Coonskin
Brother Rabbit, Brother Bear, and Preacher Fox rise to the top of the crime ranks in Harlem by going up against a con-man, a racist cop, and the Mafia.
A visual journey that challenges us to think about a universal belonging that doesn’t confine itself to a city, region or national boundary, in an age in which xenophobia, nationalism and intolerance are a daily occurrence.
Brother Rabbit, Brother Bear, and Preacher Fox rise to the top of the crime ranks in Harlem by going up against a con-man, a racist cop, and the Mafia.
The Mapuche tribe asks their Gods for help in difficult situations, including illness and drought. When the Spanish conquerers on their horses invade their country, the indigenous people think that they are aliens. The Spaniards capture and enslave many of the Mapuche tribe. Lautaro, a young captured native, realizes that these aliens are human beings without any divine power. He learns to use their weapons and organizes a resistance movement against the intruders.
Fritz, now married and with a son, is desperate to escape from the domestic hell he now finds himself in. Lighting up a joint, he begins to dream about his eight other lives, hoping to find one that will provide a pleasant distraction.
Free to Be…You and Me, a project of the Ms. Foundation for Women, is a record album, and illustrated book first released in November 1972, featuring songs and stories from many current celebrities of the day (credited as "Marlo Thomas and Friends") such as Alan Alda, Rosey Grier, Cicely Tyson, Carol Channing, Michael Jackson, and Diana Ross, among others. An ABC Afterschool Special using poetry, songs, and sketches, followed two years later in March 1974. The basic concept is to encourage a post-60's gender neutrality, while saluting values such as individuality, tolerance, and happiness with one's identity. A major thematic message is that anyone, whether a boy or a girl, can achieve anything.
An outrageous, affectionate look at coming of age in the Eisenhower era in Brooklyn.
A fragmented portrait of a moment, a person, and a place, seen through the subjective memories of a young Black girl, Imani, and a rookie police officer, David, who both have wildly different recollections of the same fateful moment in a corner store that will leave their lives altered forever.
What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.
Using innovative animation and expert insights, this documentary based on Ibram X. Kendi's bestseller explores the history of racist ideas in America.
When Helene Angel walks home from school with her older brother she is attacked by a street gang and painted white. The effect on Helene and her family is devastating. Helene locks herself in her room, her brother blames himself for not having successfully defended his sister, and the media descends on their neighborhood, completely disrupting her small family. But an outpouring of love and understanding from Helene's friends, classmates and family helps her face what has happened and draws the community together. Inspired by actual events, WHITEWASH conveys a powerful message that transcends age and race, told in an entertaining way perfect for children of all ages.
Marie-Francine Hébert based the script for No Fish Where to Go on her book, which was published in 2003 and illustrated by Janice Nadeau. Directed by Nicola Lemay and Nadeau, this modern tale compassionately and poetically addresses intolerance and the consequences of war.
Adaptation of the satirical poem by Samuil Marshak, ridiculed racism. Mister Twister with his family went to the USSR on the boat, previously agreed with the Cook Travel Company to any boat or in the hotel was not "blacks, Malays and other riff-raff." Arriving in Leningrad, Twister and his family stayed at the hotel "Engleterre", and everything went smoothly until they saw on one of the floors the guest from Africa.
Adapted from the manga of the same name by Hisashi Eguchi, and directed by Minoru Kawasaki and Rintaro, this is a series of random skits featuring anime, live action, and puppet show segments, exploring love, sex, death and many other sometimes controversial subjects.
New York City, October 10, 1965. A group of wooden giant figures from Pamplona, representing Basque culture and traditions, parade down the street; but the local authorities have not allowed the appearance of all of them: due to the racial prejudices that persist in many sectors of society, the participation of two black giants has been banned.
With their marriage on the rocks, Fred and Wilma take a holiday together to rekindle the fire in their relationship.
The story of a rabbi and his talking cat, a sharp-tongued feline philosopher brimming with scathing humor and a less than pure love for the rabbi's teenage daughter.
In a white lace universe, three inventors create machines which are both pretty and useful. Unfortunately people do not understand them...
An animated satire on the question of self-image for African American women living in a society where beautiful hair is viewed as hair that blows in the wind and lets you be free. Lively tunes and witty narration accompany a quick-paced inventory of relaxers, gels, and curlers. This short film has become essential for discussions of racism, African American cinema, and empowerment.
Max Fleischer considers hiring a new cartoonist. While the new guy draws Max's portrait, Koko gets into a fight with a cartoon Chinese man.
The film addresses issues of racism in the Jim Crow American South. Themes of racial injustice, racial violence, working-class solidarity dominate the film. It depicts black men working in a field, walking in chains, sitting behind bars, and being executed in an electric chair. In most scenes, a white authority figure is seen whipping or guarding the men.
In a tribute to the Fleischer brothers shorts of the '20s, a janitor hypnotizes Max Fleischer's pen to draw Betty Boop.