Equilibre
In the middle of the French Alps, some adventurers balance themselves on slacklines high above the ground.
A personal, accessible look at an artist - Kevin Barnes, frontman of the endlessly versatile indie pop band of Montreal - whose pursuit to make transcendent music at all costs drives him to value art over human relationships. As he struggles with all of those around him, family and bandmates alike, he's forced to reconsider the future of the band, begging the question - is this really worth it?
In the middle of the French Alps, some adventurers balance themselves on slacklines high above the ground.
"Oh, Well, That's The End Of The Band…" - A short film documenting the personal and professional aftermath of Alan Wilder's decision to leave Depeche Mode; the story of the fledgling attempts to get the band recording again, and the tale of Dave Gahan's descent toward 'rock bottom' and his subsequent conquering of his demons. The resultant album, Ultra, was formed, like all the best Depeche Mode records, in a very different style to those which had gone before.
One of the most provocative and elusive figures in contemporary art finds himself the subject of Maura Axelrod's film. Catapulted to worldwide notoriety in 1999 by The Ninth Hour, a sculpture of Pope John Paul II toppled by a meteorite, Maurizio Cattelan's work has bordered on criminal activity (breaking into a gallery and stealing another artist's work) and regularly defies good taste - Him features Hitler in prayer and sold earlier this year for a whopping £12,000,000. Building his career on evasion, trickery and subversion, Cattelan is perhaps not the most reliable of interviewees, but ex-girlfriends, family members, collectors and dealers build a compelling and intimate portrait of an enigmatic figure. Bold, witty and playful as a Cattelan work itself, is this film really all it seems?
To mark his fiftieth birthday in 1988, London's Tate Gallery staged a major retrospective of his work. Melvyn Bragg joined David Hockney for an exclusive private view of the exhibition and they were filmed discussing pictures from all stages of Hockney's remarkable career.
In April 2002 the White Stripes played four sold-out shows in a row at NYC's landmark Bowery Ballroom. This documentary chronicles those performances and offers an all-access pass (warts-and-all) to the backstage chaos surrounding the limelight-shy Jack and Meg White.
David Hockney undertakes a commission to design and install a stained-glass window in Westminster Abbey to commemorate the sixty-fifth year of Queen Elizabeth II's reign.
Contemplates the contribution of Puerto Rican artist Cossette Zeno.
The film offers exclusive and intimate insights into how and why the classically trained artist risked rejection to revolutionize the traditional Chinese ink art form in Singapore.
An exploration of the work of controversial pop artist Allen Jones, whose erotic sculptures have angered feminists, challenged his contemporaries, and delighted collectors and gallery goers worldwide. WOMEN AND MEN attempts to demystify the artist through discussion with prima ballerina Darcey Bussell, wife Deirdre Morrow, fellow artist Gary Hume, and Jones himself.
Terry and Dean are lifelong friends who have grown-up together: shotgunning their first beers, forming their first garage band, and growing the great Canadian mullet known as "hockey hair". Now the lives of these Alberta everymen are brought to the big screen by documentarian Ferral Mitchener in an exploration of the depths of friendship, the fragility of life, growing up gracefully and the art and science of drinking beer like a man.
Growing up as a Deaf individual in Indonesia, Mufi was taught to speak instead of sign. As an adult, now she carves her music career to inspire others to express themselves through sign language.
On September 15th 2008, the day of the the collapse of Lehmans, the worst financial news since 1929, Damien Hirst sold over £60 million of his art, in an auction at Sotheby’s that would total £111 million over two days. It was the peak of the contemporary art bubble, the greatest rise in the financial value of art in the history of the world. One art critic and film-maker was banned by Sotheby’s and Hirst from attending this historic auction: Ben Lewis.
A profile of the Hippest band of the 60's and 70's as they prepare for a reunion gig.
Filmed at the Museum of Fine Arts, Boston and the Tate Britain, London, the exhibition reveals Sargent’s power to express distinctive personalities, power dynamics and gender identities during this fascinating period of cultural reinvention. Alongside 50 paintings by Sargent sit stunning items of clothing and accessories worn by his subjects, drawing the audience into the artist’s studio. Sargent’s sitters were often wealthy, their clothes costly, but what happens when you turn yourself over to the hands of a great artist? The manufacture of public identity is as controversial and contested today as it was at the turn of the 20th century, but somehow Sargent’s work transcends the social noise and captures an alluring truth with each brush stroke.
Supersonic charts the meteoric rise of Oasis from the council estates of Manchester to some of the biggest concerts of all time in just three short years. This palpable, raw and moving film shines a light on one of the most genre and generation-defining British bands that has ever existed and features candid new interviews with Noel and Liam Gallagher, their mother, and members of the band and road crew.
This is the legendary meeting between a young filmmaker and one of the masters of surrealism: the spanish painter Óscar Domínguez, born in La Laguna, Tenerife, in 1906, died in Paris in 1957. In the "Visite," the artist -admirer of Picasso, rebellious disciple of Breton- is presented in solitude, far from the tumult of the exhibitions and parisian circles. An austere approach, almost “povera”, with no audio, nor flashy camera movements, but rarely attractive. Why Resnais could not finish his movie? Hope one of our experts help us to solve the mystery.
Take an inside look at Rick Perry’s strange and wonderful life as Creative Producer for Dimension 20.
Hopper, one of America’s most admired artists, captured the shared realities of American life with poignancy and enigmatic beauty. His iconic images, set in unexceptional places, reveal the poetry of quiet, private moments. Hopper’s influences, which vary from French impressionism to the gangster films of the 1930s, are explored through archival photos, footage of locations he painted in New York and along the New England coast, and interviews with artists Eric Fischl and Red Grooms.
The film reconstructs with care and tactile and optical sensuality the path and legacy of a unique figure of woman and artist: from the turn of the sixties with the "Looms", the "Sewn Canvas", the "Breads", the "Scriptures", the collective action carried out with the citizens of Ulassai in 1981 ("Tying to the mountain"), which anticipates relational art, one of the main artistic currents of the late twentieth century, by a decade. The repertoire materials and landscapes integrate the chorus of testimonies from friends, collaborators, artists, and critics with the same mysterious serenity of the artist's voice.
An experimental self-portrait, MMXIII explores phenomenological subtlety, intersections of construct and verité, and the ways in which technology, landscape, and beauty coalesce.