Sunday Dinner: DMV
This documentary film is a celebration of Washington DC, Maryland, and Virginia (DMV) and the Black artists driving music culture forward.
73.5% of Punjab's youth is addicted to drugs. A multi-million drug nexus is operating under the noses of the Border Security Force, The Directorate of Revenue Intelligence, The Narcotics Control Bureau and the Intelligence Bureau, leaving them as mere bystanders to Punjab's erosion. The yearly consumption of alcohol in Punjab makes the city's population one of the highest per capita consumers of alcohol in the world! The scenario in Punjab is deteriorating at such a rapid rate that experts have already begun to put an expiry date to the state.
This documentary film is a celebration of Washington DC, Maryland, and Virginia (DMV) and the Black artists driving music culture forward.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
What we show in Milk is literally the best of the best when it comes to dairy farming, yet, as soon we view what happens from the perspective of the mother cow, it becomes clear that this is an industry that runs on the exploitation and suffering of animals. By using animation, we are able to show a unique perspective and tell the story of the mother cow in a way that cannot be done from investigative footage alone. Milk centres the cow as the protagonist of her own story and allows us to view what is happening to her from an up close and personal perspective. Organic, free-range, high-welfare, humanely raised. It doesn’t matter what label we put on dairy products, all dairy cows are victims of an industry that forcibly impregnates them, takes their babies from them, exploits their bodies and then sends them to a slaughterhouse to cut their throats. It's time to end the dairy industry.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
In 1960, Utrecht University took over the Studio for Electronic Music from Philips. In this studio in Utrecht, composers and artists worked on their own compositions. In 1961, Jan Vrijman made a film about Karel Appel, De werkelijkheid van Karel Appel, and Appel himself made a musical composition for this film in the studio in Utrecht. Van der Elsken films and photographs Appel during the composition of his Musique Barbare, as well as recording conversations on tape; the film is in fact a kind of collage of film, photographs and sound. As well as an exceptional record of Karel Appel’s working process, this film is a unique documentation of the studio and therefore a significant piece of Dutch musical history.
Short film about an animal in captivity longing for the outside. An animal that, like us, dreams, is intelligent, curious, social and sensitive, and in whom we can clearly recognise a soul. The piglet in this movie invites us to see the world through his eyes, which will forever change our view on pigs.
A documentary short that follows a 13-year-old girl named Nejmia, who lives in Sana’a and refuses to wear the veil.
Tells the story of the "only true hardcore punk band of the 90s" - HAMMERHEAD. This film is an attempt to approach a band that seems to have always been a mystery to some.
Born in Arcoverde, in the backlands of Pernambuco, the lonely boy who was raised by his father after his mother left, João Silva soon discovered a passion for the northeastern rhythms, such as the baião, xote and forró. He went to Rio de Janeiro when he was still a little boy to meet the idol Luiz Gonzaga. Both men, who were not very fond of each other when they first met, became not only great friends but also partners in many hits like “Doutor do Baião”, “Nem se Despediu de Mim” and “Pagode Russo”.
African men dance, sing and play instruments.
An impression of the funeral parade for Victoria, Queen of England, filmed in London (via https://catalogue-lumiere.com/le-char-funebre/)
Elaborate floats and costumes parading the streets of Nice.
A steamboat coming to port.
Teasing tigers with meat.
The parade occupies only a small portion of the screen, the crowds are a seething mass that do really move and the Independence Bell is nowhere to be seen.
Lumière Brothers film automobiles driving at the Champs-Elysées.
A view of the entrance to the Stockholmsutställlningen, the World Exhibition in Stockholm.
A variation on the popular Butterfly Dance, released in hand-colored and stenciled versions. The film has the catalogue number 2011 and was likely shot in 1897 but not screened in France until the 10th of December 1899.
One minute film of Buffalo Bill's famous show.
A large ship embarking.