The Cheryl Ladd Special
A TV musical special starring Cheryl Ladd and her guest stars in various musical numbers and vignettes.
Ethel runs a run down saloon in Nicaragua. Word arrives that the soldiers are pulling out, and most of the American miners and all of the women must ship out on a vessel bound for San Francisco, but her boyfriend has been ordered to remain.
A TV musical special starring Cheryl Ladd and her guest stars in various musical numbers and vignettes.
During the Great Depression, vaudeville has fallen on hard times. The Palace Theater may have to close its doors, unless the proprietor, William Jenkins, does something different, so he allows his 12-year-old son to put on a kiddie show that packs the house.
Shapes projected onto an abstract environment. The movement and scale of the forms in the film is a beautiful equivalent of the dynamics of the soundtrack
This half-hour documentary by acclaimed director Jonathan Demme ("The Silence of the Lambs") captures singer-songwriter Neil Young and his hard-rocking backing band Crazy Horse "live" in the studio playing a set of four songs. These sessions took place at the Complex Recording Studios in Los Angeles on October 3, 1994, just one day after Young's critically-lauded Bridge School Benefit concert. Earlier that year, Young and his band had recorded the studio album "Sleeps with Angels" at the Complex studios and came back to film a series of music videos. Jonathan Demme was there to document the recording session, which began at 6:30 pm on a Monday evening and concluded at 4:30 am the next day. "The Complex Sessions" is the result of these sessions. Set List: 1. My Heart (3:08), 2. Prime of Life (4:44), 3. Change Your Mind (14:56), 4. Piece of Crap (3:08).
Cab Calloway sings "We the Cats Shall Hep Ya".
A pop star deals with the personal ramifications of fame
A hep teen hears a tune on the jukebox at the malt shop and calls his girl; She rounds up a crowd and soon the whole place is jumping.
A short history of movie music is presented, from silent films accompanied by a single piano, to the elaborate song scores for musicals (with scenes from MGM's musicals) and background music for dramas. Conductor/composer
An engine moves from the roundhouse to a track where it couples with several passenger cars. At 2:10 in the afternoon, it starts a trip out of the station through the countryside to its destination. The film consists of a montage of shots, some close up, of the engine and its gears and wheels. With the accompanying ambient sounds and an orchestral score, the emphasis is on the engine's power and speed. Parallel lines of multiple tracks, telephone wires, and trees confirm a careful composition.
A modern retelling of the Samson and Delilah story. A super roadie fights evil bouncers stopping a rock and roll crowd from having a good time. He then falls foul of an evil wench who seduces and cuts his hair in order to take away his strength.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
Animator Ryan Larkin does a visual improvisation to music performed by a popular group presented as sidewalk entertainers. His take-off point is the music, but his own beat is more boisterous than that of the musicians. The illustrations range from convoluted abstractions to caricatures of familiar rituals. Without words.
The life story of a potato, which was born in one of the fields and then was taken to the city along with her other counterparts. Once in the apartment, she oversees the life and atmosphere of the new place. The potatoes meets a knife and falls in love with him at first sight...
It Takes Three is a CG-and-traditionally-animated short film included on the home media releases of Trolls Band Together. Taking place after the events of the film, the short follows Poppy, Viva, and Tiny Diamond as they get sucked into the Hustle-verse, only to discover that it is devoid of hustle.
“Sonic artist” Chris Cree Brown discusses composing with new media and how he orchestrates particular sounds into formal compositional structures. Some sounds are made instrumentally, while others are recorded from his environment. In 1980 few classically-trained musicians in New Zealand experimented with synthesized sound and the gloriously large and sturdy equipment Brown uses to create his music will be of sure anthropological interest to many musos. The documentary was recorded with no script to capture the true art of creation.
After uncovering a degraded vinyl album in an abandoned home, three musicians attempt to reimagine one of its songs.
Johnny YesNo – Redux reunites Cabaret Voltaire and Peter Care almost 30 years later with a completely new cast, a relocation to LA and an entirely new soundtrack remixed by Richard H. Kirk, the film has lost none of its hallucinatory power. The short goes deep into the structure of Peter Care’s original film and the Cabaret Voltaire tracks used in connection with it. What emerges is as much a juxtaposition of times and places as sights and sounds. The tale changes in the retelling, but that change now seems to be taking place on a molecular level. Richard H Kirk has reconfigured the film’s soundtrack, giving the proceedings an ominous sense of something slowly sliding into view from afar, glimpsed out of the corner of the eye.
Puppet animation of Bert Ambrose and His Orchestra performing. A Puppetoon animated short film.
The Gay Parisian is an American short film produced in 1941 by Warner Bros. featuring the Ballet Russe de Monte-Carlo and directed by Jean Negulesco. The film is a screen adaptation, in Technicolor, of the 1938 ballet Gaîté Parisienne, choreographed by Léonide Massine to music by Jacques Offenbach. It was nominated for an Academy Award at the 14th Academy Awards for Best Short Subject (Two-Reel).
The first of a series of six two-reel "Musical Parade" shorts produced in Technicolor for the Paramount 1943-44 production season. The series would continue into 1948, and then were reissued in the early 50's. Songs included "All the Way" and "At the Mardi Gras."