
20 Nov 1992

Bad Lieutenant
While investigating a young nun's rape, a corrupt New York City police detective, with a serious drug and gambling addiction, tries to change his ways and find forgiveness.

Everyman is successful, popular and riding high when Death comes calling. He is forced to abandon the life he has built and embark on a last, frantic search to recruit a friend, anyone, to speak in his defence. But Death is close behind, and time is running out. One of the great primal, spiritual myths, Everyman asks whether it is only in death that we can understand our lives. A cornerstone of English drama since the 15th century, it now explodes onto the stage in a startling production with words by Carol Ann Duffy, Poet Laureate, and movement by Javier De Frutos.

Everyman
Ensemble

Kindred (Father)

Fellowship/Senses & Wits (Sound)
Goods / Fellowship/Senses & Wits (Passion)
Kindred (Sister)

Death

Kindred (Mother)

God / Good Deeds

Goods / Fellowship/Senses & Wits (Vanity)

Fellowship/Senses & Wit (Strength)

Fellowship/Senses & Wit (Smell)

Goods / Fellowship/Senses & Wits (Sensuality)

Knowledge

Fellowship/Senses & Wits (Touch)
Fellowship/Senses & Wits (Taste)

Fellowship/Senses & Wits (Sight)

Fellowship/Senses & Wits (Discretion)

Goods / Fellowships/Senses & Wits (Insecurity)

20 Nov 1992

While investigating a young nun's rape, a corrupt New York City police detective, with a serious drug and gambling addiction, tries to change his ways and find forgiveness.
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No overview found

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