Men at Lunch
This remarkable new documentary explores the story behind one of the most iconic images of the twentieth century: the 1932 photograph of workmen taking their lunch while perched on a girder high above New York City.
This remarkable new documentary explores the story behind one of the most iconic images of the twentieth century: the 1932 photograph of workmen taking their lunch while perched on a girder high above New York City.
No overview found
There could hardly be a more telling contrast between the analog and digital eras than the beautifully blurry memories captured in a Polaroid picture and the thousands of pin-sharp photos on an iPhone. In this ambitious visual essay, Willem Baptist explores the visionary genius of Edwin H. Land, the inventor of the Polaroid camera. Even today, all sorts of people are keeping his instant dream alive. Former Polaroid employee Stephen Herchen moved from the United States to Europe to work in a laboratory developing the 2.0 version of Polaroid. Christopher Bonanos, the author of Instant: The Story of Polaroid, tells us, "When I heard Polaroid would stop making film, it felt like a close friend had died." Artist Stefanie Schneider, who is working with the last of her stock of Polaroid film, is using the blurring that occurs with expired film as an additional aesthetic layer in her photographic work.
A beautiful collection of pictures ties Frank Cancian, an elderly photographer and retired professor of anthropology, American with origin from Veneto, to the people of Lacedonia, a small town in southern Italy. Thanks to the rediscovery of the photos taken in 1957 by the young Cancian in that rural village where he had arrived almost by chance, the story resumes there where it was interrupted 60 years earlier. And the thread of memories ties back to people and places, bringing with itself some essential reflections on how photography can become an ethnographic look at small communities.
Six conflict photographers reflect on their experiences capturing the atrocities of war and other manifestations of violence on film.
The legendary photographer William Klein has designed this fascinating book on fashion photography, with a selection of images from throughout his career, including material from his films. Though Klein claims roots in areas as diverse as painting, street photography, the tabloids, and B movies, his fashion work has been known since the fifties and sixties and has been a constant in his career.
Follow photographer Leroy Bellet on his quest to film some of the world’s best barrel riders, on some of the world’s most dangerous waves. The result is more than a few terrifying moments, but also some of the most epic surf footage ever captured.
This look behind the scenes shows how worldwide camera crews climbed, dived and froze to capture the documentary's groundbreaking night footage.
The film shows the Polish media life in 2010 from the perspective of the daily work of paparazzi - from hunting Roman Polanski to the events of the Smolensk catastrophe. However, in the foreground there is a dramatic story of a man who makes controversial choices on a daily basis and bears emotional, personal and ethical consequences. The title character turns out to be as ruthless as himself as to the people on whose lives he preys. Paparazzi is a movie about lost world values and bold rules - but shows that we always have a chance to decide what kind of man we will be tomorrow.
Fernando Lemos, a Portuguese surrealist artist, fled from dictatorship to Brazil in 1952 searching for something better. The movie follows the last moments of his journey and the struggle for the preservation of his legacy, trying to fulfill his last great desire: to be a good dead man.
A 7-minute portrait of natural born fashion and street photographer 'Jimmy on the Run'. Coming from rural China, he now roams the streets of Amsterdam always chasing the next best picture. This short film shows Jimmy's passion for the lens, his dynamic lifestyle and his struggle with family expectations.
Freyer Artist. Iconoclast. Man of his time. All Things are Photographable is a revealing documentary portrait of the life and work of acclaimed photographer Garry Winogrand – the epic storyteller in pictures of America across three turbulent decades.
Considerations on collage as a cognitive act in artists’ cinema. A pedagogical film adrift: 35mm photographs and other materials collected over the last fifteen years by artist Stefano Miraglia meet a text written by Baptiste Jopeck and the voice of Margaux Guillemard.
Documentary covering the end of an era as Polaroid stops producing its signature cameras and film as well as The Impossible Project to keep instant photography alive.
Stunning slow-motion and timelapse cinematography of the landscapes, people and wildlife of the American South West.
Ragnar Alexsson, a.k.a. RAX, is among the most celebrated photographers in the world. His series Faces of the North are a living document of the dying cultures of the far northern reaches of the planet. His photo essays of farmers and fishermen in Icleand, and of the great hunters of Greenland give an amazing insight into everyday life of people who struggle a daily battle with the Arctic nature. A celebration of the photographer and his subjects, Last Days of the Arctic is an elegy for a disappearing landscape and the people who inhabit it.
The life of internationally renowned artist and activist Nan Goldin is told through her slideshows, intimate interviews, ground-breaking photography, and rare footage of her personal fight to hold the Sackler family accountable for the overdose crisis.
Art Kane, now deceased, coordinated a group photograph of all the top jazz musicians in NYC in the year 1958, for a piece in Esquire magazine. Just about every jazz musician at the time showed up for the photo shoot which took place in front of a brownstone near the 125th street station. The documentary compiles interviews of many of the musicians in the photograph to talk about the day of the photograph, and it shows film footage taken that day by Milt Hinton and his wife.
Thom Andersen's remarkable and sadly neglected hour-long documentary adroitly combines biography, history, film theory, and philosophical reflection. Muybridge's photographic studies of animal locomotion in the 1870s were a major forerunner of movies; even more interesting are his subsequent studies of diverse people, photographed against neutral backgrounds.
Disrupt, reject, destroy, avoid: At the interrupted rhythm of the broken photographs that a granddaughter has rescued from her grandfather’s hands, the last piece reconstructs the memory of an older man who has decided to leave behind his life impulses to surrender to sleep and calm. An essay on the act of joining our memories, the illusion of remembering and the freedom to forget.