01 Jan 1945
Mutoscope Reels
An mutoscope motion picture installation commissioned for the 86th anniversary of the Guggenheim museum. Later preserved and turned into a short film. Preserved by the Academy Film Archive in 2000.
Chicago Loop
In three virtuosic sequences created entirely in-camera, Benning alternates contrary camera movements in a trio of Chicago locations with increasing rapidity to a point where they first fracture and then merge in the viewer’s eye. Preserved by the Academy Film Archive in partnership with Austrian Film Museum in 2013.
19760h 8min
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Forced to run from Texas Rangers after a heated misunderstanding leads to the death of a lawman, Mexican American farmer Gregorio Cortez sets off in desperate flight, evading a massive manhunt on horseback for days.
Jolly Roger 
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After marauding and sinking another ship, a band of pirates capture a female passenger, then send her overboard as punishment for her defiance. She vows revenge, and fortunately is rescued by a small passing ship carrying only its captain, his first mate and a cat. They cross paths with the pirates, but both sides - after seeming to have victory within their grasp - meet a fate neither could have predicted. Preserved by the Academy Film Archive in 2008.
Munro 
Munro 09 Nov 1961
Munro
A four-year-old boy is drafted into the army. Preserved by the Academy Film Archive in 2004.
Fragment of Seeking 
Fragment of Seeking 24 Oct 1947
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A young man desperately seeks out the fleeting image of a female companion, and though he never quite catches her, he discovers much more through the surreal explorations of his own sexuality. Preserved by the Academy Film Archive in 2012.
Galaxie 
Galaxie 03 Sep 1966
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In March and April of 1966, Markopoulos created this filmic portrait of writers and artists from his New York circle, including Parker Tyler, W. H. Auden, Jasper Johns, Susan Sontag, Storm De Hirsch, Jonas Mekas, Allen Ginsberg, and George and Mike Kuchar, most observed in their homes or studios. Filmed in vibrant color, Galaxie pulses with life. It is a masterpiece of in-camera composition and editing, and stands as a vibrant response to Andy Warhol's contemporary Screen Tests. Preserved by the Academy Film Archive in 2001.
The Big Heat 
The Big Heat 14 Oct 1953
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After the suspicious suicide of a fellow cop, tough homicide detective Dave Bannion takes the law into his own hands when he sets out to smash a vicious crime syndicate.
On the Pole: Eddie Sachs 
On the Pole: Eddie Sachs 31 Aug 1961
On the Pole: Eddie Sachs
The documentary traces Eddie Sachs (one of the most popular drivers in the history of the Indianapolis 500) in a behind-the-scenes look at the race from his perspective, starting from a week before the race through the day after the big event. You can feel the fervor and anticipation build (*pay close attention to the scaffolding that collapses with too many people on it during the race) as Eddie prepares to keep his place, "on the pole." Preserved by the Academy Film Archive in 2010.
Seeing Them Through Seeing Them Through 01 Feb 1945
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Documentary short film reporting on the activities of the American Red Cross and the useage made of contributed funds for the previous year. Preserved by the Academy Film Archive in 2012.
Miracle on 34th Street 
Miracle on 34th Street 04 Jun 1947
Miracle on 34th Street
Kris Kringle, seemingly the embodiment of Santa Claus, is asked to portray the jolly old fellow at Macy's following his performance in the Thanksgiving Day parade. His portrayal is so complete that many begin to question if he truly is Santa Claus, while others question his sanity.
How to Bridge a Gorge How to Bridge a Gorge 02 Jan 1942
How to Bridge a Gorge
An instructional video that teaches, through stop-motion animation, how to build a bridge over a gorge that can hold heavy military equipment. Preserved by the Academy Film Archive in 2004.
The Costume Designer 
The Costume Designer 13 Jul 1950
The Costume Designer
This short focuses on the job of the costume designer in the production of motion pictures. The costume designer must design clothing that is correct for the film historically and geographically, and must be appropriate for the mood of the individual scene. We see famed costume designer Edith Head at work on a production. The Costume Designer was part of The Industry Film Project, a twelve-part series produced by the film studios and the Academy. Each series episode was produced to inform the public on a specific facet of the motion picture industry. Preserved by the Academy Film Archive in 2012.
A Cuban Fight Against Demons 
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A Cuban Fight Against Demons
In 1672 Cuban revolutionaries launch an uprising against the Spanish who are occupying the country. Preserved by the Academy Film Archive in 2017.
The Big Country 
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Retired wealthy sea captain Jim McKay arrives in the Old West, where he becomes embroiled in a feud between his future father-in-law, Major Terrill, and the rough and lawless Hannasseys over a valuable patch of land.
Hall of Mirrors 
Hall of Mirrors 02 Nov 1966
Hall of Mirrors
This film is an outgrowth of one of Sonbert's film classes at NYU, in which he was given outtakes from a Hollywood film photographed by Hal Mohr to re-edit into a narrative sequence. Adding to this found footage, Sonbert filmed Warhol's superstars Rene Ricard and Gerard Malanga in more private and reflective moments. -- Jon Gartenberg. Preserved by the Academy Film Archive in partnership with Estate Project for Artists with AIDS in 1998.
The Bad and the Beautiful 
The Bad and the Beautiful 03 May 1968
The Bad and the Beautiful
One of the most profound themes coursing throughout Sonbert's work is that of love between couples in all its pitfalls and perfect moments. To express this theme between his protagonists onscreen as well as in the relationship between his ever-roving hand-held camera and the human subjects in his field of vision, Sonbert employed diverse cinematic strategies, including in-camera editing (in The Bad and the Beautiful), twin-screen effects (in Ted and Jessica), and montage of discrete shots filmed in distinct spaces (in Honor and Obey). -- Jon Gartenberg. Preserved by the Academy Film Archive in partnership with the Estate Project for Artists with AIDS in 1998.
The Tuxedo Theatre 
The Tuxedo Theatre 26 Jan 1969
The Tuxedo Theatre
About this film, Sonbert wrote in the London Filmmakers' Co-op catalogue: "New York again and some Morocco. First sketches of varieties of people. East west city country, rich poor, old young. Many levels. Less movement but more editing and geometric progressions. It's over before you know it." -- Jon Gartenberg. Preserved by the Academy Film Archive in partnership with Estate Project for Artists with AIDS in 1998.
Divided Loyalties 
Divided Loyalties 01 Jan 1978
Divided Loyalties
Warren Sonbert described Divided Loyalties as a film 'about art vs. industry and their various crossovers.' According to film critic Amy Taubin, "There is a clear analogy between the filmmaker and the dancers, acrobats and skilled workers who make up so much of his subject matter." -- Jon Gartenberg. Preserved by the Academy Film Archive in partnership with Estate Project for Artists with AIDS in 1998.
Lord Jim 
Lord Jim 15 Feb 1965
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After being discredited as a coward, a 19th century seaman lives for only one purpose: to redeem himself. Preserved by the Academy Film Archive in partnership with Sony Pictures Entertainment in 2000.
The Cow Who Wanted To Be a Hamburger 
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A children's fable about the power of advertising, the meaning of life and ultimately the test of a mother's love. Preserved by the Academy Film Archive in 2016.