Co-ed Starlets
Directors at a California film school compete for Hollywood financing of a feature film.
Washed up British film director, Emil, who is invited by a nascent state to make a national Epic in an obscure Caucasus Republic ruled by an eccentric and corrupt dictator. When down and out Academy award winning British film director Emil Miller receives an invitation to the Embassy of the Autonomous Republic of Karastan, little does he know that he will be embarking on one of the wildest journeys of his already diverse and colourful career.
Directors at a California film school compete for Hollywood financing of a feature film.
Two film students with one week left to make their senior project need $10,000 to hire Nicolas Cage to star in their film.
A movie crew invades a small town whose residents are all too ready to give up their values for showbiz glitz.
Never Give a Sucker an Even Break is a 1941 film about a man who wants to sell a film story to Esoteric Studios. On the way he gets insulted by little boys, beaten up for ogling a woman, and abused by a waitress. W. C. Fields' last starring role in a feature-length film.
In 2019, a group of four "filmmakers" set out to make a world-changing web series.
The story of Pascal Ichak, a larger-than-life French traveller, bon vivant, and chef, who falls in love with Georgia and a Georgian princess in the early 1920s. All is well until the arrival of the Red Army of the Caucasus, as the Soviet revolution that has swept Russian comes to Georgia. Told as a flashback from the present, as a French-Georgian man whose mother was Pascal's lover translates his memoirs for Pascal's niece.
Lewis Tater writes Wild West dime novels and dreams of actually becoming a cowboy. When he goes west to find his dream he finds himself in possession of the loot box of two crooks who tried to rob him.
Alienated, hopeful-filmmaker Pat Johnson's epic story growing up in rural Illinois, falling in love, and becoming the first fan of the movie that changed everything.
A group of high school boys attempt to create a movie during the summer before college starts and before they go their separate ways.
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In Georgia, in the middle of a desert, on the hottest day of summer two water-melon sellers cross paths.
Three film students attempt to make a horror movie 'blockbuster', but their Hollywood plans get derailed when their very own horror movie slasher escapes the chains of film and script and springs into reality to cause chaos and mayhem upon their neighbourhood on Halloween night. Now its up to these teenage misfits to put end to their film mascot come to life while also attempting to save those who ridiculed their creative visions.
Short documentary about the Georgian Military Road. Captures Ingush and Ossetian settlements of the early 20th century
Documentary film about Ordzhonikidze (now Vladikavkaz)
The film tells the story of ancient Ingush lullabies - Ingush women and men tell the lullabies of their families and the stories associated with them: love, friendship, blood feud.
In the capital of Ingushetia, at the memorial, there is a carriage. This is a carriage from the 40s, a carriage of memory. One of those in which the Ingush were transported back in 1944 to Kazakhstan and Central Asia. February 23 is the day when the whole country celebrates Defender of the Fatherland Day; mourning takes place in Ingushetia. And on this day, the old people gathered in this carriage to remember and tell each other how it was.
The very first full-length documentary on Scorsese offers an invaluable look at how he was perceived by his colleagues, and himself, in 1977. Catching Scorsese while he was in post-production on New York, New York and editing The Last Waltz, British filmmaker Peter Hayden gets the manically hyper Scorsese to comment on his youth, his relation to his lead characters, and most importantly, his approach to direction. The doc doesn’t quite move at the pace of Scorsese’s revved-up speed-talking, but it does offer some real insight into his productivity in the 1970s, thanks to an impressive array of talking heads. Included are Scorsese’s collaborators Jay Cocks, Mardik Martin, Brian De Palma, Steven Prince (who co-produced this doc), and his mentor John Cassavetes. Also the performers, who discuss his working methods in detail — Jodie Foster, Liza Minnelli, and, of course, Robert De Niro.
Mike Todd is a Broadway producer struggling to produce the film. Around the World in 80 Days. In Mexico, Mario Moreno, a young entertainer is struggling to get some respect, and he manages to become a star. A twist of faith makes them partners. Together they won the Oscar for Best Picture.
Follows Roy Andersson around different film festivals as he tries to launch his new film "Songs from the Second Floor" mixed with interviews with family members and colleagues.
When World War II broke out, John Ford, in his forties, commissioned in the Naval Reserve, was put in charge of the Field Photographic Unit by Bill Donavan, director of the soon-to-be-OSS. During the war, Field Photo made at least 87 documentaries, many with Ford's signature attention to heroism and loss, and many from the point of view of the fighting soldier and sailor. Talking heads discuss Ford's life and personality, the ways that the war gave him fulfillment, and the ways that his war films embodied the same values and conflicts that his Hollywood films did. Among the films profiled are "Battle of Midway," "Torpedo Squadron," "Sexual Hygiene," and "December 7."