Moving City
A city person discovers twelve paths with a different sense of time. What makes us come alive? Will we go on the same way?
Bikes vs Cars depicts a global crisis that we all deep down know we need to talk about: Climate, earth's resources, cities where the entire surface is consumed by the car. An ever-growing, dirty, noisy traffic chaos. The bike is a great tool for change, but the powerful interests who gain from the private car invest billions each year on lobbying and advertising to protect their business. In the film we meet activists and thinkers who are fighting for better cities, who refuse to stop riding despite the increasing number killed in traffic.
A city person discovers twelve paths with a different sense of time. What makes us come alive? Will we go on the same way?
Mère-Bi is a 2008 documentary film about Annette Mbaye d'Erneville by her son, director Ousmane William Mbaye. The first Senegalese female journalist, she was deeply involved in the development of her country. Both an activist and a non-conformist, she fought for the emancipation of women from the beginning.
Political engagement spawned the wildest of wonderlands for Hong Kong’s creativity – but as a new law annihilates freedom of expression overnight, underground artists and creatives find themselves targets, and their works disappeared. Together we race to preserve the creative uprising amid China’s crackdown.
The short documentary ‘Complexos‘ features intimate and emotional views on how residents of favelas in Rio de Janeiro use media and arts to raise their voices and act for justice, dignity and respect. ‘Complexos’ is part of a collaborative process between the Finland-based Anti-Racism Media activism Alliance (ARMA Alliance) and the favela-based audiovisual collective Cafuné na Laje.
"Jeunesse Rouge" is a documentary exploring young French Communist revolutionaries fighting for a just and equal society. The film follows their organizing and mobilizing, while delving into the history of the Communist movement in France. Archival footage and interviews with activists show their passionate commitment, from protests and strikes to political education. It highlights the power of youth activism and their potential to bring about change in the face of systemic inequality.
The Cherokee language is deeply tied to Cherokee identity; yet generations of assimilation efforts by the U.S. government and anti-Indigenous stigmas have forced the Tri-Council of Cherokee tribes to declare a State of Emergency for the language in 2019. While there are 430,000 Cherokee citizens in the three federally recognized tribes, fewer than an estimated 2,000 fluent speakers remain—the majority of whom are elderly. The covid pandemic has unfortunately hastened the course. Language activists, artists, and the youth must now lead the charge of urgent radical revitalization efforts to help save the language from the brink of extinction.
A short film mostly comprised of two sources: research footage from 1988 about the beginnings of the HIV epidemic from the perspective of medical professionals, and an interview with Cleve Jones in 2003 as he looks back upon his activism, and the state of the HIV/AIDS epidemic in the early 2000s.
Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.
An artistic hybrid documentary, ZERO IMPUNITY is the centerpiece of an ambitious global transmedia project. ZERO IMPUNITY sheds a powerful spotlight on the seemingly total Impunity for the use of sexual violence in armed conflicts worldwide. ZERO IMPUNITY is an important and necessary eye opening Scream, raising awareness and outrage.
"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human." (Tom Gunning)
After Coal profiles inspiring individuals who are building a new future in the coalfields of eastern Kentucky and South Wales. Meet ex-miners using theater to rebuild community infrastructure, women transforming a former coal board office into an education hub, and young people striving to stay in their home communities. The stories of coalfield residents who must abandon traditional livelihoods illustrate the front lines of the transition away from fossil fuels.
Power of the People is a touching film that gives voice to poet Laura Eklund Nhaga, who is searching for the right way for her to have an impact. The possibilities and impossibilities of activism are countless, and none are indisputably more effective than the rest. But, she wonders, if one’s very existence as part of Western hegemony is in itself political, can activism truly be a choice, or is it simply the only way to be?
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The real dream of the American pastor Martin Luther King was never limited to civil rights. He hoped for a just America, where poverty would no longer have a place. Social equality was for him the only guarantee of a true emancipation. During the last four years of his life, he mobilized all his energy to realize this "other dream". But there were many obstacles: he was scorned by white, racist America, abandoned by the political class, but also by some of his own people, who decided to turn their backs on the principle of non-violence.
A cinematic exploration of the world of automated vehicles — from their technical history to the personal narratives of those affected by them to the many unanswered questions about how this technology will affect modern society. This documentary features interviews with industry pioneers and scenes with cutting-edge “AVs” in action around the world.
Letter from Tokyo is a documentary film that looks at art, culture and politics in Tokyo, Japan. Shot over three months during the summer of 2018, and with a particular focus on grass roots arts initiatives, the use of public space, and queer politics, the film provides a snapshot of Japan’s capital in the run up to the 2020 olympics.
"Gunsan is a city of outlanders that has experienced waves of deterioration and revivals. Gunsan, a sparse area prior to 1910, opened doors for workers from all over Korea after it was exploited for rice harvesting during the Japanese colonial period. After liberation, the American military moved in along with large conglomerates that came to build factories, but they are now all shutting down. What remained from this history made the topography and landscape of the town. In the film, cameras float around the lonely landscape of Gunsan. A dancer from Switzerland named Anna mourns the scenes of Gunsan with sorrowful gestures, new musicians in town write a piece of music called City of Outlanders in lament
In the last 10 years, the landscape of the pharmaceutical industry has changed. A handful of multinationals control the manufacture of most of the drugs.
The film exposes the links between Agrifood and politics. With a pool of international experts it analyses the many problems related to factory farming: water pollution, migrants exploitation, biodiversity loss and antibiotic resistance.
Activists have been fighting for animal rights for decades. Will they succeed in winning the battle against meat production or will the food industry be unstoppable? The film depicts the structural nature of the animal industry and the systematic abuse of power through three central characters. They fight the battle of David and Goliath against a seemingly invincible industry, ready to achieve their goals at any cost. The brutal undercover photos taken by the activists have caused a series of international scandals, but will they ultimately succeed in making a difference?