Pornography: Andrea Dworkin
Radical feminist Andrea Dworkin's expose on the pornography industry.
Filmmaker Anand Patwardhan looks to history and psychology as he delves into the possible reasons behind the demolition of the Babri Mosque.
Radical feminist Andrea Dworkin's expose on the pornography industry.
Risking jobs, friends, family and the opposition of church and community, eight unassuming women begin the longest bank strike in American history.
Survivors of the Mumbai terrorist attacks tell the inside story of the actions and decisions that helped save their lives.
In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions on the frontlines of India’s biggest issues and within the confines of their own homes, redefining what it means to be powerful.
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Social media superstar Qandeel Baloch pushed boundaries in conservative Pakistan like no other. In 2016, high on her newfound celebrity, Qandeel exposes a well-known Muslim cleric – with tragic results.
"Granddaughters of Witches"? A discussion about the reality of the modern woman. Featuring anthropologist Carla Cristina Garcia and artist MC Tha.
Gender apartheid is front and centre in this pointed exploration of family and labour in Iran. Sultan Mohammad proposes taking a third wife as a way to maintain and expand his free labour force, to the consternation of his current wives.
To achieve women's rights and gender equality, these three pioneers were willing to risk their livelihood and their future, as well as their reputations.
Five women veterans who have endured unimaginable trauma in service create a shared sisterhood to help the rising number of stranded homeless women veterans by entering a competition that unexpectedly catalyzes moving events in their own lives.
After the Indian Ocean Tsunami of 2004, widowed women struggled to receive aid due to their social status. Following the story of Mrs. Manjula along with many other women from Tamil Nadu, the challenges faced by millions of widows across the country are illuminated. From being ostracized to denied basic rights and economic opportunities, widows in India endure a cycle of discrimination and marginalization. “Kalangarai” meaning "lighthouse" in Tamil, is an organization dedicated to empowering women through initiatives such as self-help groups and educational programs. Throughout the film, "Lighthouse" illustrates the emotional journeys and resilience of these women, as well as the active change that Kalangarai strives to achieve. This documentary urges global awareness and support for widowed women’s rights, as the women’s struggles depict the intersectionality of gender, poverty, and social injustice.
Focusing on five of them, this documentary pays tribute to the wealthy women who, under the Ancien Régime, promoted scholars and artists, and paved the way for female emancipation through their intellectual independence.
In an era of antifeminist backlash, this articulate documentary by the makers of Thank God I’m a Lesbian forcefully reminds us that the revolution continues. Powerful interviews with feminist leaders including bell hooks, Gloria Steinem, and Urvsahi Vaid are intercut with documentary sequences to engagingly explore the past and present status of the women’s movement. Discussing the unique contributions of second wave feminism, they explore their racial, economic and ideological differences and shared vision of achieving equality for women. Anessential component of women’s studies curricula, My Feminism introduces feminism’s key themeswhile exposing the cultural fears underlying lesbian baiting, backlash, and political extremism.
The collective of antipatriarchal men is a political organization that, since 2010, organizes spaces of group self-reflection to problematize the role of masculinity for those who identify as and/or are read as men. This documentary was filmed around one of their yearly regional forums.
This documentary portrays the way in which attacks against a twisted concept of “gender ideology” in four countries are being used to gain political power by right-wing conservative politicians supported by conservatives in the Catholic and evangelical churches.
A group of women and non-binary journalists, bucking the white male status quo, launch The 19th*—a digital news startup that asks who has been omitted from mainstream coverage and how they can be included.
The daughters of Title IX discover that pervasive gender-based stereotypes and discrimination persist within the high stakes professional world of surgery - a workplace designed for and and still controlled by men. Since 2003, half of medical students in the US have been women. Women remain in the minority in most surgical fields but their proportion is increasing. Leadership and culture in surgery remain disproportionately and persistently male despite ample evidence that women are just as good (and possibly better) at delivering care. Systemic barriers to success for women surgeons must be confronted and addressed for the surgical workforce to stay healthy and for patients to stay safe. We’ve interviewed dozens of surgeons who are women about their experiences, hopes, dreams and careers. This is a group of extraordinarily dedicated physicians who work every day to improve the health and lives of others despite untold challenges.
"Not Done: Women Remaking America" chronicles the seismic eruption of women's organizing from the 2016 election through today, and the intersectional fight for equality that has now gone mainstream. Like the movement it documents, this story is told collectively: through the firsthand experiences and narratives of frontline activists, writers, celebrities, artists, and politicians who are remaking culture, policy, and most radically, our notions about gender. Premiering against the backdrop of an unprecedented pandemic and widespread social upheaval, "Not Done" shines a light on the next generation of feminists who are unafraid to take on complex problems and are leading the way to true equality.
The extraordinary story of the 1971 Women’s World Cup, which was held in Mexico City and witnessed by more than 100,000 fans. This landmark tournament was dismissed by FIFA and written out of sports history – until now, with dazzling archival footage and interviews with the former players.
Doaa el-Adl, the first woman to be awarded the esteemed Journalistic Distinction in Caricature, serves as a catalyst for transformation within the predominantly male-dominated realm of Egyptian political cartoonists. Challenging patriarchal norms, she routinely confronts censorship, harassment, and even threats to her life. In a remarkable fusion of documentary, cartoons, and animation, Egyptian director Nada Riyadh breathes life into el-Adl's most renowned works. This dynamic and fearless presentation delves into the issue of violence against women, stretching the boundaries of freedom of speech in a society often characterized by restrictions. Through her exceptional talent, el-Adl not only champions women's rights but also serves as an inspiration for societal change.