Fukushima
On March 11 2011, after a magnitude 9 earthquake, a giant tsunami destroyed most of the north eastern japanese coast, killing almost 20,000 people.
Every nuclear weapon made, every watt of electricity produced from a nuclear power plant leaves a trail of nuclear waste that will last for the next four hundred generations. We face the problem of how to warn the far distant future of the nuclear waste we have buried --but how to do it? How to imagine the far-distant threats to the sites, what kinds of monuments can be built, could stories or legends safeguard our descendants? Filmed at the only American nuclear burial ground, at a nuclear weapons complex and in Fukushima, the film grapples with the ways people are dealing with the present problem and imagining the future. Part observational essay, part graphic novel, this documentary explores the idea that over millennia, nothing stays put.
On March 11 2011, after a magnitude 9 earthquake, a giant tsunami destroyed most of the north eastern japanese coast, killing almost 20,000 people.
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Over 350,000 tons of highly radioactive waste and spent fuel rods are in temporary storage on site at nuclear power complexes and at intermediate storage sites all over the world. More than 10,000 additional tons join them every year. It is the most dangerous waste man has ever produced. Waste that requires storage in a safe final repository for hundreds of thousands of years. Out of reach of humanity and other living creatures. The question is, where? Together with Swiss-British nuclear physicist Charles McCombie, who has been searching for a safe final storage site for highly radioactive nuclear waste for thirty-five years, director Edgar Hagen investigates the limitations and contradictions involved in this project of global significance. Supporters and opponents of nuclear energy struggle for solutions whilst dogmatic worldviews are assailed by doubt
Wim Wenders ponders about the future of our society and film making amidst the Covid-19 pandemic.
An exploration of the future of clothing, profiling forward-thinking companies at the forefront of redefining how and what we wear.
In the aftermath of the Fukushima nuclear disaster, a Japanese farmer ekes out a solitary existence within the radiation red zone.
The exciting story of the splitting of the atom, a scientific breakthrough of incalculable importance that ushered in the nuclear age, has a dark side: the many events in which people were exposed to radiation, both intentionally and by accident.
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A main claiming to be from the future explains what we can expect from the next decades, in a frightening glimpse of what's to come.
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The explosion at Chernobyl was ten times worse than the Hiroshima bomb and was due to a combination of human error and imperfect technology. An account of the sixty critical minutes prior to the explosion of the nuclear power plant on the night of April 26, 1986.
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In the aftermath of the 3.11 Fukushima Daiichi Nuclear Power Plant accident, the Japanese government began implementing a large-scale decontamination effort to clean up the radioactive materials. A mother, a farmer, a community leader, an evacuee - hear how the clean-up effort has been carried out around their lives and what their hopes are for the reconstruction of Fukushima.
This Academy Award-winning documentary takes a look at children born after the 1986 Chernobyl nuclear plant disaster who have been born with a deteriorated heart condition.
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Australian pediatrician Helen Caldicott delivers a lecture on the potential medical and societal consequences of a nuclear war, and advocates for nuclear disarmament. The film includes newsreel records of the beginnings of the arms race and the bombings of Hiroshima and Nagasaki, as well as film records showing the Japanese who were severely scarred and burned in the bombings.
The story about Chornobyl area, all around the world we know of the disaster in 1986. The film may be called a guide to the Exclusion Zone. Thanks to the unique footage from the place of the tragedy, that the crew succeeded to capture, the viewers will have a chance for a full immersion into the atmosphere of the events and, along with the heroes of the film, feel the dreadful and amazing air that reigns where one of the major anthropogenic disasters took place.
Fukushima's Minami-soma has a ten-centuries-long tradition of holding the Soma Nomaoi ("chasing wild horses") festival to celebrate the horse's great contribution to human society. Following the meltdown of the Fukushima Daiichi Nuclear Power Plant in the wake of the March 11, 2011 earthquake and tsunami, local people were forced to flee the area. Rancher Shinichiro Tanaka returned to find his horses dead or starving, and refused to obey the government's orders to kill them. While many racehorses are slaughtered for horsemeat, his horses had been subjected to radiation and were inedible. Yoju Matsubayashi, whose "Fukushima: Memories of the Lost Landscape" is one of the most impressive documentaries made immediately after the disaster, spent the summer of 2011 helping Tanaka take care of his horses. In documenting their rehabilitation, he has produced a profound meditation on these animals who live as testaments to the tragic bargain human society made with nuclear power.
"Historically accurate, narratively captivating, The New American Century is one of the best films about the facts behind the 9/11 attacks". Webster G. Tarpley "The New American Century is a stunning film. It should be seen as widely as possible, in cinemas, bars, clubs, at meetings and, of course, through the internet. I'm sure the film will continue to be a source of debate and political education for many years." Ken Loach. Massimo Mazzucco’s Inganno Globale (soon in English as "Global Deceit") presented all the major inconsistencies in the 9/11 official version, i.e. World Trade Center’s demolition, no Boeing at the Pentagon, etc., that lent credibility to the accusation by the so-called "9/11 Truth Movement" of the attacks having been an inside job. The New American Century presents the historical, philosophical, economical and political background, some of which is practically unknown to the general public, that seems to support such accusation by the 9/11 Truth Movement.