Danse de l'éventail
A variation on the popular Butterfly Dance, released in hand-colored and stenciled versions. The film has the catalogue number 2011 and was likely shot in 1897 but not screened in France until the 10th of December 1899.
The personal journey of The Australian Ballet's first Indigenous dancer.
Ella Havelka made history in 2013 by becoming the first Indigenous dancer at the 50-year-old Australian Ballet. In this engaging, MIFF Premiere Fund-supported world premiere, Ella – a descendant of the Wiradjuri people – charts her inspiring journey from growing up in modest circumstances as the only child of a single mother in rural Australia to gaining entry to National Ballet School, then spending formative years with the acclaimed Bangarra Dance Theatre before accepting the invitation of The Australian Ballet's artistic director David McAllister to join one of the world's foremost ballet companies.
A variation on the popular Butterfly Dance, released in hand-colored and stenciled versions. The film has the catalogue number 2011 and was likely shot in 1897 but not screened in France until the 10th of December 1899.
American Indians dancing.
Anindilyakwa man, Steve 'Bakala' Wurramara is afflicted with a profound hereditary neurodegenerative disorder. While modern medicine looks for answers, the stories of an ancient curse and black magic still permeate this remote Aboriginal community in far northern Australia. Bakala enlists the help of his daughter to search for a cure from the traditional bush medicines in the land, desperate to find an answer before she too is diagnosed. As his desperation grows and his disorder takes an ever greater hold, Bakala realises he must fight this ancient curse to unlock the secrets of his Ancestors.
A profile on Moses Pendleton, the founder of the Pilobolus Dance Theater and MOMIX.
A very graceful dance with voluminous draperies, by Annabelle Moore, well-known on the metropolitan stage.
A group of women dressed up as Commedia dell'Arte characters dance together.
A group of ten infant girls are on a playground. They are in pairs, matched in height. They are doing an organised dance. Each pair twirls simultaneously, while all five pairs rotate in a circular sequence. They often stop their circular rotation so that each pair can perform the same manoeuvre as the other four simultaneously. (IMDb)
A compelling portrait of an extraordinary figure, Aboriginal WWI soldier Douglas Grant, featuring acclaimed Indigenous actor Balang Tom E. Lewis (in his final performance). Grant (c.1885-1951) was extraordinarily famous in his day, an intellectual, a journalist, a soldier, a reader of Shakespeare and a bagpipe player who could put on a fine Scottish accent. His life story connects Archduke Franz Ferdinand, Adolf Hitler, and Henry Lawson among other famous figures as he moved from Australia to Europe, UK and back. Lewis’s thoughtful and often playful reflections on Grant’s life, along with guest appearances from Max Cullen and Archie Roach, connect to the larger story of Australia’s tragic colonial history and its troubled relationship with First Australians.
WINHANGANHA (Wiradjuri language: Remember, know, think) - is a lyrical journey of archival footage and sound, poetry and original composition. It is an examination of how archives and the legacies of collection affect First Nations people and wider Australia, told through the lens of acclaimed Wiradjuri artist, Jazz Money.
A collective born by the love for Hip Hop culture, in one of the most contradictory places of all. They tirelessly seek to foster and strengthen this culture in the region, taking their name all over on Brazil and the world. Facing all kinds of prejudices, together, they persist in the battle to be better for others. Because they believe that culture is not about what we like, but what can really change lives.
Featuring dozens of performances from the living rooms, backyards, and unconventional venues throughout Athens, GA, the first Athens Rising film takes a deep look at music, dance, food, stand-up comedy, strange theater, visual art, and the origins of AthFest.
From the rains of Japan, through threats of arrest for 'public indecency' in Canada, and a birthday tribute to her father in Detroit, this documentary follows Madonna on her 1990 'Blond Ambition' concert tour. Filmed in black and white, with the concert pieces in glittering MTV color, it is an intimate look at the work of the icon, from a prayer circle before each performance to bed games with the dance troupe afterwards.
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A documentary about young people with autism, and how arts and creative therapies help them to lead fuller lives.
In this Oscar Winning documentary short film, students in their final year at the National Ballet School of Canada are seen learning the flamenco from Susana and Antonio Robledo, who come to the school every winter to conduct classes which are held after the day's regular schedule has ended.
A documentary about dancer Heinz Bosl who died in 1975 - aged 28.
A three-part film by Cao Fei. Part one, 'Imagination of Product', shows workers and machines at the OSRAM lightbulb factory in China's Pearl River Delta. In the second part, 'Factory Fairytale', dancers and musicians appear in the factory, as work continues around them. Finally, 'My Future is Not a Dream' consists of portraits of the factory workers facing Fei's camera.
Kansas City Ballet prepares for the world premiere of The WIzard Of Oz with unfettered access to show the process of creating a brand new ballet from the timeless classic.
In 1945, at the age of seven, a young Joe Eggmolesse was diagnosed with Leprosy. He was immediately removed from his family and home and transported under police escort over a thousand kilometres to be confined on an island for the treatment of the disease. For the next ten years, a leprosarium for Aboriginal people became his home. A lush tropical idyll off the north east coast of Australia, Fantome Island was the home to a close knit community of indigenous 'lepers' who made the most of their existence as people living on the fringes of the marginalised. Now as a 73 year old Joe reflects on his indelible Fantome years. His incredible, poignant story offers a profound insight into one of Australia's hidden histories.