
30 May 2017

Hiding Under a Copy of the Strokes' Single 'Under Cover of Darkness'
Hiding inside&out, writhing about, taken out&in.
Philipp Fleischmann develops special cameras designed to formulate specific relations between the material of the footage (16 or 35 mm film) and the object of the recording. For instance, in his 2013 project “Main Hall,” he deconstructs the main exhibition hall of the Viennese Secession, filming the exhibition architecture with 19 individual cameras and thus creating images that show the view of the exhibition space onto itself. Fleischmann’s recent work, “Untitled (Generali Foundation Vienna)" identifies the film camera as a spacial object-form by itself. Correlating with the history of artistic interventions on site, the object is placed in the former exhibition space of the Generali Foundation at Wiedner Hauptstrasse 15, Vienna, and provided with a cinematographic view.

30 May 2017

Hiding inside&out, writhing about, taken out&in.

05 Dec 1997

A short movie about a guy living in his own world.

14 Jun 2017

A story of broken humanity following the invasion of a technologically superior alien species. Bleak, harrowing, and unrelenting, the humans must find enough courage to go on fighting.

17 Jun 2017

Don't ask me why, but I feel we're about to cry trying.

17 Jun 2017

Say Om as you reach home only to realize you never really left/stopped saying Om.
02 Jul 1999
"Filmed in 16mm and hand processed in a week at Phil Hoffman's Film Farm in Canada, this film was a treasure map to lead my husband to his gift, a little pet pig." — Helen Hill

31 May 1975

The rare short film presents a curious dialogue between filmmaker Julio Bressane and actor Grande Otelo, where, in a mixture of decorated and improvised text, we discover a little manifesto to the Brazilian experimental cinema. Also called "Belair's last film," Chinese Viola reveals the first partnership between photographer Walter Carvalho and Bressane.

05 May 2017

No overview found

18 Dec 1970

Italian immigrant kidnaps a wealthy British woman, and they fall in love.

05 May 1978

This highly stylized, critically acclaimed film from the 70's mixes silent film cards, a soundscape, color, opera music and atmosphere to explore the Freudian truths about men's fear of women that Wedekind powerfully exposed. A kinetic melodrama of the rise of a femme-fatale and her fate at the hands of Jack-the-Ripper. Rethinking Pabst's silent film and Alban Berg's opera.

15 Oct 2019

Originality in a time of poorly made copies, a filmic inventory of a strange time, a kaleidoscope of images, in a constant game of ruptures and continuities. All this from 365 videos published on an Instagram page in 2018, added to an original soundtrack and a text adapted from Dürrenmatt's play Dialogue of a Vile Man, a text that synthesizes our time well.

12 Mar 2020

From Winnipeg to Paris, from Montreal to the Philippines, the dash between "Filipino-Canadian" becomes a minus.

11 Jun 2013

The idea of suspension is evoked on shifting registers – as levitation, cessation, preservation, and suspense – and located in sites whose identities slip as we track through a space within a space.

18 May 2010

An homage to Chicago’s East 95th Street Bridge, Calumet Fisheries and to a couple of the city’s infamous cinematic brothers.

26 Aug 2010

A flicker film made with images taken in Malawi. FF was in response to an assignment given by artists Melissa Dubbin and Aaron Davidson who created the soundtrack to which they invited artists to make a “Future Film”.

22 Sep 2010

In support of experiences that are essentially common, but to which language does not easily adhere, the video passes through places that are both themselves, and stand-ins for others. The title is taken from Aleister Crowley’s 1918 translation of the "Tao Te Ching."

01 Aug 2017

In continuous motion with no end or barrier in its way.

23 May 2017

A manufactured memory.

01 Jan 1999

This hand-painted step-printed film begins in a field of white light slightly bespeckled with ephemeral glazes of flecks of silver which gradually give way to pale suggestions of pastel colors. These take shape occasionally and flicker the forthcoming bits of solid colored and multiply formed abstract images, a few brief sequences-of-such intersperced with the cloud-suggestive silvered passages as at beginning, which eventually end the film.

01 Mar 2008

What minimalistic techno looked like in 1910?