08 Dec 1948
Seven More Stations
A film about the expansion of the Central Line beyond Stratford.
Terminus
This fly on the wall-style documentary from 1961 won an Oscar for best documentary, and shows the changing patterns of human emotions during 24 hours in the life of Waterloo Station.
Top Billed Cast
Peggy Ashcroft Mother (uncredited)
Gertrude Dickin Woman Asking About Train (uncredited)
Margaret Lacey Elderly Lady at Lost Property Office (uncredited)
Matthew Perry Little Lost Boy (uncredited)
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Seven More Stations Seven More Stations Railway Station 
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Blue Planet 
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From the unique vantage point of 200 miles above Earth's surface, we see how natural forces - volcanoes, earthquakes and hurricanes - affect our world, and how a powerful new force - humankind - has begun to alter the face of the planet. From Amazon rain forests to Serengeti grasslands, Blue Planet inspires a new appreciation of life on Earth, our only home.
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Roundhay Garden Scene 
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The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.
1/57: Experiment with Synthetic Sound (Test) 1/57: Experiment with Synthetic Sound (Test) 01 Mar 1957
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Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl)
Film-Tract n° 1968 
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Chronos 
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Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
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Retrace the groundbreaking footsteps of Charles Darwin with a young scientist as she explores the biological diversity and unique geologic history of the Galapagos archipelago. Using the magic of IMAX® and IMAX® 3D technology, plunge 3,000 feet into underground lava tubes, soar over the peaks of 5,000 foot volcanoes and encounter an abundance of marine life.
The Living Sea 
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The Living Sea celebrates the beauty and power of the ocean as it explores our relationship with this complex and fragile environment. Using beautiful images of unspoiled healthy waters, The Living Sea offers hope for recovery engendered by productive scientific efforts. Oceanographers studying humpback whales, jellyfish, and deep-sea life show us that the more we understand the ocean and its inhabitants, the more we will know how to protect them. The film also highlights the Central Pacific islands of Palau, one of the most spectacular underwater habitats in the world, to show the beauty and potential of a healthy ocean.
We Live in Prague We Live in Prague 13 Jul 1934
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A 13-minute documentary film depicting life in Prague.
Roving Mars 
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Carmencita 
Carmencita 14 Mar 1894
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The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.
Blacksmithing Scene 
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Three men hammer on an anvil and pass a bottle of beer around. Notable for being the first film in which a scene is being acted out.
Tropical Rainforest 
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The Arrival of a Train at La Ciotat 
The Arrival of a Train at La Ciotat 30 Jun 1896
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A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.