
21 Mar 2011

JENNY@7-11
In a convenience store, the door of the storage room is a two-way mirror, reflecting a romantic story of love at first sight.

Self

Self

Self

Narrator (voice)

Self

Self

Self

Self

Self

21 Mar 2011

In a convenience store, the door of the storage room is a two-way mirror, reflecting a romantic story of love at first sight.

30 Jun 1896

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

23 Sep 1927

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

01 Jan 2006

Georgian director Otar Iosseliani prepares his film Jardins en Automne. Nothing is conventional in the filmmaker's system: Julie Bertuccelli portrays the gestation and production of a film that seems to follow the freest and most unpredictable poetic intuitions of its creator. The constant and hilarious arguments with the producer, Martine Marignac, a Michel Piccoli transformed into an old woman, and the director's peculiar filming system, in which he signals his actors to start with a whistle, paint a picture of one of the most unclassifiable cinematic experiences in contemporary cinema.

27 Apr 1959

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

22 Mar 1895

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

02 Apr 1978

A documentary about how Republican forces lost to Franco in the Spanish Civil War.

06 Dec 2006

No overview found

01 Nov 1996

Documentary overview of Peter Lorre's ascension to fame as a master purveyor of silky but disquieting peril.

21 Feb 2007

The documentary about the life of Fernando Pessoa, defended by journalist Clara Ferreira Alves, underlines how, in just 30 years, Fernando Pessoa built an immense body of work, of astonishing quality and all of this while being nothing more than an anonymous office worker all his life.

01 Jan 1976

Claustrophobic portrait of a docile rural wife's daily routine.

01 Oct 2016

CREE CODE TALKER reveals the role of Canadian Cree code talker Charles 'Checker' Tomkins during the Second World War. Digging deep into the US archives it depicts the true story of Charles' involvement with the US Air Force and the development of the code talkers communication system, which was used to transmit crucial military communications, using the Cree language as a vital secret weapon in combat.

01 Jan 1961

This anti-homosexual social "scare" short film focuses on the dangers of young boys talking to strangers.

01 Apr 1950

Vertigine (Vertigo) is the original title of a fragment of around 4', signed by Michelangelo Antonioni, which is a part of the eight-minutes documentary La funivia del Faloria. The title was eventually modified in La funivia del Faloria because considered more effective to obtain the governmental prize (at the time the minimum length allowed was 8 minutes). Vertigine was shot in 1949 with the cinematographer Bellisario, who was director of photography in several documentaries in those years, but was edited only in 1950, after Antonioni had made his first feature film, Cronaca di un amore.

03 Dec 2020

Nathan Quinell is a fully trained chef… he also happens to be legally deaf and blind. That’s never stopped him from chasing his dreams to become a full-time cook, but now Nathan must prove himself to his peers, his students and potential employers.

29 Apr 1969

A strange and mischievous documentary on an archeological site in the Qaytarieh hills in Tehran. This short narrates the story of the dead people who wished never to be found.

07 Jul 1967

6-18-67 is a short quasi-documentary film by George Lucas regarding the making of the Columbia film “Mackenna's Gold”. This non-story, non-character visual tone poem is made up of nature imagery, time-lapse photography, and the subtle sounds of the Arizona desert.

06 May 2017

For First Nations communities, the headdress bears significant meaning. It's a powerful symbol of hard-earned leadership and responsibility. As filmmaker JJ Neepin prepares to wear her grandfather's headdress for a photo shoot she reflects on lessons learned and the thoughtless ways in which the tradition has been misappropriated.

14 Feb 2007

For longer than the United States has been an independent nation, there has been a Marine Corps. They consider themselves the very best America has to offer. Embodying fierce patriotism, extraordinary courage, and innovative weapons, they are a force. This documentary focuses on their training and examines what it means to be a Marine.

31 Oct 1979

The remarkable spirit of tap dancers and their history provides a joyous backdrop for intimate portraits of hoofers Sandman Sims, Chuck Green, and Bunny Briggs.