Chasseurs de phoques
No overview found
Ocean, ice and bitter cold in a seemingly untouched corner of the world. A crew who can only trust each other in the kingdom of polar bears and sudden storms. Until now this has been an annual ritual for the obstinate, ageing skipper Bjørne and his first mate Espen. In the beginning of the 20th century, more than 200 Norwegian sealing vessels were active, now there’s only one ship left. Massive international condemnation and the EU ban on all imports of seal products has almost wiped out the industry. But the skipper and his first mate refuse to give in. With a motley crew of greenhorns and old-timers, they set out on the dangerous journey into the polar ice. They are the last seal hunters of Norway. Sealers is a chilling feelgood roadtrip story of blood, sweat and frosted cream cakes.
No overview found
Short film about seals, the hunt for them and how they are processed afterwards.
In the frigid waters off of Russia’s Bering Strait, Inuit and Chukchi hunters today still seek out the giant sea mammals that have provided their people with food since time immemorial. It is known, that the whale hunting today is controversial and subject to international criticism and regulations. But the Inuit and Chukchi hunt is permitted by international law because of the whaling is the foundation of their culture and their life. The contemporary story of elders Aleksandr and Aleksei blends seamlessly with that of “the woman who gave birth to a whale” and other ancient myths, told here in vivid animation, in this ongoing struggle for survival and preservation of a traditional lifestyle in one of the most remote places on earth.
With "sealfies" and social media, a new tech-savvy generation of Inuit is wading into the world of activism, using humour and reason to confront aggressive animal rights vitriol and defend their traditional hunting practices. Director Alethea Arnaquq-Baril joins her fellow Inuit activists as they challenge outdated perceptions of Inuit and present themselves to the world as a modern people in dire need of a sustainable economy.
Originally called White Thunder, American producer Varick Frissell's 1931 film was inspired by his love for the Canadian Arctic Circle. Set in a beautifully black-and-white filmed Newfoundland, it is the story of a rivalry between two seal hunters that plays out on the ice floes during a hunt. Unsatisfied with the first cut, Frissell arranged for the crew to accompany an actual Newfoundland seal hunt on The SS Viking, on which an explosion of dynamite (carried regularly at the time on Arctic ships to combat ice jams) killed many members of the crew, including Frissell. The film was renamed in honor of the dead.
The happy life of an Eskimo is disastrously changed when he mingles with an unscrupulous white trader.
From Ceará to Bahia, passing through Rio Grande do Norte, Paraíba and Pernambuco (and with the counterpoint of the Northeastern diaspora in São Paulo and Rio de Janeiro), the documentary seeks to survey the contemporary Northeastern imaginary: a mixture of the most rich or archaic regional traditions with influences from the more modern mass culture of the era of globalization.
Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
Megacities is a documentary about the slums of five different metropolitan cities.
An experimental documentary on dancing and its part in subcultures from punk to electro.
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.
A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.
Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.
In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.
7’30” | DV | Colour | 2001 | Brazil Screening Format: DV Filming Format: Super 8 Original Soundtrack: O Grivo Directed, Photographed and Edited by: Cao Guimarães The illusion of an hypnosis emerges from the serenity of a geometrical succession of forms. In this geometrical 'mini-drama' the pathos is created by colors in movement and the languorous and repetitive beat of a piano.
Follows the footsteps of former Czechoslovak – Vietnamese cooperation and seeks to sum up its importance, regardless of its close political aspects, for lives of few particular Vietnamese citizens and also to report on contemporary Vietnam through experience of local people, who surprisingly aren’t separated from Czech by language barrier.
This film came into being on a farm in the village of Hakushu, Min Tanaka's home. Min Tanaka is a very distinctive personality of Japanese alternative theatre in which the mind questions the tongue and so the body becomes the tongue. Min Tanaka's dance is able to speak even to those who know nothing about Japan and Japanese art. Perhaps it is because, on their road to discovery, Min and his dancers probe deep down to the roots of the culture of all peoples, to the time when we were not yet Europeans and they were not Japanese.
Pavlina is a drug addict imprisoned, as well as her boyfriend, for illegal drug manufacturing. They meet again after the amnesty and the vicious circle of drugs starts rolling again.
René has been in prison since he was 16. He is sick of life and doesn’t care about his parents (just as René’s parents never cared about him when he was a child); he doesn’t even know how many more children they had. After the general amnesty, René just hangs around, not satisfied in any job, and with his younger brother he starts stealing. In no time he is back in prison, this time joined by his brother who is still a youth. History repeats itself and René’s life philosophy seems to be confirmed: You enjoy your freedom for a while, then go to prison and the same thing happens all over again.