Fiddler on the Roof
In a small Jewish community in a pre-Revolutionary Russian village, a poor milkman, determined to find good husbands for his five daughters, consults the traditional matchmaker – and also has words with God.
Brothers are in love with the same woman who earns her life by singing songs at night clubs and by sponging on her lovers. One of these brothers (Rahmi) works at a bank. Rahmi spends the money of bank with this singer woman and sooner or later bank authorities find out his malfeasance which brings about a debt on the family of Rahmi; other brother bursts a blood vessel about actions of Rahmi and they face off against each other at nightclub.
In a small Jewish community in a pre-Revolutionary Russian village, a poor milkman, determined to find good husbands for his five daughters, consults the traditional matchmaker – and also has words with God.
This is the story of Janardan who lives in Mumbai with his friend Rahul. Janardan is a simple boy who does pupa and his friend Rahul is exactly opposite to him. Rahul also has a girlfriend. Their romance plan fails because of Janardan. Because he is not ready to leave both of them alone in the room, hence Rahul and his girlfriend make a plan to make Janardan's friendship with Heena and convince Janardan to be in a live-in relationship with Heena. Next day after Heena comes with Janardan, Janardan's Daddu comes to his place to check his eyes. Now even Heena cannot be called, so that Daddu does not know that both of them live together, his struggle and excuses are shown.
A celebration of love and creative inspiration takes place in the infamous, gaudy and glamorous Parisian nightclub, at the cusp of the 20th century. A young poet, who is plunged into the heady world of Moulin Rouge, begins a passionate affair with the club's most notorious and beautiful star.
Die Drei von der Tankstelle, meaning The Three from the Gas Station, was advertised as a German operetta when release and with it’s star studded cast would become the forerunner of Musical films. Even today the soundtrack of the comic harmonists is popular in Germany.
Young love and childish fears highlight a year in the life of a turn-of-the-century family up to the 1904 St. Louis World's Fair.
A poverty-stricken woman raises her sons through many trials and tribulations. But no matter the struggles, always sticks to her own moral code.
Alice Faye plays the title role in this 1940 film biography of the early-20th-century stage star.
A musical biopic of the Four Seasons—the rise, the tough times and personal clashes, and the ultimate triumph of a group of friends whose music became symbolic of a generation. Far from a mere tribute concert, it gets to the heart of the relationships at the centre of the group, with a special focus on frontman Frankie Valli, the small kid with the big falsetto.
A star hockey player with the Wildcats is barred from Hockey for hitting a referee. Through the actions of Chris, Don is able to get a job with Buzz Fletcher's ice-show as the novelty act.
Despite being on his uppers, George is still prepared to pawn his beloved banjo in order to help his girlfriend save her niece from the orphanage. Help seems to be at hand when George is left a fortune by his old auntie, but unfortunately his inheritance is hidden inside a chair which has already been auctioned off! Can George and his chums track down his rightful due before his grasping solicitor (Alastair Sim, in an early film appearance) snatches the lot? It's hard to say, but he still finds time to perform both the title song and the classic 'When I'm Cleaning Windows'.
Filmed live from the 1993 revival, Sam Mendes' directorial debut takes place at the Donmar Warehouse in London's West End. Jane Horrocks stars as cabaret girl Sally Bowles, Adam Godley as the bicurious Cliff, and Alan Cumming as the eccentric Emcee. Inside the Kit Kat Club of 1931 Berlin, starry-eyed singer Sally and the impish Emcee sound the clarion call to decadent fun, while outside, a notorious political party grows into a brutal force.
When Madeline's long lost uncle Horst arrives to take her to a Viennese finishing school, Miss Clavel, the eleven little girls and Pepito realize that something is not right.
The story of a German singer named Willie who while working in Switzerland falls in love with a Jewish composer named Robert whose family is helping people to flee from the Nazis. Robert’s family is skeptical of Willie, thinking she could be a Nazi as she becomes famous for singing the song “Lili Marleen”.
Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.
Portrait of a Knight is a musical romance about the way in which historic ideals inform contemporary urban life. Rachel is a young archivist living and working in Wellington, New Zealand. Feeling alone and disconnected from life, she projects her romantic fantasies onto the paintings she loves, until one day her song brings Reginald - a Knight of the Realm - to life. His carefree innocence and zest for life begin to open Rachel up to the beauty around her, but the fates have a way of making trouble when miracles occur...
"Where The Rainbow Ends" - Mikael Persson is about to realize his dream, a great musical with some of Sweden's foremost artists and with himself in the lead role. But just weeks before the premiere the Swedish Enforcement Authority knocks on the door and throws Michael and his family out on the street. He and his fiancee Catti resort to all means to save his life's work and they get unexpected help from the past.
Erik, the son of a wealthy farmer, and Anna, the daughter of a poor crofter, have known each other since they were children. Now, that they are grown up, they love each other, but their parents won't let them have each other, since their families are enemies. Erik's father wants him to marry a rich girl instead and when Anna hears about this, she falls ill and even starts to show signs of insanity. Will the two have each other or will everything go wrong?
It’s Christmas season. Ten years have passed since Lina traveled to Chile to work as a domestic worker away from her son who lives with her grandmother in Peru. Manuel, a former employer, ask her to supervise the construction of a swimming pool for his daughter Clara in his new house. In this half-inhabited space, Lina spends the day taking care of Clara, while at night, she has furtive sexual encounters with strangers that confront her with her deep solitude.
Annie is a young, happy foster kid who's also tough enough to make her way on the streets of New York in 2014. Originally left by her parents as a baby with the promise that they'd be back for her someday, it's been a hard knock life ever since with her mean foster mom Miss Hannigan. But everything's about to change when the hard-nosed tycoon and New York mayoral candidate Will Stacks—advised by his brilliant VP and his shrewd and scheming campaign advisor—makes a thinly-veiled campaign move and takes her in. Stacks believes he's her guardian angel, but Annie's self-assured nature and bright, sun-will-come-out-tomorrow outlook on life just might mean it's the other way around.
In the days leading up to Partition, a Hindu woman is abducted by a Muslim man. Soon, she finds herself not only forced into marriage, but living in a new country as the borders between India and Pakistan are drawn