31 Dec 1939
The Conclave and Election of Pope Pius XII
A short documentary covering the conclave and election of Pope Pius XII.
The quest of truly origin of Rroma (Gypsy) people
RROMANI SOUL traces the true origin of the Rroma people. Through rituals, song and dance we follow emblematic figure and "Queen of the Gypsies" Esma Redzepova to Macedonia, south of France and finally to India. The film reveals for the first time ever that the true and unique origin of the Rroma is Kannauj in Uttar Pradesh, India.
Herself
31 Dec 1939
A short documentary covering the conclave and election of Pope Pius XII.
31 Dec 1911
A six minute film of the funeral of the murdered Metropolitan Emilianos of Grevena, of which all has been lost, save for 17 seconds. Emilianos was murdered on October 1st, 1911.
31 Dec 1905
A group of Macedonian women are shown hard at work.
18 Sep 1905
Early Balkan footage.
18 Sep 1905
Early Balkan footage.
18 Sep 1905
Early Balkan footage.
18 Sep 1908
Early Balkan footage.
18 Sep 1908
Early Balkan footage.
18 Sep 1908
Early Balkan footage.
18 Sep 1911
Early Balkan footage.
18 Sep 1911
Early Balkan footage.
18 Sep 1911
Early Balkan footage.
18 Sep 1911
Early Balkan footage.
18 Sep 1911
Early Balkan footage.
18 Sep 1912
Early Balkan footage.
18 Sep 1905
Early Balkan footage.
27 Mar 1985
In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.
10 Aug 1997
A man is looking for a singer he had heard on cassette. He finds much more.
13 Mar 2017
A documentary about a 78-year-old Indian woman in New York who is the world's most passionate theatergoer. Nicki Cochrane has been seeing a play every day for more than 25 years, acquiring free tickets using a variety of ingenious means.
21 Nov 1989
Rousseau's first full-length feature, and one of the best documentaries/experimental films of the past few decades, sprung equally from Robert Bresson, Michael Snow, and Jean-Marie Straub (who has called Rousseau one of the three best working artists in modern Europe). Again hard places played against drifting sounds from unseen sites beyond the image; the images and sounds, repeated, become inflections of each other. But this time there are historical inflections; Rousseau's film, like Straub's, takes place in a sort of meta-history as characters and ancient sites each become products of outside light and shadow.