The L Word Mississippi: Hate the Sin
Gay women living in the Deep South of the United States share stories of the bigotry, sexism, intimidation, and racism that confronts them in a part of the country known for its culture of Christian conservatism.
Captures an intimate's struggle for the right to love. Following a Ugandan transgender girl, forced to leave her country.
Gay women living in the Deep South of the United States share stories of the bigotry, sexism, intimidation, and racism that confronts them in a part of the country known for its culture of Christian conservatism.
This film confronts the culture of violence surrounding trans women of color. It is told through the voices of Laverne Cox and Cece McDonald.
An inspiring love story about a self-described “poor, gay, black man from North Philly” on his historic run for the United States Senate. But this race is about more than taking on the political competition. It’s about taking on an entire system.
Bill Moyers and filmmaker David Grubin give viewers a rare glimpse into dancer/choreographer Bill T. Jones’s highly acclaimed dance Still/Here. At workshops around the country, people facing life-threatening illnesses are asked to remember the highs and lows of their lives, and even imagine their own deaths. They then transform their feelings into expressive movement, which Jones incorporates into the dance performed later in the program. For this documentary, Jones demonstrates the movements of his own life story: his first encounter with white people, confusion over his sexuality, his partner Arnie Zane’s untimely death from AIDS, and Jones’s own HIV-positive status.
From the sweaty basement bars of 70s New York to the glittering peak of the global charts, how disco conquered the world - its origins, its triumphs, its fall and its legacy.
"Pajubá" is a language created by black LGBTs as a mode of resistance. Given this, the present short film seeks to rescue the reality of people who experience in their own skin the strength of intersectionality between race, gender and sexuality in the São Francisco Valley region.
Where does voguing come from, and what, exactly, is throwing shade? This landmark documentary provides a vibrant snapshot of the 1980s through the eyes of New York City's African American and Latinx Harlem drag-ball scene. Made over seven years, PARIS IS BURNING offers an intimate portrait of rival fashion "houses," from fierce contests for trophies to house mothers offering sustenance in a world rampant with homophobia, transphobia, racism, AIDS, and poverty. Featuring legendary voguers, drag queens, and trans women — including Willi Ninja, Pepper LaBeija, Dorian Corey, and Venus Xtravaganza.
A look at what it's like to be gay and black in America.
This is an experimental documentary chronicling the March 1995 groundbreaking conference on lesbian and gay sexualities in the African diaspora. The conference brought together an array of dynamic scholars, activists and cultural workers including Essex Hemphill, Kobena Mercer, Barbara Smith, Urvashi Vaid and Jacqui Alexander to interrogate the economic, political and social situations of diasporic lesbians, gay men, bisexual and transgendered peoples. The video brings together the highlights of the conference and draws connections between popular culture and contemporary black gay media production. The participants discuss various topics: Black and queer identity, the shortcomings of Black nationalism, and homophobia in Black communities. Drawing upon works such as Isaac Julien's "The Attendant" and Jocelyn Taylor's "Bodily Functions", this documentary illuminates the importance of this historic conference for Black lesbians and gays.
Interview with Jason Holliday aka Aaron Payne. House-boy, would-be cabaret performer, and self-proclaimed hustler giving one man's gin-soaked, pill-popped view of what it was like to be black and gay in 1960s United States. Preserved by the Academy Film Archive in partnership with Milestone Films in 2013.
Documentary on Bayard Rustin, best-remembered as the organizer of the 1963 March on Washington.
Sheryl Swoopes famously has been labeled as the female Michael Jordan, but that's only part of the story. On the court, she was nearly as dominant as Jordan, winning a national championship with Texas Tech, three Olympic gold medals, three MVP awards and four consecutive championships with the Houston Comets of the WNBA, the league she helped start. She even had a Nike shoe named after her, the Air Swoopes. Off the court, she has had a life full of transitions. She gave birth to her son, Jordan, during the inaugural season of the WNBA. Later, she divorced her high school sweetheart and became the highest-profile athlete in her sport to acknowledge she was gay. She has struggled with love, money and personal identity, but has never lost her spirit. In this portrait, you will meet someone who is not your everyday superstar, but a woman who has defied a multitude of labels.
A short film that gives voice and space for LGBTQIA+ blacks to express themselves freely, by reporting and documenting stories which are transformative for the viewer, proposing the correlation and criticism of two forms of social oppression: homophobia and machismo.
African-American documentary filmmaker Marlon Riggs was working on this final film as he died from AIDS-related complications in 1994; he addresses the camera from his hospital bed in several scenes. The film directly addresses sexism and homophobia within the black community, with snippets of misogynistic and anti-gay slurs from popular hip-hop songs juxtaposed with interviews with African-American intellectuals and political theorists, including Cornel West, bell hooks and Angela Davis.
Marlon Riggs, with assistance from other gay Black men, especially poet Essex Hemphill, celebrates Black men loving Black men as a revolutionary act. The film intercuts footage of Hemphill reciting his poetry, Riggs telling the story of his growing up, scenes of men in social intercourse and dance, and various comic riffs, including a visit to the "Institute of Snap!thology," where men take lessons in how to snap their fingers: the sling snap, the point snap, the diva snap.
Maurice Hines, a charming, gay African-American entertainer navigates the complications of show business while grieving the loss of his more famous, often estranged younger brother, tap dance legend Gregory Hines.
From adoption and homelessness to navigating relationships and overcoming self-harm, the four transmen in MAN MADE all have something else in common: they are all bodybuilders. Through the lens of FTMFitCon, the world’s only FTM bodybuilding competition, we delve into the lives of Dominic, Rese, Mason, and Kennie as they define what it means to be a man while contextualizing that definition through the social, racial, and economic realities of their lives. For the men of MAN MADE, it’s not about winning—it’s about stepping on stage and being seen for everything they are.
In 1992, at the height of the AIDS pandemic, activist Terence Alan Smith made a historic bid for president of the United States as his drag queen persona Joan Jett Blakk. Today, Smith reflects back on his seminal civil rights campaign and its place in American history.
A documentary that approaches polyamory from the intimate point of view of an Afro-American family who decided to live an authentic life without denying the option of diversity in their love and family.
He is a sensitive boy who represses his true personality. After experiencing traumatic experiences, our protagonist begins to open to the world on a journey that made him the person who is. This is not the complete story, but shows a trajectory of overcoming and change.