
02 Nov 2018

A Trans with a Movie Camera
A non-narrative cine-essay that collaboratively explores the potentials for trans feminine representation in film.
First part of the collaborative project "Brise-Glace" showing the diverse travels on the icebreaker "Frej". Directed by Jean Rouch.
Himself
Himself

02 Nov 2018

A non-narrative cine-essay that collaboratively explores the potentials for trans feminine representation in film.

02 Dec 2015

In the fictional city of Santa Teresa, located on the border between Mexico and USA, the researcher Juan de Dios Martínez straddles the line between journalism and detective work. Based on an unfinished book by Roberto Bolaño, his character investigates a handful of crimes and abuses perpetrated on women and workers of the zone.

19 Feb 1972

At a morgue, forensic pathologists conduct autopsies of the corpses assigned. "S. Brakhage, entering, WITH HIS CAMERA, one of the forbidden, terrific locations of our culture, the autopsy room. It is a place wherein, inversely, life is cherished, for it exists to affirm that no one of us may die without our knowing exactly why. All of us, in the person of the coroner, must see that, for ourselves, with our own eyes. It is a room full of appalling particular intimacies, the last ditch of individuation. Here our vague nightmare of mortality acquires the names and faces of OTHERS. This last is a process that requires a WITNESS; and what 'idea' may finally have inserted itself into the sensible world we can still scarcely guess, for the CAMERA would seem the perfect Eidetic Witness, staring with perfect compassion where we can scarcely bear to glance." – Hollis Frampton

19 Nov 1974

We move back and forth between scenes of a family at home and thoughts about the stars and creation. Children hold chickens while an adult clips their wings; we see a forest; a narrator talks about stars and light and eternity. A dog joins the hens and the family, while the narrator explains the heavens. We see a bee up close. The narrator suggests metaphors for heavenly bodies. Scenes fade into a black screen or dim purple; close-ups of family life may be blurry. The words about the heavens, such as "The stars are a flock of hummingbirds," contrast with images and sounds of real children.

05 May 1972

An atmospheric essay, which is an alternative version of Count Dracula, a film directed by Jess Franco in 1970; a ghostly narration between fiction and reality.

14 May 2019

Cine-diaries about rock bands and personalities from the eighties from the archives of Edgar Pêra.
01 Jan 1966
Avant-garde short by Lawrence Jordan.

14 Aug 1966

On an overcast day late in the summer of 1966, Syd first tripped on mushrooms while film student/friend Nigel Gordon captured the event on 8mm film. This marked a major turning in Syd's life; The man that entered the Gog Magog hills that day would not be the same entity that returned.

07 May 2014

An audio-visual collaboration between Italian ambient/drone musician, Easychord and UK filmmaker, Scott Barley. Guided by Easychord's haunting, bodily piece, the Scott Barley's visuals explore and invoke the concepts of prisoner's cinema, stream of consciousness, repetition, the primordial body, fundamental entities, and astral planes.
01 Jan 1986
Supported by the works of poet/musician Claude Miller, the film portraits a snippet of brazilian reality.

01 Jan 1985

Someone said to me, of this film, that it was really about light; but Jane (who takes it as a portrait – i. e., sees herself in it) said: You gave me the moon and seven stars... and I signed this film, simply, Stan.

23 Aug 1960

Handen (Hands) is an experimental documentary film by Dutch photographer and filmmaker Ed van der Elsken. the film is a moving and poetic observation of how hands play an integral part in human life, from birth to death.

13 Feb 1931

Zdenek Pešánek created the first public kinetic sculpture, for the power station in Prague. This short experimental film focuses on a kinetic sculpture by Zdenek Pešánek. For a period of eight years it issued beams of light from the outside wall of a transformer station at Prague’s power utility before its destruction in 1939. Though genuine, these shots seem abstract to us. They are a rhythmically assembled ode to the light-creating devices and phenomena of electricity. Light arcs, coils, bulbs and various luminous elements support the alternation of positive and negative film images, creating an impressive universe of light and shade. In the 1920s, Pešánek had obtained financial support for his work with electric kinetic light art. In the 1930s, he was the first sculptor to use neon lights. He built several kinetic light pianos, and published a book titled “Kinetismus” in 1941. —http://www.centerforvisualmusic.org

26 Jul 1926

Emak-Bakia (Basque for Leave me alone) is a 1926 film directed by Man Ray. Subtitled as a cinépoéme, it features many techniques Man Ray used in his still photography (for which he is better known), including Rayographs, double exposure, soft focus and ambiguous features. The film features sculptures by Pablo Picasso, and some of Man Ray's mathematical objects both still and animated using a stop motion technique.
13 Oct 2009
Part of the collective film OUTRAGE & REBELLION & inspired by the police repression of a protest in Montreuil where Joachim Gatti lost one of his eyes. CIEL TERRE CIEL can be defined as the poetic identification of this loss.

05 Mar 1994

A collage of Derek Jarman's super 8 footage spanning over 20 years.
26 Oct 2012
After being invited by Benjamin Millepied to a rehearsal for the L.A Dance Project's premiere performance, Oscar-nominated director Alejandro G. Iñárritu was inspired to make a video-exercise that documents movement and dance in an experimental way, with a stream of consciousness narrative. The story takes place in a secluded, dusty space and centers around LADP dancer Julia Eichten who seems to be on an eternal search... for herself.

01 Jan 1965

Using morgue photos, newsreel footage, and a recording by Lena Horne, Cuban filmmaker Santiago Alvarez fired off 'Now!', one of the most powerful bursts of propaganda rendered in the 1960s.

07 Nov 1961

Only at a crisis do I see both the scene as I've been trained to see it ( that is, with Renaissance perspective, three-dimensional logic–colors as we've been trained to call a color a color, as so forth) and patterns that move straight out from the inside of the mind through the optic nerves... spots before my eyes, so to speak... and it's very intensive, disturbing, but joyful experience. I've seen that every time a child was born... Now none of that was in WINDOW WATER BABY MOVING; and I wanted a childbirth film which expressed all of my seeing at such a time.
01 Jan 1983
Impressions of New York City. Experimental short.