Bullfight
The film evokes all the aspects of bullfighting - its history, the bulls, the toreros, the arena, the audience - and involves numerous matadors from the era.
Zhang Xianchi is a man thrown into the Cultural Revolution and its afterimage, plunged into the ideological deadlocks of the era and suffering its consequences beyond it. Born into a family that supports the nationalist Kuomintang, Zhang eventually became a leftist and joined the Communist Party. But his family’s background eventually catches up with him, and in a series of bureaucratic measures, he is labelled as a Rightist, leading to a slew of irrational yet life-affecting consequences. His story is told through an exhilarating hybrid of forms, blending documentary-styled interviews and spectral theatrical displays within an ever-mutating studio-space. Hypnagogic in its imagery and ironic in attitude, Mr. Zhang Believes is a tour-de-force treatise of a man caught within dogmatic political maneuverings, which it critiques indirectly with creative and stoic fervour.
The film evokes all the aspects of bullfighting - its history, the bulls, the toreros, the arena, the audience - and involves numerous matadors from the era.
An unconventional point of view on one of the most successful Italian bands: Elio e le Storie Tese.
A deeply human portrait of a boxer with the heart of a lion who refused to give up, in and outside of the ring. This documentary follows the fighter's life from a child who was taught how to hate, to a father who learned how to love.
Anything can happen on Russian roads and is precisely shot by the dashboard camera. Super-objective video registration grows into the strong image of Russian national character – with its permanent awaiting for the miracle and habitual approach to real dramas. A forest on fire as a symbol of Russian hell, a military tank at a car wash and car chase in the vicinity of Kremlin shot with a dashboard cam at the same time when Boris Nemtsov, the leader of political opposition, was shot dead near Kremlin. Dashboard cam depicts life in it’s purity as an unbiased observer.
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A documentary about the classic 'Texas Chainsaw Massacre' film, including interviews with Gunnar Hansen, Edwin Neal, John Dugan and Jim Siedow.
A Week in the Hole chronicles a factory employee’s adjusting to the materials, time, space and personnel during his first day of work.
From Pompeii to Xenia puts in echo times of innocence struck by disaster: the lightning tornado which had beaten down on the American city of Xénia in 1974 answers, at thousands of kilometers in distance and centuries apart, the mythical eruption of Vesuvius in 79. The extended panorama, derived through the crossing of history and from an intimate story and urban sociology, is the cinematic reconstruction of a personal history: of its historical and geographical conditions to its processing.
A correctional officer’s daily routine of gaining access into a correctional facility.
Six Positions (1998) is about task of a funeral home director.
Just what will motoring be like in a post apocalyptic world that's been blown to bits by nuclear bombs or a massive comet? It's a burning question that's on literally nobody's mind, and we give you all the answers in this brand new, incredibly cheerful Top Gear DVD. Embarking on a terrifying journey into the future, we show you how to drive to work in the perpetual darkness of a Nuclear Winter, how to make motor sport exciting when there's only two racing drivers left alive, and, in a world where all cars are bristling with weapons, how to survive the savage, explosive fury of a Doomsday M.O.T test. And amongst all the nuclear carnage, we also tackle the ultimate petrolhead's dilemma - what cars would you take for a final drive if there was only one barrel of petrol left on the planet? The explosions are huge, the cars are superb, so relax and enjoy. PS. This frightening vision of a post nuclear world is backed up by top scientists, in case you think it's us just cocking about.
From June 2021 to June 2022, Justin "Jastun" Bland records whatever that is in front of him. He presents an abstract montage of collected videos varying from onscreen recordings to filming special, intimate & mundane in-real-life moments. This short captures our daily routines in life and how we choose to spontaneously record them.
Documentary — featuring both interviews and live footage — about underground rock music in Russia, during the last years of the Perestroika.
An extraordinary journey deep into space offering fresh insight into the origins and evolution of the universe.
Tom is a young guy from Zagreb, completely without money, trying to make films in Belgrade. He somehow manages to survive with a help of women. He doesn't believe in anybody, respects no one and is in constant conflict with the ruling system and order. After being left by a silly American girl, Tom binds with a woman whose husband is abroad. When she kicks him out, he moves in with her husband's sister, who later kills him in the attack of jealousy. All this is shown in the context of major historical events prior to 1968. with lots of archive footage of world leaders.
The Documentary centers around Zappa at home, and on Tour. The amazing thing is that Zappa allowed a guy with a camera to film the band at the Fillmore West w/ Flo and Eddie. There are times when the camera man seems to be on the stage. The performance is recorded from only one camera angle. There are only 4-5 songs presented here.....and Zappa referring to the Fillmore West as the ‘Psychedelic Dungeon’ is priceless………..It is a great piece of history.
The journey to the world championship is fraught with difficulties for Entity, the UK's most successful and controversial under sixteen street dance crew, as they battle to overcome the many challenges that face them in their bid for glory on the world stage.
A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.
Phil Tippett is the Oscar-winning stop-motion animator and designer behind some of the greatest fantasy creatures and sci-fi set pieces in cinema history. From his humble beginnings as an alien patron in the iconic Cantina sequence from 'Star Wars: A New Hope', to pioneering stop-motion techniques used throughout 'Empire Strikes Back' and 'Return of the Jedi', to seamlessly merging practical animation and CGI in Jurassic Park and beyond. In 'My Life in Monsters', VICE chronicles Tippett's legendary life work, illustrating the process behind his greatest creations, the emotional hardships of transitioning into Hollywood's digital revolution, and completing his return-to-form, stop-motion opus with the brutal, dystopian 'Mad God'.