25 Feb 2016
Truth
3 minute experimental film.
Eye-popping digital moving image work with an equally arresting soundtrack from noise music heavies.
25 Feb 2016
3 minute experimental film.
09 Mar 2016
5 minute experimental film.
11 Feb 2016
10 minute experimental film.
22 Feb 2016
Tones rise and fall as images replicate and reorder, dizzying, nauseating -- vexing.
08 Jan 2016
6 minute experimental film.
13 Jan 2016
20 minute experimental film.
15 Jan 2016
7 minute experimental film.
16 Jan 2016
1 minute experimental film.
18 Jan 2016
4 minute experimental film.
19 Jan 2016
Perception becomes reality, forcing reality to lose perception, crash, and burn.
28 Jan 2016
"a feeling of listlessness and dissatisfaction arising from a lack of occupation or excitement."
31 Jan 2016
4 minute experimental film.
24 Jun 1970
A proto-music video: three minutes of experimental animation set to the tune of Romeo Nelson's 'Head Rag Hop'.
01 Jan 1971
A trippy pop-art collage of phallic objects, naked women and American icons, most notably Elvis Presley.
01 Jan 2003
Naked bodies are buffeted by water accompanied by the music Il Temporale from the opera La Cenerentola and the overture to Il Barbiere di Siviglia both by Gioacchino Rossini.
09 Nov 2020
A hybrid artistic bet and therefore binding in which the architectural space ceases to be a scene of contemplation and awakens enhanced by the flow of dance whose impulse in a swing between the volumetry of the space and the sensitive gaze of the camera.
13 Dec 2016
A surreal post-apocalyptic drama by Patrick Kennelly inspired by the clipping. album “Splendor & Misery”
29 Jan 2021
A psychedelic, avant-garde collage film designed to accompany PRPL PPL's experimental album of the same name.
01 Jul 2019
The film traces Sam McKinlay’s early days as a punk skateboarder through his academic development as a conceptual artist into a highly esteemed noise practitioner whose work bridges the gap between the gallery world and the sleaze of exploitation film imagery. It documents the physical processes of his work and the distillation of visuals into sound, most notably addressing the appeal of abstraction—from the cheap effects of old monster movie makeup to the ‘masks’ created by the heavy cosmetic makeup of 1920s flapper culture and actresses like Pamela Stanford in Jess Franco’s Lorna the Exorcist (The Rita has albums or EPs named after several eurotrash actresses, including The Nylons of Laura Antonelli (2009) and Monica Swinn/Pamela Stanford (2016)).
01 Jan 1957
Life drums the playfulness out of a boy as he grows up.