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Days

Kang lives alone in a big house, Non in a small apartment in town. They meet, and then part, their days flowing on as before.

Jewelled Nights

After her father's death, socialite Elaine Fleetwood promises to marry a man she does not love. However, she leaves him at the altar during a wedding ceremony, cuts her hair and decides to disguise herself as a boy and go prospecting in northwest Tasmania. She meets a handsome miner who figures out she is a woman, saves her from a villain and marries her.

Should We Be Silent?

A melodrama about a painter who is infected with syphilis, refuses treatment, turns to the use instead of narcotics, and withers away.

Limite

Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.

The 47 Loyal Ronin

An adventure film with Benshi performers. Sometimes considered the 'first Japanese feature film', it survives today as a compilation of scenes from various different 1910s adaptations totaling nearly three hours in length. The bulk of the content comes from the 1911 adaptation by legendary Japanese filmmaker Makino Shozo.

Daughters of Today

01 Jan 1928

Daughters of Today

Daughters of Today was a 1928 silent film from Lahore, in present-day Pakistan (then British India). It was produced by G.K Mehta and directed by Shankradev Arya. This was the first feature film made in Lahore, and helped to establish the city of Lahore as one of the centers of filming in India. The Lahore film industry is now known as Lollywood. Production started in 1924 and took three years to complete, mainly due to financial problems. Two participants later became prominent personalities of the South Asian film industry: A.R. Kardar was one of the most famous Bombay film directors in the 1930s, 1940s and 1950s; and actor M. Ismael's film career spanned over five decades.

Broken Barriers

This 1919 silent is the first American film based on the same Sholem Aleichem stories as Fiddler on the Roof, but produced 50 years before the blockbuster musical. Unlike most adaptations of Aleichem’s work, Broken Barriers (Khavah) focuses not on Tevye the milkman, but on his daughter Khavah, who falls in love with the gentile boy Fedka and must navigate the reverberations from this with both her community and her family.

Scrap-Mattila and the Beautiful Woman

A silent film about a sorrowful man who's searching for a buyer for his goods and acceptance for his existence.

The Blacksmith of the Crucifix

01 Jan 1919

The Blacksmith of the Crucifix

Lost Croatian silent film.

Faust

God and Satan wager on the soul of a learned and prayerful alchemist as part of their eternal war over Earth.

The Reckless Age

Lord Harrowby takes out an $100,000 insurance policy to be paid if his wedding to Cecilia Meyrick is cancelled. The insurance company sends Dick Minot to make sure the wedding takes place, but he falls in love with the bride.

Mistress of a Foreigner

01 Jul 1930

Mistress of a Foreigner

Tōjin Okichi is a 1930 film by Kenji Mizoguchi based on the novel by Gisaburo Juichiya. Only 4 minutes have survived. The fragment has been published on DVD coupled with The Downfall of Osen (1935) by Digital MEME in 2007.

In Search of Mother

His mother abandoned him as a child, so he had no choice but to live outside society. Even so, he grows up determined to reunite with her. Worried that she might be living in misery, he saves his money to help, only to find that she has married into wealth and social position and has no intention of seeing her outcast Yakuza son...

A Woman's Business

No overview found

Scars of Jealousy

Scars of Jealousy is a 1923 American silent drama film directed by Lambert Hillyer and starring Lloyd Hughes and Frank Keenan. It was produced by Thomas H. Ince and distributed through Associated First National, later First National.

Dante's Inferno

A two-reel adaptation of Dante Alighieri's Inferno from the Divine Comedy by Helios Film. It is less well-known than the five-reel feature produced the same year by Milano Films, but it was released earlier in 1911.

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