Ryan Reynolds: I'm a Laureate?
Ryan Reynolds reflects on his childhood, family and career—punctuated by diversions into the charitable side of Twitter to appeal to his Canadian sense of self.
Luck of a Foghorn is a documentary featurette about the late Seattle underground animator Bruce Bickford (1947 - 2019), former collaborator of musician Frank Zappa and creator of Prometheus’ Garden, one of the most original stop-motion films in animation history. Interweaving Bickford’s pulsing, violent, magical, and mesmerizing clay animation with atmospheric 16mm and Super 8mm cinematography, home movies, and sparse interviews, Luck of a Foghorn takes viewers behind the scenes and deep into the garden of Prometheus.
Ryan Reynolds reflects on his childhood, family and career—punctuated by diversions into the charitable side of Twitter to appeal to his Canadian sense of self.
Wilson Periera, takes you to a small village in Kerala (South India) and further into an old house near the village cemetery. The story revolves around Wilson Periera, the cemetery keeper and his only family, his pets. The film shows perplexed Periera’s quest to find out the mystery behind the disappearance of his beloved fish.
Derived from an installation, an asymmetrical orchestration of "motion paintings" pushing the limits of abstraction in the digital age.
Behind the scenes look at the D-Day special effects created in filming The Americanization of Emily (1964).
Growing up in poverty as a child, Dylan dreamt of travelling the world on a motorcycle. Many years later he broke the shackles of a normal life and took to the road. After journeying 200,000km across four continents, the road from Panama to Colombia comes to an end, swallowed up by an impenetrable jungle. Dylan has no choice but to take to the sea, building a raft powered by his motorcycle engine in the hope of reaching Colombia's road network 700km away. He must brave strong ocean currents and storm batterings in his journey from Central to South America.—Journeyman Pictures
This documentary short-film follows the story of The White Bus Cinema based in Southend-on-Sea. They keep the process of projecting real celluloid film alive by showing films from their archive of over 3,000 films, ranging from Super 8, 16mm, and 35mm prints. The film argues why it's important to continue the shooting and projection process of film in our current age of digital shooting and projection in modern Hollywood, amidst the chaos of studios removing films from their streaming services.
A space looter and his AI land on the wreck of a spaceport to steal a valuable object before the arrival of first aid.
A room hangs in a dark void, as a character searches for his last fleeting possessions.
An "electronic puppet" version of the Humperdinck opera, adapted for children and using spoken dialogue as well as Humperdinck's music.
A set of seven portraits consisting of personal accounts from the lives of gays and lesbians. The narration includes stories about coming out, bashing, cross-dressing and AIDS.
Second part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Preceded by An Opera of Violence; followed by Something to Do With Death.)
Third part of a three-part documentary series on the making of Once Upon a Time in the West, Italian filmmaker Sergio Leone's masterpiece, released in 1968. (Preceded by The Wages of Sin.)
Animated interpretation of the Bizet opera, second in a trilogy.
In the documentary, the life of Mustafa Kemal Atatürk, the last period of the Ottoman Empire, the War of Independence and the developments in the first years of the Republic of Turkey are told in parallel. The documentary prepared by Michael Adams consists of recordings made by the BBC in 1970 in Çanakkale, Samsun, Amasya, Sivas and Ankara, as well as historical footage.
Sir Tony Robinson takes a journey back in time to find out where Blackadder really began, and to uncover the story of the previously-unseen pilot episode.
No overview found
Nishika 3D cameras were the inexpensive cousins to the Nimslo 3D cameras made in the mid to late 1980's (the Nimslo cameras used glass lenses, while the Nishika ones used plastic lenses). The cameras used regular 35mm film that captured 4 simultaneous images onto 2 frames of film. These images were printed onto photo stock with a lenticular surface bonded to it which allowed 3D to be seen without glasses, like the old kids story books with the 3D covers. The basic 3D camera kit came with this VHS instructional video that was hosted by Vincent Price. It was one of the last things he did.
A tragic comedy of a sweet little girl, who grows up to be a crazy old cat lady.
I made this film especially for you. I needed to check in with you. I needed to tell you how I feel.
An animated film for children about how a Clown and the guys argued about who is the bigger inventor and entertainer.