Leila
A portrait of an unforgettable transgender schoolteacher in Herat, Afghanistan, who shines even with the prospect of the Taliban’s return.
One of our biggest music stars Gary Barlow faces his toughest gig when he heads to the harsh terrain of Afghanistan to perform an exclusive concert for British troops.
A portrait of an unforgettable transgender schoolteacher in Herat, Afghanistan, who shines even with the prospect of the Taliban’s return.
After his mother’s death, Adam finds his parents’ correspondence. We discover a love adventure entangled in the 20th century, when the world was cut in two and the war between Iran and Iraq marked the start of tragic conflicts in the Middle East. Mixing animation and found footage, we dive in a odyssey full of bombshells and secrets.
Sexual violence against women is a very effective weapon in modern warfare: instills fear and spreads the seed of the victorious side, an outrageous method that is useful to exterminate the defeated side by other means. This use of women, both their bodies and their minds, as a battleground, was crucial for international criminal tribunals to begin to judge rape as a crime against humanity.
"Afghan Cycles" is a feature documentary about a generation of Afghan women who are pedaling their own revolution, aggressively challenging gender and cultural barriers using the bicycle as a vehicle for freedom, empowerment and social change.
A wild and funny documentary showing how the progressive youth of Afghanistan are rejecting the use of armed force and see film production as an alternative means of bringing peace and social change to their war-torn and occupied country.
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"No Book This Year" tells the story of Yalda, a former staff member of Afghanistan's booth at the Frankfurt Book Fair. Years after the booth's closure, Yalda takes it upon herself to independently relaunch Afghanistan's presence at the fair. Despite numerous challenges and obstacles, her unwavering determination to showcase Afghan literature and culture shines through, illustrating the resilience of the human spirit in preserving cultural heritage.
'Afghanistan 1979: the war that changed the world', is a French documentary about the Sovjet invasion in Afghanistan in 1979. It was one of the most crucial events of the 20th century, and changed the world forever. This documentary gives a good insight in the Afghan-Russian war ; the alliance between the Russian and Afghan communist governments ; Islamic resistance ; the support of America for the resistance and its consequences on the war.
The propaganda documentary about the readiness of the Red Army to repulse any enemy is based on documentary shots taken during the real maneuvers of the Red Army. Armadas of tanks, immense columns of infantry, dozens of fighters and bombers, thousands of cavalry, legendary divisions of the Civil War. The film glorifies Soviet military power and shows the Soviet people what the war will be like when the imperialists attack the USSR — quick, victorious, almost bloodless.
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Portrait of Arnhem destroyed by war. Citizens and volunteers clear the rubble and start the reconstruction of their city.
Bunkers, mines and barbed wire are removed to recover the pre-war landscape.
What threads of history bind Manhattan's Ground Zero to those of Nagasaki and Hiroshima? Or connect sight to truth, games to war, or the silkworm to the drone? What does the United States hold to be the role of science in warfare? How has war historically been waged in Buddhist traditions? These are some of the topics addressed in Eyewar: 80 minutes of found footage which traces the development of the digital image from the maps of the second century to the screens of the twenty-first, and the uses of the field of cybernetics from Japan in the 1940s to Chile in the 1970s and Iraq in the 1990s.
Three boys wander around a large town in Afghanistan, looking for empty bottles and cans to recycle to get them some money for food. During their walk they talk about what's on their minds. Every now and then, the director asks his protagonists for some explanations, such as why they share a loaf of bread they just got with a boy they don't know. One of them answers very matter-of-factly: "As God gives to us, we must give to his people."
"If there is a relationship between production and destruction, between the development of productive and destructive forces, then the atom bomb is the ultimate weapon of the post-industrial age. Greatest tonnage, highest mortality, maximum devastation. But what comes next, what are the weapons of the post-industrial age?" - Harun Farocki
Old resistance fighters Truus and Freddie look back on their life during wartime.
What is it really like to go to war? Filled with terror, pain, and grief, it also brings exhilaration, and a profound sense of purpose. Renowned authors Karl Marlantes and Sebastian Junger help us make sense of this paradox and get to the heart of what it’s like to be a soldier at war. Veterans of various conflicts reveal some universal truths of combat with unflinching candor.
This is a detailed personal account of one of the worst incidents to take place during Israel's 2009 invasion of Gaza. Ten-year old Amal Samouni lost her father, brother and 48 members of her extended family. She spent three days trapped under the rubble and still suffers from fifteen pieces of shrapnel imbedded in her head. Her shocking story is brought vividly to the screen by director Anne Tsoulis who examines the events and the cost to those affected.
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Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.