Between Walls
A young woman relives the events leading to up an act of violence, as she leaves her house and walks to a police station to meet with the victim.
Bakit may Kahapon Pa? (Why Is There a Yesterday?) is a 1996 Filipino drama film directed by Joel Lamangan. It is about a village girl who is mysteriously spared when a platoon of soldiers led by Colonel Valderamma (Garcia) massacres her family along with peasants accused of sympathizing with the communists. When the girl has grown up, her body has healed but her mind is yet to recover from the horrible experience. She continues to thirst for revenge and crafts a scheme to exact retribution. She eyes the head of the military mission who instigated the carnage that she survived. He is now a well-admired retiring general who is about to cap his career with the service's highest honors.
A young woman relives the events leading to up an act of violence, as she leaves her house and walks to a police station to meet with the victim.
A single mother suffers a devastating stroke leaving her teenage daughter and 7-year-old son to care for her, testing the family's strength to hold things together as their roles are reversed.
Emma approaches adulthood, she tries to live an ordinary life and keep up to her late mothers expectations. However her anxiety weighs over her, stopping her from enjoying the last few youthful years.
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A portrayal of the lives of the people living in North Madras, focusing on the politics inside the slums and how their plight remains the same, despite the political class luring them constantly during elections.
A dramatization of raid to capture a suspected militant by the Israeli Defense Forces during the Second Intifada into the sprawling maze of the Balata Refugee Camp in Palestine.
The son of an orthodox Carnatic Musician spreads awareness about social causes against his father's will, and gains the trust of local people and brings self-awareness to neighbouring villages.
The managers of a textile enterprise use various scams to obtain all kinds of personal benefits, until the machinations exposed.
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An eclectic group of passengers travelling from Delhi to Mumbai aboard the Rajdhani Express has to deal with an unexpected situation.
This is the story of a popular singer-actress (Aunor) who went into seclusion after the traumatic experience of watching her pregnant sister die in the wake of a stampede of her fans. Nearly twenty years later she took in a young girl who wanted to be a star and tried to mold her into a copy of what she was before. With her she also picked up the pieces of the life she placed on hold and now was wishing to resume not as the star she was but as an involved caring and loving person.
Salve, a content barrio lass, is married to Alfred, an aspiring politician. Alfred meets Via finds out that they can both be very useful to each other's lives. He is set on pursuing a political career and Via is from a powerful political family that wants to continue to govern the land. Together, Albert and Via plan a scheme to get rid of Salve. But Salve survives the carnage. Salve takes revenge.
The film is about the moral contradictions between a victim dog seen as an outsider and a member of household who ruins the dog's house, and all the households are involved in this case.
A female election agent and a gun-toting soldier try to collect votes among the local islanders with mixed success.
It tells the story of a famous TV comedian, popularly known as Selfie King, a character he portrays in the comedy TV series of same name.
BARE BONES is an experimental short film written, directed and scored by DEBBY FRIDAY. Conceived during the Covid-19 lockdown and shot in Vancouver, BC on 16mm, the film tells the story of a young woman who swallows a bee and begins to undergo a hallucinatory and transformative experience. Abstract visual sequences depict time and space fracturing around her as she succumbs to wave after wave of pure feeling.
A man returns to his country only to find a society where citizens police each other with their mobile phones and where there is more freedom inside prison rather than outside it.
Cassidy is experiencing intense visions, 'shifts' in reality, but as we delve deeper into the darkness of his psyche, it becomes all too clear that reality itself is far from what it seems to be...