01 Jan 1975
Tube Tales
An animated parody of television commercials and the television audience. Preserved by the Academy Film Archive.
Five Film Exercises: Film 4
The entire film is divided into four consecutive chosen approaches—the fourth section devoted to a reiteration and extension of the original material. Preserved by the Academy Film Archive in 1999.
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Tube Tales Tube Tales Phases 
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A walking figure emerges from a changing, circular cycle; his inner self emerges and precipitats a series of violent struggles with himself, adapting various animal forms along the way. Preserved by the Academy Film Archive.
Seepage 
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"Marlborough" and "The Arab", lounging on the pool terrace, are alienated characters in some future time, living in a world where art work comes to life, phones continuously ring, televisions hum all night, and smog seeps into their brains. Preserved by the Academy Film Archive.
Five Film Exercises: Film 2-3 Five Film Exercises: Film 2-3 09 Feb 1944
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Two short fragments resulting from experiments in controlling the mechanical development of the instrument. Preserved by the Academy Film Archive in 2005.
Five Film Exercises: Film 1 
Five Film Exercises: Film 1 21 Dec 1943
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Begins with a three beat announcement drawn out in time which thereafter serves as a figure to divide the four sections. Each return of this figure is more condensed, and finally used in reverse to conclude the film. Preserved by the Academy Film Archive in 2004.
The Story of King Midas 
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A greedy King Midas is visited one day by a mysterious visitor who grants him the ability to turn all things he touches to gold. He learns his lesson when the food he tries to eat and his own daughter are turned to gold as well. The visitor reappears and offers him the opportunity to return to his old self, which he gladly does. Preserved by the Academy Film Archive in 2004.
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Bambi Meets Godzilla 10 Jul 1969
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The Creation The Creation 13 Jul 1981
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Nursery Rhyme Review 
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A compilation of four Mother Goose stories "photographed in three-dimensional animation" and unified by a prologue and an epilogue with Mother Goose herself magically setting up a projector to show the films. The familiar nursery rhymes are "Little Miss Muffet," "Old Mother Hubbard," "The Queen of Hearts," and "Humpty Dumpty." Preserved by the Academy Film Archive in 2004.
The Story of Hansel and Gretel 
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A classic tale retold with Harryhausen's trademark animation. Preserved by the Academy Film Archive in 2004.
A Grand Day Out 
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Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.
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Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
Study No. 6 
Study No. 6 01 Oct 1930
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The first Studies were synchronized with records (Fischinger made a total of 13 Studies all without sound). It was only with the introduction of sound, beginning with Study No 6 that the films did full justice to this musical principle. The play of the white lines, the arcs, and the upside-down U’s running hither and thither like ballet dancers was brought into perfect synchronization with the music, and thus the films offered an abstract illustration of the melodies. Study No 6 is certainly the best of his films in terms of forms. - Hans Scheugl and Ernst Schmidt, Jr. Preserved by the Academy Film Archive in 2001.
The Tune 
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Del is a song writer for the obnoxious Mr. Mega, and in love with Didi, Mega's secretary. His quest to write a hit tune brings him to the wacky world of Flooby Nooby, where he just might learn to write songs from the heart. Preserved by the Academy Film Archive in 2016.
Odalisque 
Odalisque 02 Jan 1980
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"I think of Odalisque as my first film. It was completed after film school and I worked with just a graphite pencil, a small group of colored pencils and animation bond. It is a trilogy of amorous dreams coming from the imagination of a woman recalling her childhood, her beloved twin so difficult to separate from and becoming an adult sexual person. The aria Sempre Libera from La Triviata by Verdi opens the film and the poem Leda and the Swan by WB Yeats ends it. It was great to work with Michael Riesman who created the sound track. I loved working in NYC in those days with Robin McDaniel, Rebecca High and others." Preserved by the Academy Film Archive in 2017.
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This animated short focuses on the lives of three eccentric people living on a farm in the Russian countryside. Told in a non-linear, stream of consciousness style, the film depicts the deceitful relationship between a master and his two servants. Preserved by the Academy Film Archive in 2007.