Operation InfeKtion: How Russia Perfected the Art of War
A New York Times documentary mini-series revealing the dark and troubling history of Soviet and Russian misinformation campaigns on foreign governments.
An intimate documentary portrait of one of Russia's most influential opposition politicians.
An intimate portrait of Russian opposition leader Boris Nemtsov — once Deputy Prime Minister and “an heir of President Yeltsin”, later an uncompromising adversary of Putin — that was assassinated near the Kremlin in February 2015. Election campaigns and hotel beds, protest rallies and office routine, train compartments and courtrooms, night walks and police vans – you have never seen any politician so close. This is a story how a journalist assignment turns into a genuine friendship.
A New York Times documentary mini-series revealing the dark and troubling history of Soviet and Russian misinformation campaigns on foreign governments.
The protests of 1968 had a significant impact on the great cities of the world. But people like to forget that the periphery went through the same social upheavals – Central Switzerland, for example. This is hardly surprising: in the founding cantons of the Old Swiss Confederacy, society followed a strict order; tradition, shaped by centuries of Catholic rule, seemed untouchable. But in the 1960s, the local youth could not take these stifling conditions anymore: starting in 1969, resistance broke out across Central Switzerland.
Filmmaker Hare Brasil follows painter, public speaker and street artist Eduardo Marinho as they hit the road aboard Celestina, a worn-down and faulty Volkswagen van, for a trip across Brazil and Uruguay, where Marinho is set to give a lecture at a local University. They cross over 5000 kilometers and stop by numerous cities following an everything goes approach, with Marinho selling his work, talking to people and sharing his thoughts on life, society and everything else.
The six-decade transformation of a block of houses, shown by means of artfully featured archival shots, highlights the beauty and sadness of human-made decay. In the blink of an eye 66 years pass by and a savings bank replaces a church.
Faced with climate change, many countries have embarked on the energy transition. Since the COP21 in 2015, which set demanding targets for reducing greenhouse gases, green energies have been on the rise. The electric car has thus become the mascot of this revolution. But manufacturers remain discreet about the carbon footprint of their cars marked "zero emission". Because not only do they consume electricity that is not always clean, but they also consume rare metals such as cobalt or lithium, the extraction of which causes havoc on the other side of the world. In China, for example, champion of rare metals, in Heilongjiang province, a carpet of toxic dust covers agricultural regions.
A journey into the heart of America's past and future. The story revolving around the mysterious woman, overlooked by historians, who had a profound influence on George Washington, his vision for America, and its independence – a vision that can deeply influence the nation’s present need for healing and unity.
The film tells about a previously unknown episode of Paul Robeson’s biography — a secret conversation in 1949 in a room at the Moscow Hotel with the Jewish poet Itzik Feffer, who told Robeson the circumstances of Mikhoels' death. Paul Robeson Jr. shares his memories, having learned about this secret just before the death of his father, and it is the first time he tells the filmmakers about it.
Tracing the story of a student uprising this documentary explores how the NRA manages to keep a permissive gun law alive, and why it has such a strong hold over American society.
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Actor Michael Sheen goes on a personal journey to explore the reasons for political disillusionment in Wales. Walking in the footsteps of the Chartists, who gave their lives for democracy 175 years ago, he asks why ordinary people and politicians seem so far apart.
By exploring the relationship between the watched and the watching, our film uncovers the trauma and hope engendered by the Chinese all-surveilling state and lends a voice to those that stand in resilient defiance of such blatant abuse of power.
After the impressive Gulistan, Land of Roses (VdR 2016), the Kurdish filmmaker Zaynê Akyol returns with these conversations with imprisoned members of the Islamic State, alternating their words with aerial views of the countryside. An unexpected look at a far-reaching current political issue and a film whose subject matter and rhythm create an impressive cinematic object.
Documentary about anti-fascist mobilization against an annual nazi march near Stockholm, Sweden.
In 1978, just after Le fond de l'Air Est Rouge, which mercilessly analyzed the previous ten years of the revolutionary left's momentum until its collapse, Chris Marker made this complementary piece entitled Quand le Siècle a Pris Forme (Guerre et Révolution).
Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.
A documentary on Al Gore's campaign to make the issue of global warming a recognized problem worldwide.
A Southern Indiana man endures a fatal night of torture after being arrested for a routine traffic stop.
We live in a world where the powerful deceive us. We know they lie. They know we know they lie. They do not care. We say we care, but we do nothing, and nothing ever changes. It is normal. Welcome to the post-truth world. How we got to where we are now…
Documentary tells the story of the Chilean football club Colo-Colo, exploring its profound impact on popular culture and the everyday lives of its fans. Throughout the film, it shows how the club has transcended sport to become a symbol of resistance, pride, and class struggle in Chile.
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?