Pornography: Andrea Dworkin
Radical feminist Andrea Dworkin's expose on the pornography industry.
Do Native Women Live With Apes?
This little-seen compilation 'educational' documentary from producer Samuel Cummins was an independently-produced jungle exploitation film typical of the 30s. It was inspired after the success of the pre-Code exploitation film Ingagi (1931) about gorilla-worshipping Congolese native women, and after the success of RKO's King Kong (1933). The film speculated that there was social/sexual intercourse or matings between African women and gorillas, after a Ubangi maiden was abducted by a gorilla and carried off into the jungle. It was considered scandalous and "off-color" by the Board of Review because of the theme of "the mating of women with wild animals and because of nude figures in the picture." The film included sensational content (ineptly interspersed with horrible stock footage) including a few shots of topless native women (censored versions superimposed fake ferns over bare breasts) and lusty gorillas (men in monkey suits). (filmsite.org)
Radical feminist Andrea Dworkin's expose on the pornography industry.
A remote farm in the middle of no where in South Africa, a young girl travels back for her mothers’ funeral and to see her mentally challenged brother. But on the night Chloe’s father leaves on business, the maid is left to keep a eye out for the brother and sister. Their peaceful world is thrown into chaos, when a tragic event ensues, forcing Chloe to make a life changing decision. This coupled with the typical stress of adolescent life, causes Chloe to descend beyond her limits of sanity.
In the ravaged near-future, a savage motorcycle gang rules the road. Terrorizing innocent civilians while tearing up the streets, the ruthless gang laughs in the face of a police force hell-bent on stopping them.
A group of cold-blooded cannibals keep people in cages until they're ready to be butchered. One of the captives escapes, but dies in the surrounding forest. Nature soon takes a hand, reviving the former captive and turning him into a marauding beast.
Max Rockatansky returns as the heroic loner who drives the dusty roads of a postapocalyptic Australian Outback in an unending search for gasoline. Arrayed against him and the other scraggly defendants of a fuel-depot encampment are the bizarre warriors commanded by the charismatic Lord Humungus, a violent leader whose scruples are as barren as the surrounding landscape.
A gang of young thieves flee Paris during the violent aftermath of a political election, only to hole up at an Inn run by neo-Nazis.
A pseudo-documentary, “Samarang” tells the story of lowly Ahmang (Captain A.V. Cockle) and his socially superior love, Sai-Yu (Theresa Seth). Both live in the village of Samarang in the Indian Ocean. Because Sai-Yu is the daughter of a chief and Ahmang is but a poor fisherman, he needs to increase his wealth before asking for her hand. Thus he accepts the perilous offer of the wily Chang-Fu, who seeks pearl divers. Ahmang must brave the treacherous waters of the Forbidden Lagoon of Sakai, home to bloodthirsty cannibals, killer sharks, and a monstrous grasping octopus. Sai-Yu and Ahmang’s younger brother Ko-Hai come along for kicks, too. Ahmang finds his pearl, but he and Sai-Yu are stranded on the island, where they befriend a local orangutan. When they return to the boat, a shark kills Ko-Hai, and Ahmang must get revenge.
Batwoman and her bevy of Batmaidens fight evil and dance.
In the heart of Styria the Karnstein Family, even after their mortal deaths, rise from their tombs spreading evil in the countryside in their lust for fresh blood. Baron Hartog whose family are all victims of Karnstein vampirism, opens their graves and drives a stake through their diabolical hearts. One grave he cannot locate is that of the legendary beautiful Mircalla Karnstein. Years of peace follow that grisly night until Mircalla reappears to avenge her family's decimation and satisfy her desire for blood.
The video is accompanied by a richly detailed article that adds more depth to the documentary. If there’s any question about why Hollywood is dead set against the unionization of vfx artists, the following graphic from the article will answer the question: vfx artists comprise the biggest portion of the crew on most Hollywood blockbusters.
When her archaeologist father disappears on an expedition, Wanda sets out to look for him. What she finds is a secret underground world, where no one believes in life on the surface and where she and her father are taken for spies.
WELCOME TO THE ALAMO DRAFTHOUSE CINEMA, the most awesome post-modern hot spot for exploitation movie revival, deep in the heart of Texas! Home to world-famous events such as The Quentin Tarantino Film Fest, Fantastic Fest and Butt-Numb-A-Thon, the Alamo is one of the last places on earth where you can still see grindhouse classics such as THE DEVIL WITHIN HER and MAD MONKEY KUNG FU. Now, the Alamo has opened their vaults for a peek at some of the most outrageous cinematic gems from several golden ages of sleaze cinema. Digitally re-mastered in high-definition from the actual reels that show every week at the Alamo, this exciting edition of the 42ND STREET FOREVER series is the most bizarre, the most terrifying and the most hilarious one yet!
Laurie and Hugh are a successful young couple who have just closed on a weekend home away from the city. Unbeknownst to them, the neighboring property contains the crumbling remains of a boarding school that was shuttered in the wake of an unspeakable massacre. The sole survivor of that massacre still resides in the ruins of the school, hiding from the world and wanting only to be left alone. When Laurie and Hugh's friends explore the property, they have no idea that they disturbed an emotionally-broken killing machine: The Blood Widow.
A young man goes through life detached, alone, and unable to control his psychotic desire to kill the things he loves most. Employed as a cameraman in a seedy porno operation, he spends his days separated from the shame and degradation by the camera he uses to record it. When he is confronted with the reality of an actual sexual encounter, without his camera for protection, he invariably strangles his partner during the lovemaking process. But then he meets a girl...and the nightmare begins!
Welcome to the Grindhouse experience like it was meant to be, killer story lines and themes zig zig across the screen in Grind-O-Vision, a nonstop thrill ride of babes, guns, muscle cars, motorcycle shoot outs, rendezvous with the devil and much more. From "Manhunt" to "Stripper with a Shotgun", Grindhouse Nightmares is cinema exploitation at its best.
The murderous, backwoods Firefly family take to the road to escape the vengeful Sheriff Wydell, who is not afraid of being as ruthless as his target.
Molly Stewart, a teen at the top of her class who survives by working nights as a prostitute on Hollywood Blvd, finds her world beginning to fall apart when a depraved, necrophiliac serial killer begins targeting LA’s streetwalkers.
A honeymooning couple take a vacation in a remote country bungalow. Before long, they’re visited by two backwoods psychos. Terror, assault, and rape are inevitable. The U.S. video release from Genesis (released in 1988 under the title DEMON LUST) is missing ten minutes.
Based on South African Tokolosh myths & legends. The Tokolosh is believed to be a dwarf like creature that has been killing people since 1838. Set in modern day South Africa a young architect tries to find out more about his wife's mysterious death and realizes there is something more sinister at work.
Documentary on famed erotic icon Pandora Peaks. Last film directed by Russ Meyer.