KIU - El Documental
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When looking at Pedro Almodóvar’s filmography, it becomes evident that women are everywhere; in fact, his work revolves around them. His divas are the best to create a real portrait of Almodóvar and evoke the emotional power of his films. These women are the ideal observers of a cinematic career that, from La Mancha to Hollywood, has changed the image of Spain in the world.
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An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
A portrait of the Spanish-German actor Daniel Brühl, a versatile performer capable of moving easily from the gentlest to the darkest role.
This documentary depicts the filmmaker Alejandro Jodorowsky talking about his life, his loves, his career as a filmmaker, graphic novelist, and workshop leader, and his eccentricities including tarot reader and theatrical director during The Panic Movement. Directed by Louis Mouchet, La Constellation Jodorowsky includes a lengthy on-camera interview with Jodorowsky in Spanish with subtitles. Marcel Marceau, Fernando Arrabal, Peter Gabriel, Jean "Moebius" Giraud, and Jean Pierre Vignau make appearances discussing their various projects with the director. In addition to the interview and film clips, Mouchet features some bizarre footage from Jodorowsky’s absurdist plays in which topless women splattered with paint writhe around the stage in a theatrical production meant to represent The Panic Movement, i.e., an artistic expression in which reason cannot fully express the human experience.
For decades, Freddy Krueger has slashed his way through the dreams of countless youngsters, scaring up over half a billion dollars at the box office across eight terrifying, spectacular films.
Interview with Fritz Lang on the roof of Villa Malaparte on Capri during the filming of the fictitious film "Odysseus" and the filming of "Contempt" by Jean-Luc Godard, in which Fritz Lang plays the role of an old film director. During the interview, excerpts from the Lang films "The Nibelungen", "The Tired Death" and "M" are shown.
A journey through the meteoric rise and tempestuous story of the legendary American actor Al Pacino, from the Bronx of New York to worldwide stardom.
A documentary chronicling the shared experiences of prominent former child stars and the personal and professional price of fame and failure on a child.
When former child star Aaron Schwartz (Mighty Ducks, Heavyweights) returned to the acting world as an adult, he found himself always being asked this recurring question: 'how is he still normal having been a child star?' After seeing one too many sensationalized 'where are they now' publications he began to notice that being a child actor carried with it a stigma that seemed impossible to break. Aaron explores why the Stigma of being raised in Hollywood exists, and why child stars are so often misunderstood.
Documentary about master director Roberto Rossellini, who tells details of his life and childhood and visits the places where he has lived and shot some of his most famous movies.
As Hong Kong's foremost filmmaker, Johnnie To himself becomes the protagonist of this painstaking documentary exploring him and his Boundless world of film. A film student from Beijing and avid Johnnie To fan, Ferris Lin boldly approached To with a proposal to document the master director for his graduation thesis. To agreed immediately and Lin's camera closely followed him for over two years, capturing the man behind the movies and the myths. The result is Boundless, a candid profile of one of Hong Kong's greatest directors and a heartfelt love letter to Hong Kong cinema.
The documentary captures the fall or rebuilding what had been a symbol of the Franco regime, but the cessation of work due to the economic crisis turns into a viewer of the financial and economic paralysis of the country during these years.
Fulton and Pepe's 2000 documentary captures Terry Gilliam's attempt to get The Man Who Killed Don Quixote off the ground. Back injuries, freakish storms, and more zoom in to sabotage the project.
An episode of the television program Cinéastes de notre temps in which the director gives his first on-camera interview.
A documentary about the making of Jean-Pierre Melville's 1949 film "Le silence de la mer"
After 40 years, Tom Cruise continues to push the envelope in film. Exposing one's heart to the world through their work is not only risky business, as far as Cruise is concerned, it is the only way to achieve an end that feels complete.
A retrospective on the life and work of Portuguese director António-Pedro Vasconcelos.
"No film may throw ridicule on any religious faith..." So began Article VIII of the Hollywood Production Code, a series of ethical guidelines that for forty years helped the motion picture industry produce many of the greatest and most family-friendly films in history. That was then, however, this is now. A revered "historical" movie quietly takes every opporturnity to lie and twist the facts in order to make Christians appear as backward, foolish hypocrites. An actress jumps at the chance to play a Christ-hating role, saying, "I'm an atheist, so it was a joy." One of Hollywood's most respected directors films a passion play written by a disciple of Friedrich Nietzsche, the father of the "God is dead" movement. Not surprisingly, the movie's Jesus helps crucify people and later confesses that satan is inside him. A media mogul states that "Christianity is a religion for losers."
Documentary film about Catholic Church teachings about homosexuality. Describes the "third way", the lifestyle lead by orthodox gay Catholics practicing celibacy out of personal choice, an often overlooked demographic in the debates about homosexuality in the Church.
A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.