Ottoman Empire: The War Machine
This History Channel documentary traces the Ottoman Empire from its beginnings in the 14th century to its incarnation as one of the largest empires in history, spanning three continents.
Sonia Reich- who survived the Holocaust as a child by running and hiding, suddenly believes that she is being hunted again, 60 years later.
This History Channel documentary traces the Ottoman Empire from its beginnings in the 14th century to its incarnation as one of the largest empires in history, spanning three continents.
Tips for what to expect when taking a vacation aboard a cruise ship, and how to make the most of the trip.
On the 29th September 1945, the incomplete rough cut of a brilliant documentary about concentration camps was viewed at the MOI in London. For five months, Sidney Bernstein had led a small team – which included Stewart McAllister, Richard Crossman and Alfred Hitchcock – to complete the film from hours of shocking footage. Unfortunately, this ambitious Allied project to create a feature-length visual report that would damn the Nazi regime and shame the German people into acceptance of Allied occupation had missed its moment. Even in its incomplete form (available since 1984) the film was immensely powerful, generating an awed hush among audiences. But now, complete to six reels, this faithfully restored and definitive version produced by IWM, is being compared with Alain Resnais’ Night and Fog (1955).
Chez Schwartz takes us inside a year in the life of Schwartz's Deli - the unique 75-year-old landmark on Montreal's historic Main. Filmed through changing seasons, from the quiet of early morning preparation to the frenetic bustle of packed lunch times and never ending line-ups, to the more relaxed ambiance late at night - Chez Schwartz is an evocative, cinematic portrait of a small spunky deli known worldwide equally for its atmosphere and smoked meat.
A girl mixes fiction with reality while writing a letter to her grandmother.
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Every weekend for six years, Jessica takes a bus from NYC, where she lives and works as a set decorator, to Boston, her hometown, where she cares for her dad, Aloysius, who is 87 and has advanced Alzheimer's disease.
What happened to painter Beatriz González, who made us laugh with the irony of her works, to get to the point of making a self-portrait that shows her crying naked? The path of the artist is intimately linked with the history of Colombia during the past fifty years.
World War II, June 1940. France has fallen and suffers the relentless boot of Nazi Germany. But Algeria, the prized French colony in North Africa, remains part of the territory controlled by the Vichy regime of Marshal Pétain. A strict colonial order is maintained: the French of European origin rule, while local Jews are stripped of French citizenship and discrimination against the mainly Muslim population increases.
A look into the life of a couple and the house they raised their family in.
Shock Docs: This is Halloween combines an impressive set of experts/historians and stars from many of the Travel Channel’s most popular series such as Ghost Nation, Destination Fear, Ghost Brothers, Kindred Spirits, Expedition Bigfoot, and The Holzer Files to reminisce on not only the history/origins of the holiday, but also recall their favorite memories of the celebrations, costumes, and scares.
A multi-generational journey exploring the archives of the director's grandfather Ephraim Erde, an official Zionist photographer from the 30s, confronted with the director's current vision in an attempt to create an utopia of her own.
In September of 2017 German writer and director Daniel Raboldt accompanied a group of German and Polish scientists and students into the woods of Masuria, Poland. The expedition aimed to find traces of the so-called "lost villages", left by the Masurians around 1945 by the end of the Second World War. Today only some of the old graveyards can be found deep in the woods of the beautiful Masurian landscape. The documentary "In the back of history - The lost villages of Masuria" shows the students at their work in the historic archives and in the woods. How conclusive can this kind of historic research be? How much can we really learn by looking through old files or other sources? And what can we learn from the vanishing of the Masurians? Do we face similar problems today? The film dives deep into themes like the rise of nationalism and identity and uncovers the tragic end of a population that was asked one simple question in the early 20th century: Stay or Leave?
Stories of 12 gay and lesbian survivors of Nazism and the Holocaust.
"Austria - First Victim of National Socialism" - this is the core theme of the self-image of the country that first welcomed Hitler with waving flags and arms stretched to the sky: Nation, People and Race - Sieg Heil! Monuments, commemorative events and in between the helplessness of dull remembrance. What to do with the lie, where to put the pain, and why again? The war of narratives begins with the liberation of the concentration camps, with the piles of corpses - and it continues to this day. A final journey with those who were there. Which story do we tell ourselves, and which do we want to hear?
Six chapters describe the lives and perils of Thessaloniki’s Jewish community which was almost entirely exterminated by the Nazis in 1943. Past and present become an echo chamber in which the viewer experiences, aghast, the madness of humanity.
The life and times of Leilani Muir, the first person to file a lawsuit against the Alberta provincial government for wrongful sterilization under the Sexual Sterilization Act of Alberta.
In 1946, just after the end of World War II, a secret organization of Holocaust survivors plans a terrible revenge: since the Nazis have killed millions of Jews, they will kill millions of Germans.
Six million Jews died during World War II, both in the extermination camps and murdered by the mobile commandos of the Einsatzgruppen and police battalions, whose members shot men, women and children, day after day, obediently, as if it were a normal job, a fact that is hardly known today. Who were these men and how could they commit such crimes?
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?