Sound Pictures by Music
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Documentary tribute to what VH1 called “the single greatest rock omnibus program ever aired” and Brooklyn Vegan named “the most consistently weird and awesome thing on cable television in the ’80s.” This ‘Best Of’ episode features some of the most memorable moments of Night Flight's near-decade long run including restored interviews and segments from Kate Bush, New Wave Theatre, David Lynch, Prince, Wendy O Williams, Divine, Billy Idol, Johnny Rotten, and much more Night Flight treasures from the archive.
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A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
Released especially for Halloween, this video intended for an international audience of all ages will entertain you. Discover one of the most popular slashers playing on the piano 13 songs related to the Halloween theme in less than a minute and a half.
On the liner notes to Freak Out!, the 1967 debut album by Zappa's original band the Mothers of Invention, Zappa listed some seventy-two names on the liner notes and cited them as influences. The Freak Out List intends to explore who these artists are and what influence they had on Zappa's music. This listing encompasses all sorts of music, from classical composer Edgar Varese to R&B star Johnny "Guitar" Watson to jazzman Eric Dolphy to flamenco guitarist Sabicas. You can hear for instance, how the esoteric classical influence of Varese shaped Zappa's long-form epics like "Lumpy Gravy" or how Dolphy's instrumental prowess led Zappa to incorporate jazz-fusion on albums like Weasels Ripped My Flesh! (1970), which even included a song titled "The Eric Dolphy Memorial Barbecue." Interviews with various Zappa biographers and music historians as well as musicians George Duke, Ian Underwood, and Don Preston, all of whom played in the Mothers at one time or another, help add additional context.
Follow the journey of a young guitar player through the years.
In a wordless story with semi-surreal stage sets, a poor black man ventures from his ramshackle rural home to the big city, where a dancing girl in a dive two-times him. He returns to his home and wife's arms.
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Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.
This short film documents the daily life of the goings-on on Orchard Street, a commercial street in the Lower East Side New York City.
The short film for Kelsea Ballerini's Grammy nominated album Rolling Up the Welcome Mat.
Concert film featuring the final day of her “with LOVE tour” held at Osaka-jo Hall in 2015.
Kana Nishino’s second DVD featuring an unplugged live, a documentary and an interviews. This is meant to run as a film with the unplugged live, interviews, and documentary all playing together intertwining.
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Second Episode: About the changes and developments in the music of this land from the end of the Safavid era to the end of the Second World War. From the courts of different kings to holding the first concerts in Iran, from the introduction of the sound recording phenomenon to Iran, to the influence of the western world on Iranian music and the establishment of a music conservatory. In this episode, we also see the role of music and its artists in the struggle for social change.
The evolution of music from Shahrivar 1320 (August 1941) at the same time as the reign of MohammadReza Pahlavi until 22 Bahman 1357 (February 1978) and the banning of music by Ruhollah Khomeini.
An engine moves from the roundhouse to a track where it couples with several passenger cars. At 2:10 in the afternoon, it starts a trip out of the station through the countryside to its destination. The film consists of a montage of shots, some close up, of the engine and its gears and wheels. With the accompanying ambient sounds and an orchestral score, the emphasis is on the engine's power and speed. Parallel lines of multiple tracks, telephone wires, and trees confirm a careful composition.
This 5-part series is the most intimate, comprehensive biography ever made on John and Paul. Told almost entirely through their own words and music, with information culled from a variety of direct sources and compiled in a way that has never been done before, it directly challenges many of the dominant narratives in Beatles mythology.
In August 1995 Blur and Oasis were engaged in a head-to-head chart battle which divided music fans and led to a wider argument about British pop music. John Harris, journalist and author of The Last Party - the definitive study of the entwinement of music and politics in the 1990s - presents a documentary charting the rise of Britpop, its brief romance with New Labour and the emergence of 'new lad' culture. Finally, as Britpop declines, he asks what legacy it has left. Including contributions from Blur's Graham Coxon, Elastica's Justine Frischmann, Sleeper's Louise Wener, former New Labour insider Darren Kalynuk, and the founder of Creation records, Alan McGee.