She's The One
A television hosts wakes up to her true desires when his best friend's video goes viral.
Buenos Aires. Exe, 25 years old, has just lost his job and is not looking for another one. His neighbors and friends seem as odd to him as they always do. Online, he meets Alf, a boy from Mozambique who is also bored with his job and who is about to follow Archie, another boy who has run away into the jungle. Through the dense vegetation of the forest, Archie tracks ants back to their nest. One of them wanders off course and comes across Canh, a Filipino, sitting on top of a giant heap of earth and who is about to go back to his strange, beautiful home town, where he too has a miserable job.
A television hosts wakes up to her true desires when his best friend's video goes viral.
An unlikely love story between polar opposites Uno and CJ two strangers, and how one night changes their lives forever. Unforeseen circumstances collide and force Uno and CJ to live under the same roof as they both deal with their sense of responsibility and their yearning for security. Uno is motivated by his sense of family while CJ is governed by an unconditional love that should put her first above everything else. The unlikely thing that binds Uno and CJ together paves the way for them to find in each other the kind of love they never thought they needed.
Typhoon survivors fall victim to syndicate that forces the to beg on the streets.
Three siblings Danny, Art and Grace are now well settled with their respective families, in widely contrasting lifestyles. The one common thing that binds them loosely together is the love that their mother Dolores "Loleng" Rosales holds for all of them and her grandchildren, albeit expressed in varying ways and degrees, but always equally nurturing and self-giving. Much as they are held together by her, they are in turn separated by physical distance and the sad legacy left behind by their deceased, erstwhile strong-willed, patriarchal father.
A local albino is searching for his identity. Believing that he is the son of an American, he tries to learn English through reading translations and definitions from a Tagalog-English dictionary.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
You Take Care Now, an early student film, is a perfect exemplar of Ann Marie Fleming's idiosyncratic vision and stands as one of her signature works. Made on 16mm, and incorporating found footage, original material, animation, and processed images (Vancouver's groundbreaking avant-garde cinema of the 1970s is a decided influence here), Fleming's film offers a visually dazzling, emotionally wrenching, oddly humorous account of two profound personal traumas.
Trapped in daily repetition, between the frenetic sound of a glass bottle factory and the guarding of a shed filled with naked mannequins, a young couple meets at evenings. They eat without looking at each other, not even speaking. The Adventure of the Married Couple (Based on a story written by Italo Calvino) is a poetic variation on the daily routine in black and white.
Three friends wait along Dalton Pass every dawn to jump at the back of rice delivery trucks to steal the goods and sell it at the wet market as their means of income. One of them accidentally gets a pack of drugs in one of the trucks they jumped and finds themselves in jeopardy when its owners track them down to retrieve the stash, and gives them a chance to get off the hook by means of taking on a risky mission.
A syndicate old-timer named Ben needs to do one last assignment before the boss he works for grants him his much delayed retirement. Assigned to be his partner is the neophyte Morris, a trigger-happy, sadist who yearns to impress the syndicate boss. For Ben, this last assignment turns out to be a journey of introspection, self-healing and redemption. With this awakening, he takes it upon himself to pull Morris out of the eventual hell-of-a-life he says he has lived as a hitman.
Miguel is an abusive husband to Teresa, a former town-beauty queen. They have an eight-year old son, JR. Their small family lives with Miguel’s parents. The family is shattered by the vicious cycle of domestic abuse. After a night of beating, Teresa, goaded by a friend, seeks TPO (Temporary Protection Order) from the court. TPO is a legal remedy that a woman can avail of under Republic Act 9262 (Violence Against Women and Children Law) to protect her and her child against anyone harming them. Teresa is granted the TPO against Miguel. But in this legal tug-of-war of familial rights, their son ,JR, is ignored. Until, he shows aggression in school.But Miguel’s parents coax Miguel to file for Child Custody.
70-year-old Virginia shares the old ancestral house with Delia, her ever-loyal maid. Delia is marrying her long-time boyfriend, Rene, and tearfully confides to Virginia that she wants to go home to her parents in the province to start a new family life with him. Haunted by a past that Virginia tries to conquer her only son Sonny Boy who disappeared years ago, what follows shows a portrait of a woman and a mother trying to juggle the sad realities of life in a cycle of life and death.
Mira survives a car accident, and awakens without a memory of her past. As she is regaining pieces of her life with husband Paul and blind daughter Sophie, her business associate Dave convinced her to leave her husband as what she promised her before the accident. However, the situations go more weird as strange things start to occur in her home. Mira is forced to confront her past and discover the real story
A man waits. He longs for and mourns for, his increasingly disconnected and disparate love for a person. Goodbye to Love is an epilogue of a romance, contemplative of a protagonist who meditates on the forking ways his liaisons have left him. Suspended in that final, desperate monochrome moment, Goodbye to Love geometrically traces the evaporating points of a love triangle in three spare, melancholic acts. An elegy to the demise of a feeling, and the longing that permeates
Arman is torn between two women, a woman who came from a decent family or the one who kept it a secret of being a first-class prostitute.
Ellie and Jake fall in love, but struggle with their relationship when they discover an unexpected connection between their pasts.
Ayra comes home to bury her dead father and later discovers that her family's estate had been taken over by Edwin, her childhood sweetheart and the son of their former overseer. Though terribly disappointed, she agrees to marry Edwin just so she could keep her hands on what was supposed to be inheritance
Two lovers are separated but in a twist of fate, find themselves in a care of a syndicate leader. He is the bodyguard and she is the wife.
Noel who has to assume the responsibility of being the breadwinner of the family after his father went missing.
In the fall of 1967, intermedia artists Ture Sjölander and Lars Weck collaborated with Bengt Modin, video engineer of the Swedish Broadcasting Corporation in Stockholm, to produce an experimental program called Monument. It was broadcast in January, 1968, and subsequently has been seen throughout Europe, Asia, and the United States. Apart from the technical aspect of the project, their intention was to develop a widened consciousness of the communi - cative process inherent in visual images. They selected as source material the "monuments" of world culture— images of famous persons and paintings.