Superstar: The Karen Carpenter Story
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
The winner of the Miss World Virginity contest marries, escapes from her masochistic husband and ends up involved in a world of debauchery.
You Take Care Now, an early student film, is a perfect exemplar of Ann Marie Fleming's idiosyncratic vision and stands as one of her signature works. Made on 16mm, and incorporating found footage, original material, animation, and processed images (Vancouver's groundbreaking avant-garde cinema of the 1970s is a decided influence here), Fleming's film offers a visually dazzling, emotionally wrenching, oddly humorous account of two profound personal traumas.
When timid bank clerk Stanley Ipkiss discovers a magical mask containing the spirit of the Norse god Loki, his entire life changes. While wearing the mask, Ipkiss becomes a supernatural playboy exuding charm and confidence which allows him to catch the eye of local nightclub singer Tina Carlyle. Unfortunately, under the mask's influence, Ipkiss also robs a bank, which angers junior crime lord Dorian Tyrell, whose goons get blamed for the heist.
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Parody of the acclaimed Australian series of the 80s, Return to Eden. Wealthy heiress Stephanie Harper marries athlete Craig Danners, without suspecting that he only wants her money and is having an affair with her best friend, Crystal. Craig and Crystal have a plan to get rid of Stephanie and steal her fortune by making her suffer a terrible accident, which leaves her face disfigured. She is saved by the handsome Doctor Danley, who performed a plastic surgery on Stephanie that turned her into a completely different and beautiful woman. Stephanie starts plotting her revenge against Craig and Crystal, who believe that she died in the accident.
A contemporary man in the eye of the cyclone created by information. He finds no support for his hands and feet. It’s like in a poem by Tadeusz Rozewicz (‘falling in every direction’), he turns to dust when his time finally comes.
In a world where everything is forbidden except what is obligatory, a man recalls what led him to work in a very strange fast food restaurant.
Momo is a young orphan girl who lives in the ruins of an old Roman amphitheater and becomes friends with everybody in the neighborhood. But when a powerful international corporation starts stealing everybody’s time, nobody has any time left for her, let alone their friends or families. Momo, together with Master Hora, the custodian of time, are the only ones who can go up against the time thieves before all is lost forever.
When the young orphan boy James spills a magic bag of crocodile tongues, he finds himself in possession of a giant peach that flies him away to strange lands.
During a rainy day, and while their mother is out, Conrad and Sally, and their pet fish, are visited by the mischievous Cat in the Hat. Fun soon turns to mayhem, and the siblings must figure out how to rid themselves of the maniacal Cat.
It is well known that the disposition of the images drawn by Escher are neither for animation nor for pre-animation; actually, quite the opposite. His images appear to be the carrying out of metamorphic dissolves. A bird gives way to the recognition of a house, which turns into fish, which turns into birds, and so on. Not a single flapping of wings takes place; everything is reiterated and fixed, becoming immersed in and re-emerging from a static continuum. All of Escher is an homage to one of the major animating forces of the cinema: the cross-dissolve. Precisely there, I found cinematic attitudes: in the house which turns into fish and in everything that transforms into something else. I gradually managed to figure out various types of non-existent sequences and then finally found myself dissolved, crossing over metamorphically. —P.G.
A down and out young punk gets a job working with a seasoned repo man, but what awaits him in his new career is a series of outlandish adventures revolving around aliens, the CIA, and a most wanted '64 Chevy.
After distancing himself from his off-screen boyfriend, an IT graduate (and wannabe painter) finds himself on a suburban odyssey to get his best friend's laptop fixed, his only company being his imaginary friend (a walking talking goldfish).
An abstract experimental short film from Jordan Belson.
The story revolves around a Basque Roman Catholic priest dedicated to committing as many sins as possible, a death metal salesman from Carabanchel, and the Italian host of a TV show on the occult. These go on a literal "trip" through Christmas-time Madrid to hunt for and prevent the reincarnation of the Antichrist.
Desperate to escape his mind-numbing routine, uptown Manhattan office worker Paul Hackett ventures downtown for a hookup with a mystery woman.
In the modern village of the future, everything is mechanized, but the dreams of the village musician remain the same. He wants to become an artist. Thanks to the fact that an Art Nouveau goddess gave him a helping hand, Janko Muzykant saves his life and escapes from the village on a Pegasus.
An interactive flash animation from Dutch digital artist Han Hoogerbrugge.
Animation, also of a new order in the recent series of short works. Mostly on black space, the figures in blue perform a very compact and jewel-like opera in surreal form, again to Satie’s piano music. Ideally, the film should be projected on a 30" wide white card sitting on a music stand, center stage of a large auditorium or music hall, with sound from the projector piped into the big speaker system. The film is most effective this way, but can be shown normal-size also