Platoon
As a young and naive recruit in Vietnam, Chris Taylor faces a moral crisis when confronted with the horrors of war and the duality of man.
Borinage left Henri Storck profoundly disturbed by injustice and social poverty. When he was offered a chance to make the film he undertook an in-depth survey into the working class and slums and shouldered his camera as a militant filmmaker. In a plot of Walloon slums he staged characters and situations as examples. All shots work on intensity, the filling of the frame, which gives the impression of being unable to breathe, of being trapped, closed in. And in the face of this overflowing misery is the emptiness of the expressions, the absence of emotion. Survival is all. But the message of hope is there, with the destruction of slums (the hovels are demolished as if getting rid of a tyrant) and the construction of garden cities surrounded by trees in bloom and a future of song, leaves one with the impression that man’s dignity has been safeguarded.
As a young and naive recruit in Vietnam, Chris Taylor faces a moral crisis when confronted with the horrors of war and the duality of man.
In this docudrama, the real star is a railroad tunnel. First built, at the instigation of a banker and an engineer, in 1872 under appalling conditions, it was widened to accommodate automobiles in 1972. The tunnel links the Rhineland in Germany with Italy and goes through the Swiss mountains. The many lives lost in the building of the first tunnel were considered to be one of the costs for economic progress. In one re-enactment, a strike for better conditions is severely dealt with by the military. Even in 1972, though working conditions were better, most of the men working on the tunnel were poor immigrant workers, with almost no power to negotiate better treatment.
Men and women caught up in a downward spiral of corruption, discrimination, poverty and death are the focus of this detective-thriller/social-drama inspired by the unsolved 1984 kidnapping of a Japanese candy company president.
After getting out of jail, where she learned to care for the sick, Alma, an albino woman, is determined to recover at any cost something much more important than her own freedom. In order to do so, Alma must spend her nights taking care of Clemente, a hypochondriac compulsively obsessed with avoiding sudden death. Their relationship moves through suspicion, fear and compassion to tenderness and love.
For many years, the Swiss photographer Jean-Claude Wicky captured the world of Bolivian miners in photographs. When he discovered how strongly they reacted to his pictures, he decided to make a film. Black-and-white photographs alternate with film sequences, in which the miners talk about the harsh conditions of their everyday lives, while also rendering visible their pride, dignity, culture and dynamic traditions. Every day is night is first and foremost a testimonial of profoundly sincere human encounters based on respect, generosity and gratitude.
The microcosmic world of a street market on the outskirts of Zagreb: traders, thieves, prostitutes, self-appointed security guards and other lost souls, each with their own unique ideas, passion or mania. We follow the tragicomic, mutually intertwined mini dramas of each character, as they fight to save the marketplace itself, when city planners threaten to raze it to the ground and replace it with a skyscraper.
After falling ill, Yesterday learns that she is HIV positive. With her husband in denial and young daughter to tend to, Yesterday's one goal is to live long enough to see her child go to school.
A historical perspective to understand Neoliberalism and to understand why this ideology today so profoundly influences the choices of our governments and our lives.
A day in the life of Azucena, who is running out of time to keep herself and her family from being evicted; Rafael, a lawyer who sets out to reunite a mother with her daughter; and Teodora, a sick old woman who searches for her long-lost son before it is too late.
A man who loves an aspiring opera singer is prepared to sacrifice everything to help her with her career, even though he knows she doesn't love him.
Zambia's copper resources have not made the country rich. Virtually all Zambia's copper mines are owned by corporations. In the last ten years, they've extracted copper worth $29 billion but Zambia is still ranked one of the twenty poorest countries in the world. So why hasn't copper wealth reduced poverty in Zambia? Once again it comes down to the issue of tax, or in Zambia's case, tax avoidance and the use of tax havens. Tax avoidance by corporations costs poor countries and estimated $160 billion a year, almost double what they receive in international aid. That's enough to save the lives of 350,000 children aged five or under every year. For every $1 given in aid to a poor country, $10 drains out. Vital money that could help a poor country pay for healthcare, schools, pensions and infrastructure. Money that would make them less reliant on aid.
In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.
An emotionally scarred highway drifter shoots a sadistic trick who rapes her, and ultimately becomes America's first female serial killer.
Successful model Samira Hashi makes an emotional return to Somalia, one of the most dangerous places in the world and the place she was born. Civil war broke out in 1991, 10 days after Samira's birth, but two years later her family managed to flee the country and she grew up in the UK.Now, as Samira and the war both turn 21, she's going back for the first time to visit the people and places she left behind. The contrast with her safe and glamorous life in London could not be starker as she experiences firsthand the war's effect on a generation of young people growing up in conflict.
A lottery win of $5,000 forever changes the lives of a miner turned dentist and his wife.
In this deeply personal film, director Roger Ross Williams sets out on a journey to understand the complex forces of racism and greed currently at work in America's prison system.
Documentary collecting some experiences of the first two years of the "Gira interminable" tour were Silvio Rodriguez performs for the marginal neighborhoods of Havana and other provinces.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
Megacities is a documentary about the slums of five different metropolitan cities.
A mysterious preacher protects a humble prospector village from a greedy mining company trying to encroach on their land.