Barren Lives
In vivid images, the documentary-like story of a drover and his family in the northern badlands of Brazil during the drought. A family in the search of new hope and destiny.
Life is original, everything else is copy
André, 19, lives in Porto Alegre, Brazil, and works as a photocopier operator. He likes to see his neighbor Sílvia with a pair of binoculars. She works selling clothes. Becoming attracted to her, he tries to get nearer, and goes to her shop to buy something, but finds out that he can't afford it. So he puts the photocopier to other uses, and begins to envisage fishy schemes to earn some money.
In vivid images, the documentary-like story of a drover and his family in the northern badlands of Brazil during the drought. A family in the search of new hope and destiny.
A wounded man searches for his sweetheart in the Mexican desert while on the run from the police, bounty hunters, and others.
Brasilia, 1973. At the height of the military dictatorship, seven friends, young as the city in which they live, dream of living in theater. Led by director Léo, the group carries out the rehearsals of a play that weaves comparisons between Jesus Christ and the cangaceiro Lampião. While political repression runs wild in the federal capital and sexual freedom is still taboo, Bia is increasingly being held prisoner by her mother's obsession, causing everyone to increasingly question the concepts and values of society.
Jazz in Love tells the story of Jazz, a young man from Davao whose dream wedding is within reach: his boyfriend of 11 months has proposed. Because no law allows him to get married in the Philippines, he must fly to Germany, his boyfriend's home country, and tie the knot there. One of the things that stand in his way is his inability to speak Deutsch, and to address that he must temporarily relocate to Manila for language lessons. Meanwhile, his parents remain completely unaware of the radical changes that his life is about to undergo.
The biography of the Brazilian YouTuber Christian Figueiredo.
The true story of João Guilherme Estrella ("Johnny"), a young middle-class bon vivant who became a big-time cocaine dealer in Rio de Janeiro in the early 1990s.
Set in the maligned western suburbs of Sydney, Lebanese-Australian John gets out of gaol to discover his younger brother Charlie is caught up with drugs, hookers and crime. Charlie oscillates between the streets and school. Daily clashes between Scott and Charlie's gang escalate. This feud spills into the streets in a territory and identity battle that turns bloody.
Diego is a gay but closeted Hispanic chef living in East Los Angeles who works in the restaurant operated by his grandmother. Frustrated by the secretive lifestyle he shares with his similarly closeted lover, Pablo, Diego finds himself attracted to Wesley, one of the openly gay Caucasian men he feels are gentrifying his neighborhood. Their relationship pushes Diego to consider the possibility of a life he had never imagined.
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Sandro was a boy who loved to sing rap, to kiss, to stare the statue of Christ the Redeemer and dreamed to go visit Copacabana. Growing up on streets, the story culminates at the infamous episode of 12th June 2000, when Sandro hijacked bus 174.
A man is looking for a radio singer named "Dulcineia." For this, he goes through the biggest hassles and problems. The plot, in fact, is an excuse for the exhibition of the musical numbers of the greatest Brazilian Radio artists.
Rio de Janeiro, April 18, 1945. Brazil's foreign policy aligns closely with that of the United States and opens a brief period of democratic rule after the end of World War 2. For years, hundreds of people were arrested and tortured by the Vargas regime. But with the external pressure, several political prisoners gain freedom.
Two sisters, one white and one black, spend a week together at their famous father's summer home. A microscopic examination of the new American family unit, it's a deeply personal film about the human connections that bond us all together.
Everyday family life as perfectly normal madness. “As Melhores Coisas do Mundo“ follows a few days in the life of the 15-year-old Mano, who is fighting on two fronts: his parents have just got divorced and he is going through puberty. Mano tries to make his way through life, with its first sexual experiences, his depressed brother and his self-centered parents. It’s a humorous homage to the pitfalls of daily life and the diversity of life.
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Huang , a Chinese retired general, lives alone in the city center. Traditional and conservative, he hardly leaves the house. One day, Huang receives an unusual visit from his grandson.
Graça is a single mother who works as a massage therapist and lives with her two children: Moreno, 8, and Papoula, 15. One day, in a visit to the doctor, Graça is diagnosed with a brain aneurism that may rupture at any moment. Desperate about who will take care of her kids in the event of her death, she decides to go after her brother, Luiz Carlos, whom she hasn't seen in over 15 years due to a quarrel. When they meet, however, Luiz Carlos has become Gloria, a beautiful and successful trans woman, who now owns a restaurant and brags about being independent. At first, Gloria is unwilling to reconnect with her family; but as she becomes more guilt-stricken, she accepts Graça's invitation to meet her nephews and eventually realizes that maybe, to be complete, she needs to become a mother.
When a doctor decides to carry out an AIDS prevention program inside Latin America’s largest prison: the Casa de Detenção de São Paulo - Carandiru, he meets the future victims of one of the darkest days in Brazilian History when the State of São Paulo’s Military Police, with the excuse for law enforcement, shot to death 111 people. Based on real facts and on the book written by Dráuzio Varella.
It's 2021. The pandemic rages on. In Kuala Lumpur, where some of the lockdown restrictions have just been loosened, a man invites a woman back to his place after their first date.
Rui was raised in Mozambique in a small village at the frontier of a mysterious river. Son of Portuguese colonists, his best friend is Ana, a black girl godchild of his mother. At fourteen he is confronted with the tragic destruction of his childhood and has to learn to recognize two distinct realities - the European and the African.