Soof
Soof is reaching 40 and has everything she ever wanted: three children, a small catering business, a sweet husband Kasper and a lovely home. Until she starts asking herself: 'is this all there is'?
Created and produced as a sample of the proposed (never realized) animated feature. "It was like a 30's musical in which Anita left the alligator farm to pursue her dream of opening the ultimate tropical nightclub. I had a script and storyboard [...] Nightclub of the future with live alligators and a tipsy train that serves drinks." -SC
Soof is reaching 40 and has everything she ever wanted: three children, a small catering business, a sweet husband Kasper and a lovely home. Until she starts asking herself: 'is this all there is'?
A fashion fad, a hip new band and a drug are marketed to kids in unnervingly similar ways.
Hungry mosquitos, in search of a meal, find that fruit, flowers and other such fare doesn't satisfy. One enterprising bug hits the jackpot - a human! However, the victim vigorously resists joining the food chain, causing a number of winged casualties. The little buggers wait until the man falls asleep, then set up a number of enterprises: cafes, bars, filling stations, all serving blood. Things are going well, but then the mosquito Cosa Nostra moves in, and ramp production into high gear.
Shaun lives a supremely uneventful life, which revolves around his girlfriend, his mother, and, above all, his local pub. This gentle routine is threatened when the dead return to life and make strenuous attempts to snack on ordinary Londoners.
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King Arthur, accompanied by his squire, recruits his Knights of the Round Table, including Sir Bedevere the Wise, Sir Lancelot the Brave, Sir Robin the Not-Quite-So-Brave-As-Sir-Lancelot and Sir Galahad the Pure. On the way, Arthur battles the Black Knight who, despite having had all his limbs chopped off, insists he can still fight. They reach Camelot, but Arthur decides not to enter, as "it is a silly place".
A family loaded with quirky, colorful characters piles into an old van and road trips to California for little Olive to compete in a beauty pageant.
An illusion of 3 dimensions is achieved by a blending of mathematics and physics to carry the spectator through a new range of audio and visual dynamics.
This film is strongly rooted in its underlying mathematical structure which forms the basis for the images. The music by Jean Claude Risset is integral to the creation of this concert of space and time.
A single bird in flight is transformed, enhanced and interpreted so as to present a unique visual experience. From its original inception in a 128 frame black-and-white sequence it evolves by programmed reflection, inversion, magnification, color transformation and time distortion into the final restructured film as art.
Abstract images of frame-by-frame animation with subtle growing effects of crystals are enhanced by polarized colors.
Picture-processed photos from the artist-filmmaker’s family. Faces are abstracted in a divisionistic manner.
Music “Canzoni per sonar a quattro” by Giovanni Gabrieli, performed by Elizabeth Cohen, Max Mathews, and Gerard Schwarz. Images generated by computer.
Computer generated images used as counterpoint to music “Fantasia & In Nomine” by John Ward, performed by Elizabeth Cohen, Max Mathews, and Gerard Schwarz.
Luise, called Pünktchen, and Anton are closest of friends. Being the daughter of a wealthy surgeon, young Pünktchen lives in a great house. Her mother, who always travels through the world more for public relation reasons than for the social tasks she pretends to fulfill, is never available to her as a mother. Anton, son of a single and sick mother in financial trouble, does his best to help her out of it by working late. Pünktchen decides to help her only friend (as nobody else would anyway) and starts singing in public places. Trouble arises when Anton can't resist stealing a golden lighter and Pünktchen's secret life is discovered by her parents. Two troubled families finally can see the need for actions to be taken.
It ain't easy bein' green -- especially if you're a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot -- a wisecracking donkey.
An ex-fighter pilot forced to take over the controls of an airliner when the flight crew succumbs to food poisoning.
As a swinging fashion photographer by day and a groovy British superagent by night, Austin Powers is the '60s' most shagadelic spy. But can he stop megalomaniac Dr. Evil after the bald villain freezes himself and unthaws in the '90s? With the help of sexy sidekick Vanessa Kensington, he just might.
When diabolical genius Dr. Evil travels back in time to steal superspy Austin Powers's ‘mojo,’ Austin must return to the swingin' '60s himself - with the help of American agent, Felicity Shagwell - to stop the dastardly plan. Once there, Austin faces off against Dr. Evil's army of minions to try to save the world in his own unbelievably groovy way.
The world's most shagadelic spy continues his fight against Dr. Evil. This time, the diabolical doctor and his clone, Mini-Me, team up with a new foe—'70s kingpin Goldmember. While pursuing the team of villains to stop them from world domination, Austin gets help from his dad and an old girlfriend.