![Joan Jett & The Blackhearts - Guitar Center Sessions](https://image.tmdb.org/t/p/w342/r94Sevbgd4BdHL0RBSnivlSHqr7.jpg)
21 Apr 2015
![Joan Jett & The Blackhearts - Guitar Center Sessions](https://image.tmdb.org/t/p/w342/r94Sevbgd4BdHL0RBSnivlSHqr7.jpg)
Joan Jett & The Blackhearts - Guitar Center Sessions
Concert and interview of Joan Jett and The Blackhearts during Guitar Classis Sessions
What's eating you?
Gutter punks shouldn't play with dead things...or have sex with them. When Sarah (Tiffany Stinky) screws a corpse in the local funeral home she gets the "ROT," a deadly, flesh-eating virus that soon infects her punk rock boyfriend Muzzy (Billy Scam). Realizing they are doomed to rot alive together, Sarah and Muzzy set out on a nihilistic rampage, spreading ultra-violence and the virus in their chaotic wake. As the plague of rotting flesh rages out of control, the FBI, secretive government agencies and Dr. Robert Olsen (Joel D. Wynkoop), the deranged scientist who created the "ROT", become involved, making everything far worse for the citizens of Sunnyville, Florida.
Sarah
Muzzy
Dr. Robert Olsen
Agent Dalton
Mysterious Illuminati Official
21 Apr 2015
Concert and interview of Joan Jett and The Blackhearts during Guitar Classis Sessions
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Iggy and the Stooges, live at The Hordern Pavilion in Sydney on April 2, 2013. It was an old-school punk party complete with stage invasions, crazy crowdsurfing and an arsenal of punk anthems – it’s Iggy and The Stooges‘ scorching Sydney show!
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Henry Rollins narrates Lilly Scourtis Ayers' no-holds-barred profile of volatile Bay Area punk legend Marian Anderson, whose hypnotic beauty, devil-may-care rebellion and shocking sexual exploits onstage launched her to infamy before tragically dying of a heroin overdose at the tender age of 33.
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The world is full of zombies and the survivors have barricaded themselves inside a walled city to keep out the living dead. As the wealthy hide out in skyscrapers and chaos rules the streets, the rest of the survivors must find a way to stop the evolving zombies from breaking into the city.
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A troubled young man struggles with a skin affliction and recurring nightmares of a monstrous figure. As his condition worsens, he grapples with his past, fearing he's becoming the very monster he dreads.
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How do you keep your humanity when humanity is gone? Many years after the end of the world, the Zombies are starving. A small group of human survivors struggle to keep themselves safe. Newcomer Tyler has all the answers, but conflicts arise within the group. When they are suddenly faced with a new enemy, to survive they will have to work together...
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'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'
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In a world left behind, 12-year old Clara Is forced to take care of her dying father
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Lucía works caring for elderly men with terminal conditions, although her life revolves around dance. The company to which she belongs, is preparing the most demanding and complex presentation of the year. Despite this, Lucía finds it extremely difficult to merge both aspects of her life. The stillness of the patients consumes her. But Lucía just wants to dance.