Caprichosos de San Telmo
A portrait of the working class musicians and dancers of Buenos Aires's San Telmo neighborhood, who have channeled the city's many cultural influences into the street performance called Murga.
This video documentary centers on the questions of civil liberties and cultural differences in a society beginning to open as one woman searches for her own ethnic roots, identity and family history in Ukraine. Issues of human rights, anti-Semitism, homophobia, feminism and a divided and economically-depressed country are encountered as Barbara Hammer, a feminist activist and pioneer of lesbian cinema, return to a “homeland” full of struggling as people search for a new post-glasnost identity.
A portrait of the working class musicians and dancers of Buenos Aires's San Telmo neighborhood, who have channeled the city's many cultural influences into the street performance called Murga.
This observational documentary follows the journey of Beyoncé’s super-fans who, unable to pay for the most expensive tickets, camped out for two months to secure their front row spots. Living with this makeshift community bring to light important issues, such as economic class, black identity, homophobia, feminism, and what it means to make this sacrifice for a media phenomenon larger and more powerful than themselves.
Women's unwritten history is passed down through memories. Shows women talking about their experiences of the Great Depression in Australia. Covers such areas as: aboriginal women; paid and unpaid work; mothering; marriage; women's participation in the political struggles of the 1920's and 30's.
Profile on three young Adelaide women. Diana, Kerry and Josie are now 18 years old, and continue to have open and frank discussions about their lives.
An exploration of the hopes and expectations of three working class women from Adelaide, and the differences and similarities they share with their daughters.
The third film in a documentary series from acclaimed director Gillian Armstrong, about the lives of three working class women. as they grow up from the age of 14. They're now at the ripe old age of 26, and we witness the women confronting the very real issues of teenage pregnancy, and love versus sex, marriage and career.
As the months pass through her, Mai gives us a glimpse into old age that explores between being abandoned and being belonged, passing the time and living the time.
The unusual story of Nose and Tina, 2 people in love. He is employed as a brakeman, she as a sex worker.
This scene is a part of the very first film shot produced by the Manaki Brothers. Despina, the Janaki and Milton Manaki's grandmother, was recorded weaving in one high-angle shot. For no apparent reason, the first shot made in Macedonia, in the Balkans in fact, made by these two cinematography pioneers, contains peculiar symbolics: at the moment when the grandmother Despina spins the weaving wheel, film starts rolling in our country.
Jesus Camp is a Christian summer camp where children hone their "prophetic gifts" and are schooled in how to "take back America for Christ". The film is a first-ever look into an intense training ground that recruits born-again Christian children to become an active part of America's political future.
An unpredictable documentary from a fascinating storyteller, Agnès Varda’s last film sheds light on her experience as a director, bringing a personal insight to what she calls "cine-writing," traveling from Rue Daguerre in Paris to Los Angeles and Beijing.
This documentary analyzes the origins of the Puerto Rican economic development plan of the 1960’s, better known as Manos a la Obra (or Operation Bootstrap). The film examines this economic plan within the framework of Puerto Rican society, with special emphasis on the mass migration of Puerto Ricans to the mainland.
In this documentary by Coline Serreau, known for her feature film Why Not?, a selection of Frenchwomen in characteristically no-win situations discuss what they are experiencing and answer, if only by implication, the question: "What do women want?"
"The Apology" explores the lives of former "comfort women," the more than 200,000 girls forced into sexual slavery during World War II. Today, they fight for reconciliation and justice as they struggle to make peace with the past.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
Documentary depicting the lives of child prostitutes in the red light district of Songachi, Calcutta. Director Zana Briski went to photograph the prostitutes when she met and became friends with their children. Briski began giving photography lessons to the children and became aware that their photography might be a way for them to lead better lives.
No overview found
We wanted to make a film about a teenage mother. We met Joana in a casting that took place in Setubal, in the Bela Vista neighborhood. She appeared to us as a porcelain doll, small, fragile, pale, with a little hair bow. Little by little, she crumbled apart, revealing a charming complexity. We were conquered by the duality of strength and fragility, freedom and incarceration, joy and sorrow. The intimacy and complicity we were able to establish with her made this film possible. In Cat's Cradle, we share her with everyone else.
The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.
Hidden in the heart of Russia, there is a Soviet-era city where thousands of people live and work behind barbed-wire fences monitored by armed guards. It is Ozyorsk (Ozersk), located in the Chelyabinsk Oblast, one of the most polluted places on the planet and home to the largest stockpiles of nuclear material. Its code name: City 40.