Private Number
Ellen Neal, a young and inexperienced maid, becomes romantically involved with her employers son which causes various complications. The head butler also has an infatuation for the young girl but his intentions are not that good.
Goksel is a butler at the mansion of the wealthy Mr. Kadri. As Mr. Kadri and his family go on a three-month trip to Europe, Goksel sends all the staff on vacation -except the cook and driver. Goksel introduces himself to the society as the landlord. In the meantime Fatma, daughter of a rich family doesn't accept her parents' intentions of having her married to someone she doesn't want and runs away from her home. She starts working at Goksel's residence as a maid. Goksel is dating with Aysel who is already engaged. Fatma has an affection for Goksel but he wants to have someone rich. Mr. Kadri returns from his trip earlier than expected and all the lies are revealed. Aysel leaves Goksel and Fatma confesses him her love. Goksel soon comes to know who Fatma really is. The lovers start a brilliant life together.
Ellen Neal, a young and inexperienced maid, becomes romantically involved with her employers son which causes various complications. The head butler also has an infatuation for the young girl but his intentions are not that good.
After a wizard's spell goes awry, 12th-century Gallic knight Godefroy de Papincourt, Count of Montmirail finds himself transported to 1993, along with his dimwitted servant, Jacquouille la Fripouille. Startled and perplexed by modern technology, the duo run amok, destroying cars and causing chaos until they meet Beatrice de Montmirail, an aristocratic descendant of the nobleman, who may be able to help them get back to 1123.
A weekend at a marquis’ country château lays bare some ugly truths about a group of haut bourgeois acquaintances.
The Dashwood sisters, sensible Elinor and passionate Marianne, whose chances at marriage seem doomed by their family's sudden loss of fortune. When Henry Dashwood dies unexpectedly, his estate must pass on by law to his son from his first marriage, John and wife Fanny. But these circumstances leave Mr. Dashwood's current wife, and daughters Elinor, Marianne and Margaret, without a home and with barely enough money to live on. As Elinor and Marianne struggle to find romantic fulfillment in a society obsessed with financial and social status, they must learn to mix sense with sensibility in their dealings with both money and men.
Eddy and Patsy prepare to go on a skiing holiday to hopefully indulge in the jet-setting lifestyle of the international celebrity elite when Saffy is proposed to by her stuffy, upper-class boyfriend, Paolo. Eddy hits the slopes and has a near death experience where God appears to her and tells her it's not yet her time. When Eddy comes to, she waits for a sign that she should get involved in Saffy's wedding. As she returns to the house, it appears all hell has broken loose- relatives piling up, practically squatting, and Saffy about to lose her mind. Eddy calms her by throwing money at her as they bond together, planning Saffy's dream wedding. What could go wrong?
An orphaned girl, driven by poverty at such a young age, makes a promise with an enchantress. In return for beauty and the admiration of every man, she will never be with the man she loves. This spell cannot be broken unless the impossible happens: snow falling in spring and the dead coming back to life. Now a grown and beautiful princess, she regrets her promise, for all of the men she's loved has always been met with tragedy.
An ex-thief is accused of enacting a new crime spree, so to clear his name he sets off to catch the new thief, who’s imitating his signature style.
The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.
After a rough divorce, Frances, a 35-year-old professor and writer from San Francisco takes a tour of Tuscany at the urgings of her friends. On a whim she buys Bramasole, a run down villa in the Tuscan countryside and begins to piece her life together starting with the villa and finds that life sometimes has unexpected ways of giving her everything she wanted.
Successful businessman Eric travels to Italy to stop his daydreaming daughter Olivia from blowing her life savings on restoring a crumbling villa she purchased for €1. Italy, however, has different plans for him as it delivers on its legendary promise of beauty, magic, and romance.
A young woman takes a trip to romantic Verona, Italy, after a breakup, only to find that the villa she reserved was double-booked, and she'll have to share her vacation with a cynical British man.
An adventure of the hapless Bertie Wooster, a young gentleman about town with a penchant for getting himself into personal difficulties, particularly with women. It is inevitable left to his unflappable manservant Jeeves to provide tidy and elegant rescues.
The Graham Vicks production of FALSTAFF opened the new Covent Garden Royal Opera House, and was not to everybody's taste; the garish primary colours of the costumes. The staging is effective--the complicated counterpoint of the ensembles is reflected in unobtrusive blocking that keeps the vocal lines clear and separate, especially in the final fugue. Bryn Terfel's Falstaff is a memorable creation, self-mocking and self-aggrandising at the same time--so much so, in fact, that he almost does not need the vast prosthetic body he has to wear for the part. Desiree Rancatore is an admirably sweet-toned Nanetta; Bernadette Manca di Nissa an appropriately sardonic Mistress Quickly; Roberto Frontali as Ford, in his Act 2 scena, perfectly distils and parodies every jealousy aria ever written, including Verdi's own. Haitink's conducting is exemplary in the lyrical passages, gets almost everything out of the fast and furious comic sections.
A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.
A little girl goes in search of her father who is reported missing by the military during the Second Boer War.
Robert Talbot, an American millionaire, arrives early for his annual vacation at his luxurious Italian villa. His long-time girlfriend Lisa has given up waiting for him and has decided to marry another man. Meanwhile, his sneaky business associate Maurice secretly misappropriates the villa as a hotel while Talbot is away. The current guests of the "hotel" are a group of young American girls.
Mzia’s classmates have decided to stay in their village and work at the Sovkhoz after graduation. But Mzia’s mother wants her to go to Tbilisi to become a student.
While working on a novel in his country home in Connecticut, married writer Tony Barrett (Cooper) becomes attracted to Manya (Sten), the daughter of a neighboring farmer. Manya is unhappily engaged to Frederik (Bellamy). Due to a snowstorm, Tony and Manya are trapped together in his house overnight. The next day, Manya's father insists her wedding to Frederik take place in spite of Manya's misgivings. Drunkenness and jealousy result in tragedy at the wedding reception that night.
When 5 allied generals are captured in Italy in WWII, it is a propaganda nightmare for the allies. The generals are all 1 star and refuse to take orders from each other in order to plan an escape. Harry Frigg is a private who has escaped from the guard house dozens of times. He is promoted to Major General and ordered to get the generals out once he is captured. Harry is willing to escape, but then he meets the countess...
After a crippling injury leaves her husband impotent, Lady Chatterly is torn between her love for her husband and her physical desires. With her husband's consent, she seeks out other means of fulfilling her needs.