
18 May 1990

A Grand Day Out
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
The inevitable subjectivity and diaristic potential of landscape is foregrounded in this semi-structuralist work of weird poetic beauty. Preserved by the Academy Film Archive in 2013.
18 May 1990
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
17 Dec 1993
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.
07 Mar 1996
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
02 Nov 1966
An ode to queer sex and drugs, boys shooting up and kissing. Preserved by the Academy Film Archive in 1998.
21 Dec 1968
As the railroad builders advance unstoppably through the Arizona desert on their way to the sea, Jill arrives in the small town of Flagstone with the intention of starting a new life.
01 Jun 1962
A bored insurance salesman quits his job to go into politics. He first starts preaching about how man is greater than he thinks and that man can live forever. He ends up forming his own political party, "The Eternal Man" party. He begins to be referred to as "God". Then he starts having doubts about the eternalness of man.
01 Feb 1945
Documentary short film reporting on the activities of the American Red Cross and the useage made of contributed funds for the previous year. Preserved by the Academy Film Archive in 2012.
01 Jan 1976
Regrettably, the labour of projectionists is usually only considered by the audience when they ‘screw up’. This film offers an alternative opportunity. Preserved by the Academy Film Archive in 2014.
01 Jan 1973
No montage, no human subjects, minimal visual content, and the artists basically pissing on the fourth wall by calling attention in every way possible to the artifice of what they’re doing. Preserved by the Academy Film Archive in 2009.
16 Nov 1979
A bewitching, mysterious work of enveloping beauty, the film’s ominous title and a dedication to Anne Frank deeply inform our reading of its haunting subtext. Preserved by the Academy Film Archive, in partnership with the National Film Preservation Foundation, in 2009.
09 Nov 1971
A truly major work, I Don’t Know observes the relationship between a lesbian and a transgender person who prefers to be identified somewhere in between male and female, in an expression of personal ambiguity suggested by the film’s title. This nonfiction film – an unusual, partly staged work of semi-verité – is the first of Spheeris’s films to fully embrace what would become her characteristic documentary style: probing, intimate, uncompromising. Preserved by the Academy Film Archive in 2014.
01 Oct 1968
Les Blank's poetic documentation of 1967's Los Angeles Easter Sunday Love-In. Preserved by the Academy Film Archive in 2002.
14 Jul 1988
Rephotographed pornographic playing cards rhythmically intrude upon a piercing 5-beat score of different-sized black parallel lines, creating an almost indiscernible complexity, until the lined background ruptures and the sounds and visuals become scattered and disordered. The "girlie" cards break out onto saturated color fields and eventually find their way into the real world, aggressively flickering by against backgrounds of earth, concrete and other surfaces. Preserved by the Academy Film Archive in 2016.
01 Jan 1994
The hand-painting of this film is interrupted by, and interspersed with, a geometrically structured Mask of Death (one of those frightening human idea-shapes of dying) immediately caught-up in threads of streaming, polarized crystals of Light (elaborately step-printed, with simultaneous frame-to-frame dissolves and printer "pull-backs" creating an effect as if the room in which the film is being viewed was inhaling viscous strands of Life's chemical material). The blurred photo-image of a person appears briefly superimposed on these "streamings": then there is a short visual "exhale" of this "crystallized" light, as the screen appears to re-absorb its imagery and resolve itself into a pale violet scattering of dust, is it? ... a nebulae, perhaps – i. e., some semblance both earthly and cosmic and (as such) as enigmatic as "the face of God." Collaboration with Sam Bush.
01 Jan 1973
The film does not end, is never rewound, and each frame is seen twice in a single viewing: a palindrome illustrating the Chicago "elevated," the backbone of the city, shuttling its oblivious passengers to death. "Hypnotic study in motion." – Nora Sayre, The New York Times Note: Shown head to tail, then tail to head. Preserved by the Academy Film Archive in 2014.
10 Dec 1972
A man who loves games and theater invites his wife's lover to meet him, setting up a battle of wits with potentially deadly results.
23 Sep 1969
As the west rapidly becomes civilized, a pair of outlaws in 1890s Wyoming find themselves pursued by a posse and decide to flee to South America in hopes of evading the law.
18 Feb 1970
The staff of a Korean War field hospital use humor and hijinks to keep their sanity in the face of the horror of war.
09 Nov 1950
From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.
01 May 1959
Apu, now a jobless ex-student dreaming vaguely of a future as a writer, is invited to join an old college friend on a trip up-country to a village wedding.