Rock 'n' Roll High School
A group of rock-music-loving students, with the help of the Ramones, take over their school to combat its newly installed oppressive administration.
Solo live concert recorded in Brussels, April 12, 1992. Tracks: 1) On A Wedding Anniversary 2) Lie Still, Sleep Becalmed 3) Do Not Go Gentle Into That Good Night 4) The Soul of Carmen Miranda 5) Cordoba 6) Ship Of Fools 7) Leaving It Up To You 8) The Ballad Of Cable Hogue 9) Chinese Envoy 10) Fear Is A Man's Best Friend 11) Dying On The Vine 12) Heartbreak Hotel 13) Paris 1919 14) (I Keep A) Close Watch 15) Hallelujah
A group of rock-music-loving students, with the help of the Ramones, take over their school to combat its newly installed oppressive administration.
The fourth in a series of feature-length documentaries about Progressive rock written and directed by Adele Schmidt and José Zegarra Holder. Krautrock, Part 1 focuses on German progressive rock, popularly known as Krautrock, from in and around the Cologne, Düsseldorf, and Hamburg regions of Germany. Artist featured include Kraftwerk, Neu, Can, Faust and others.
Bullet in a Bible documents one of the two biggest shows that Green Day have performed in their career. They played in front of a crowd of over 130,000 people at the Milton Keynes National Bowl in United Kingdom on June 18–19, 2005. The band was supported by Jimmy Eat World, Taking Back Sunday, and Hard-Fi during their American Idiot world tour. Fourteen of the twenty songs performed at these shows were included on the disc; missing out "Jaded", "Knowledge", "She", "Maria", "Homecoming" and "We Are The Champions". Bullet in a Bible was released as a double-LP set on November 10, 2009, as part of the band's 2009 vinyl re-release campaign.
Breaking Glass is the story of punk singer Kate and her meteoric rise to stardom. Starting out in the rock pubs of London, Kate, assisted by her manager Danny, becomes a huge star overnight. Once at the top the pressure is immense as Kate's band are squeezed out and she is left to cope alone in the spotlight.
“Geometric animation made entirely by sculptural methods: cutting, punching, welding colored leader. HETERODYNE is related to some of my other work as RNA to a protein or polypeptide. It was made in abject (if blissful) ignorance of Paul Sharits’ early work.” –Hollis Frampton
A film about the inception, the 1983 destruction, and the reformation of the American punk band T.S.O.L.
Corrine Burns retreats far into plans for her band, The Fabulous Stains, after her mother's death.
One11 is a 1993 monochrome art film by John Cage and Henning Lohner. It is the only feature-length film production Cage was ever involved in.
A documentary on women musicians of the 1990s from the indie rock music genre, grunge and riot grrrl including Hole, Babes in Toyland, L7 and more.
Exploring the wit, work and world of Joe Orton through his own words, and the testimony of those who knew him and worked with him.
Don Letts examines the history of this notorious subculture in a fascinating documentary, which features interviews with members of different skinhead scenes through the decades. Beginning in the late 1960s, Don fondly recalls a time of multiracial harmony as youngsters bonded over a love of ska, reggae and smart clothes as white working-class kids were attracted to Jamaican culture and adopted its music and fashions. But when far-right politics targeted skinheads in the 1970s and 1980s, an ugly intolerance emerged, and Don reveals how the once-harmonious subgroup has since struggled to shake this stigma.
A documentary that explores the challenges that a life in music can bring.
Controversial cinéma vérité analysis of Havana’s lumpenproletariat in waterfront bars and cafés shortly after the failed Bay of Pigs invasion.
The Pogues playing on St. Patrick's Day in London's Town and Country serves to remind fans why we loved the band and possibly why their breakup was inevitable. A thoroughly sloshed Shane MacGowan mumbles and screams his way through most of their hits to that point in time. Of course, real fans like the mumbling and the screaming. Lots of energy, great guests - The Specials, the late Kirstie MacColl and especially the late great Joe Strummer - who not only gets up on stage for a stirring rendition of London Calling, but serves as a kind of host for the evening as he discusses what made the Pogues so great. The video times in at a paltry 60 minutes which leaves you begging for more, but between the singalong Wild Rover and the silly string silliness of Fiesta, it is a jam-packed entertaining piece of music history.
The creative processes of avant-garde composer Philip Glass and progressive director/designer Robert Wilson are examined in this film. It documents their collaboration on this tradition breaking opera.
A whirlwind of improvisation combines the images of animator Pierre Hébert with the avant-garde sound of techno whiz Bob Ostertag in this singular multimedia experience, a hybrid of live animation and performance art.
The Dreamer That Remains is a documentary produced by Betty Freeman and directed by Stephen Pouliot in 1972. Here is the director’s original cut along with his commentary. If you’ve never seen Partch or his instruments before, this is the place to start.
Director Drew Stone’s New York Hardcore series returns with The New York Chronicles Film 1.5. Featuring never before seen footage and brand new interviews with Sammy Siegler (Youth Of Today / Judge), Jay Peta (Mindforce), Bob Riley Stigmata / Murderers Row) and more. The journey continues throught the community and culture of the iconic New York Hardcore scene that is still vibrant, relevant and going strong to this day. “NYHC Forever And Always!”
A silent succession of black-and-white photographs of the city of Montreal.
Over the course of more than fifteen years, Clémenti films a series of intimate diaries, starting from daily encounters. In La deuxième femme, we see Bulle Ogier and Viva, Nico and Tina Aumont, Philippe Garrel and Udo Kier, a performance by Béjart, a piece by Marc’O, concerts by Bob Marley and Patti Smith (not always recognisable)... It’s like a maelstrom of psychedelic images that are passed through a particle accelerator.