells the story of the Swedish speaking Finns' infantry regiment 61. The story follows the regiment during the Continuation War from 1942 to 1944 and from Syväri to the Karelian Isthmus where they faced some of the most grueling battles against the Soviet Union.
Compiled from the Imperial War Museum Official Collection, this film collects rare and previously unseen film material shot by official cameramen on behalf of the RAF before the formation of the RAF Film Production Unit in September 1941. It tells the story of the RAF in the early years of the Second World War through the "phoney war", the Blitzkfreig and the Battle of Britain, capturing everyday life for those who served as wel as the RAF's frontline aircraft of the period. Other highlights include a fillmed account of a Blenheim raid on Northern France, a Sunderland flying boat sortie over Norway and Winston Churchill inspecting the new American aircraft for the RADF including the B-17, Douglas Boston and P-40.
How did Nazi Germany, from limited natural resources, mass unemployment, little money and a damaged industry, manage to unfurl the cataclysm of World War Two and come to occupy a large part of the European continent? Based on recent historical works of and interviews with Adam Tooze, Richard Overy, Frank Bajohr and Marie-Bénédicte Vincent, and drawing on rare archival material.
George Stevens's remarkable film is acclaimed by historians as the most important colour footage taken during the war. Milestones covered include the liberation of Paris, the link-up between the Russian and American armies on the River Elbe and the Allied capture of the Dachau concentration camp.
On the 29th September 1945, the incomplete rough cut of a brilliant documentary about concentration camps was viewed at the MOI in London. For five months, Sidney Bernstein had led a small team – which included Stewart McAllister, Richard Crossman and Alfred Hitchcock – to complete the film from hours of shocking footage. Unfortunately, this ambitious Allied project to create a feature-length visual report that would damn the Nazi regime and shame the German people into acceptance of Allied occupation had missed its moment. Even in its incomplete form (available since 1984) the film was immensely powerful, generating an awed hush among audiences. But now, complete to six reels, this faithfully restored and definitive version produced by IWM, is being compared with Alain Resnais’ Night and Fog (1955).
Gunman Flame and his partner Citron assassinate Nazi collaborators for the Danish resistance. Assigned targets by their Allies-connected leader, Aksel Winther, they relish the opportunity to begin targeting the Nazis themselves. When they begin to doubt the validity of their assignments, their morally complicated task becomes even more labyrinthine.
A look at the life of legendary American pilot Amelia Earhart, who disappeared while flying over the Pacific Ocean in 1937 in an attempt to make a flight around the world.
In the early years of the 20th century, Mohandas K. Gandhi, a British-trained lawyer, forsakes all worldly possessions to take up the cause of Indian independence. Faced with armed resistance from the British government, Gandhi adopts a policy of 'passive resistance', endeavouring to win freedom for his people without resorting to bloodshed.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
In 1947, four German judges who served on the bench during the Nazi regime face a military tribunal to answer charges of crimes against humanity. Chief Justice Haywood hears evidence and testimony not only from lead defendant Ernst Janning and his defense attorney Hans Rolfe, but also from the widow of a Nazi general, an idealistic U.S. Army captain and reluctant witness Irene Wallner.
The classic story of English POWs in Burma forced to build a bridge to aid the war effort of their Japanese captors. British and American intelligence officers conspire to blow up the structure, but Col. Nicholson, the commander who supervised the bridge's construction, has acquired a sense of pride in his creation and tries to foil their plans.
A Russian and a German sniper play a game of cat-and-mouse during the Battle of Stalingrad in WWII.
As U.S. troops storm the beaches of Normandy, three brothers lie dead on the battlefield, with a fourth trapped behind enemy lines. Ranger captain John Miller and seven men are tasked with penetrating German-held territory and bringing the boy home.
This documentary is a captivating account of the defense of Wake Island by a small contingent of United States Marines and civilian contractors. From December 8th until December 23rd, 1941 the defenders thwarted an aerial attack and an attempted amphibious landing from a naval task force before finally being overwhelmed by the third attempt by the Japanese Imperial Navy.
A Jewish boy separated from his family in the early days of WWII poses as a German orphan and is taken into the heart of the Nazi world as a 'war hero' and eventually becomes a Hitler Youth.
French film and WWII historian Sylvie Lindeperg analyzes Alain Resnais's seminal 1956 film, "Night and Fog", and attempts to place it in the context of the historical treatment of WWII, and specifically of the Holocaust, in the decade following those harrowing events. Oddly, she argues that the images of Resnais's famous film are "powerless", in her words.
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