Man with a Movie Camera
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
"The theme of the film HIDDEN CITIES is personal urban perceptions, which we call 'the city'. The city, as a living organism, reflecting social processes and interactions, economic relations, political conditions and private matters. In the city, human memories, desires and tragedies find expression in the form of designations and marks engraved in house walls and paving slabs. But what the city really is under this thick layer of signs, what it contains or conceals, is what we are researching in the HIDDEN CITIES project. The source material for the film are 9 sequential photo works created by Gusztáv Hámos between 1975 and 2010. Each of these 'city perceptions' depicts essential situations of urban experiences containing human and inhuman acts in a compact form. The cities in which the photo sequences have been made are Berlin, Budapest and New York – places with a traumatised past: Wars, dictatorships, terrorist catastrophes."
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
A city person discovers twelve paths with a different sense of time. What makes us come alive? Will we go on the same way?
Eami means ‘forest’ in Ayoreo. It also means ‘world’. The story happens in the Paraguayan Chaco, the territory with the highest deforestation rate in the world. 25,000 hectares of forest are being deforested a month in this territory which would mean an average of 841 hectares a day or 35 hectares per hour. The forest barely lives and this only due to a reserve that the Totobiegosode people achieved in a legal manner. They call Chaidi this place which means ancestral land or the place where we always lived and it is part of the "Ayoreo Totobiegosode Natural and Cultural Heritage". Before this, they had to live through the traumatic situation of leaving the territory behind and surviving a war. It is the story of the Ayoreo Totobiegosode people, told from the point of view of Asoja, a bird-god with the ability to bring an omniscient- temporal gaze, who becomes the narrator of this story developed in a crossing between documentary and fiction.
Pikk Street is one of the most important thoroughfares of Tallinn’s Old Town. The picture playfully combines hidden camera footage with more observational images, employing shots from unusual angles; these are accompanied by specific sounds and interesting musical themes. The result is a true cinematic adventure.
Documentary film that takes a visual and anthropological journey through man's spirit across the thin line dividing excessive faith in religious believes and the passion with which he devotes himself to worldly pleasures in a city that coexists in harmony with its double standards. Religion, faith, politics, violence and death are intimately bound in this social portrait.
Chapter Two represents a continuation of daily observations from the environment of Manhattan compiled over a period from 1980-1981. This is the second part of an extended life's portrait of New York.
"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human." (Tom Gunning)
Ukonvaaja - The Hammer of Ukko - is a documentary film that focuses on ancient Finnish folklore and mythology.
"Gunsan is a city of outlanders that has experienced waves of deterioration and revivals. Gunsan, a sparse area prior to 1910, opened doors for workers from all over Korea after it was exploited for rice harvesting during the Japanese colonial period. After liberation, the American military moved in along with large conglomerates that came to build factories, but they are now all shutting down. What remained from this history made the topography and landscape of the town. In the film, cameras float around the lonely landscape of Gunsan. A dancer from Switzerland named Anna mourns the scenes of Gunsan with sorrowful gestures, new musicians in town write a piece of music called City of Outlanders in lament
Over the centuries, explorers traded tales of a lost civilization amid the dense Amazonian rainforest. Scientists dismissed the legends as exaggerations, believing that the rainforest could not sustain such a huge population—until now. A new generation of explorers armed with 21st-century technology has uncovered remarkable evidence that could reinvent our understanding of the Amazon and the indigenous peoples who lived there. Using CGI and dramatic re-creations, National Geographic re-imagines the banks of the Amazon 500 years ago, teeming with inhabitants living in the Lost Cities of the Amazon.
Sylvia Kristel – Paris is a portrait of Sylvia Kristel , best known for her role in the 1970’s erotic cult classic Emmanuelle, as well as a film about the impossibility of memory in relation to biography. Between November 2000 and June 2002 Manon de Boer recorded the stories and memories of Kristel. At each recording session she asked her to speak about a city where Kristel has lived: Paris, Los Angeles, Brussels or Amsterdam; over the two years she spoke on several occasions about the same city. At first glance the collection of stories appears to make up a sort of biography, but over time it shows the impossibility of biography: the impossibility of ‘plotting’ somebody’s life as a coherent narrative.
A documentary in which Marcel Hanoun examines, delimits, paces up and down and criss-crosses the town of Langres, offering the houses, walls and everything which makes up the identity of a place, an opportunity to express themselves through the time of seasons but through that of History.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
A short film about Stockholm. Sweden's first Oscar, 1949 Best Short Subject, One-Reel.
A poetic and beautiful tribute to the city of Bergen, Norway. Based on archive footage from the last century and packed with Bergen music from Grieg to Vaular.
Debunking the mythology surrounding the 16th century French prophet, Nostradamus.
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Two storytellers put forth their versions of the story of Shravan Kumar. The art for the film uses painted images from a wooden portable shrine called a Kaavad. The film is a collaborative work between traditional Kaavad storytellers and Kaavad artists from Rajasthan, together with the filmmaker. Combining lush animation with live-action, the film is an interpretation of two stories which are forever fused in the act of telling and retelling.
The Richardson Olmsted Campus, a former psychiatric center and National Historic Landmark, is seeing new life as it undergoes restoration and adaptation to a modern use.
Shot in Havana and processed at Phil Hoffman's Film Farm, Marcel Beltrán Fernández's Casa de la noche explores those same histories from the point of view of an insider, as a lived experience that is evocatively mirrored through ripped and torn celluloid.