Mining Review 2nd Year No. 11
The 23rd issue of the long running industry cinemagazine. Features the articles: 'Safety First', 'Paying For It' and ' A Star Drops In'.
SCHICHT (SHIFT) is both a reckoning and a search for traces of the past. Layer by layer the film unfolds the portrait of the filmmaker's family - brought to life by records from private archives - and embarks on a dizzying trip through the shrinking industrial city of Salzgitter, Germany.
The 23rd issue of the long running industry cinemagazine. Features the articles: 'Safety First', 'Paying For It' and ' A Star Drops In'.
Britain feels under-funded and falling apart. On the eve of the election, as politicians debate the causes, economist Tim Harford looks at what the numbers reveal about the broken state we're in.
Every nuclear weapon made, every watt of electricity produced from a nuclear power plant leaves a trail of nuclear waste that will last for the next four hundred generations. We face the problem of how to warn the far distant future of the nuclear waste we have buried --but how to do it? How to imagine the far-distant threats to the sites, what kinds of monuments can be built, could stories or legends safeguard our descendants? Filmed at the only American nuclear burial ground, at a nuclear weapons complex and in Fukushima, the film grapples with the ways people are dealing with the present problem and imagining the future. Part observational essay, part graphic novel, this documentary explores the idea that over millennia, nothing stays put.
In a futuristic, antiseptic food factory, workers select healthy chicks, while the rejects are carried along a conveyor belt until they are crushed by a mallet and drop into a garbage bin. A single black chick appears among the yellow and is shoved toward the garbage bin. Before the mallet strikes, the gasping chick rebels.
Birkenhead's sights, shopping opportunities and industries.
A documentary examining the effects of industrial automation on a small American town.
Introduction to the oil industry of India in the post-colonial period.
A highly choreographed review of the Industrial Age as we know it today – an intense and playful roller coaster ride that demands the viewer confronts how “work works.” Culled entirely from archival footage, the film unfolds in the filmmakers’ trademark, and humorously critical, cinematic voices.
An engineering feat: Second city civil engineers complete a new bridge to carry traffic over New Street's tangled railway intersections.
From the Sea to the Land Beyond is a film about the British coast made from 100 years of our film heritage stored in the British Film Institute collection, edited by Penny Woolcock with a soundtrack by British Sea Power
An overview of the lobster fishing industry in Nova Scotia.
Find out how the cars were crafted and discover the secret family stories behind the most famous marques including Riley, Standard, Triumph and Jaguar. Legendary racers Rosemary Smith, Pat Quinn and Norman Dewis share their memories of competing Coventry’s cars in some of the world’s most dangerous motorsport events. And, meet the people passionate about preserving the city’s extraordinary motoring heritage.
This short documentary features Newfoundland fisherman Billy Crane, who speaks frankly on the state of the inshore fishery and how the lack of government support has contributed to the industry’s downfall. He is being forced to leave home to seek employment in Toronto. This film was made with the Challenge for Change program.
In 1907, Belgian-born American chemist Leo Hendrik Baekeland made one of the most transformative discoveries of the 20th century: Bakelite. It was the first wholly synthetic plastic and ushered in an explosion of new man-made materials that marked the beginnings of our modern industrial age.
The invention and use of a jeep are described, from the viewpoint of one of the vehicles.
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Animated industrial movie about the steel industry.
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Grierson set out to make "propaganda," and this film--with it's voice-over proclaiming the great value of the British industrial worker, without a hint of ambiguity or doubt--fits that category well. The authoritatarian narrator feels out-of-date and unsophisticated, but the footage is well shot and interesting, and the transparency of the propaganda aspect is almost a reflief at a time when so many films have hidden agendas.
When he started as a comedy writer for the Late Show with David Letterman, Steve Young had few interests and not many friends outside of his day job. But while gathering material for a segment on the show, Steve stumbled onto a few vintage record albums that would change his life forever.